Complete Discography compiles Minor Threat's entire body of recordings on a single compact disc. Hardcore, as a rule, wasn't particularly musically diverse, but Minor Threat were one of the genre's groundbreaking acts and their music has held up better than most of their contemporaries. As the de facto leaders of the Washington, D.C., hardcore scene, the band pioneered the straight-edge mentality by emphasizing impossibly fast tempos, brief songs, political lyrics, and a drug- and alcohol-free lifestyle. Besides setting the precedent for several generations of punk rockers with their music and ideals, Minor Threat were simply a better band than most hardcore groups. They had a tight, distinctive sound that wasn't as heavy as their Californian counterparts and, therefore, were often more bracing and effective. Although some of the music on Complete Discography, like much of hardcore in general, hasn't aged particularly well – with its cheap production, rigid song structures, and political concerns, it is very much a piece of the early '80s – the sound remains invigorating; the band possessed a visceral energy matched by only a handful of their peers.

The senses reign, and Reason now is dead (Petrarch). Giovanni Antonini, flautist and founder of the legendary Italian ensemble Il Giardino Armonico, enjoys musical voyages, the discursiveness of music. He begins with an anonymous 16th century pavane, La Morte della Ragione (The Death of Reason), which he believes refers to In Praise of Folly, in which its author Erasmus distinguishes between two forms of madness: a sweet illusion of the spirit, and a negative form, one that the vengeful Furies conjure up from hell…

'Titon et l'Aurore' is an opera in three acts and a prologue by the French composer Jean-Joseph de Mondonville which was first performed at the Académie royale de musique, Paris on 9 January 1753. The authorship of the libretto has been subject to debate; Mondonville's contemporaries ascribed the prologue to Antoine Houdar de la Motte and the three acts of the opera to the Abbé de La Marre. Titon et l'Aurore belongs to the genre known as the pastorale héroïque. The work played an important role in the so-called Querelle des Bouffons, a dispute over the relative merits of the French and Italian operatic traditions which dominated the intellectual life of Paris in the early 1750s.

Ce disque renferme de la musique de circonstance rythmant la vie de la cour de Versailles de Louis XIV à Louis XVI. Les deux compositeurs mis en valeur sont peu connus mais de leur temps étaient les familiers des souverains et les compositeurs des musiques servant à accompagner les chasses, festins, mariages, fêtes, divertissement qui marquaient les temps forts de la vie de Cour.

A rare early album by the legend Brazilian guitar genius - still bossa, but also recorded in the US - which gives the album a stronger jazz feel at times! The core focus here is still on Bonfa's lively guitar solos - but the presence of added jazz musicians make for a set that's a bit fuller and richer than some of the more solo-styled album from Luiz - not exactly Verve bossa, but somewhere close - and a wonderful record that manages to capture the best side of Bonfa's lyrical genius - thanks to a mix of original sambas and bossa tunes, plus Bonfa-ized versions of some American standards.

There's One in Every Crowd is the third studio album by Eric Clapton. Recorded shortly after 461 Ocean Boulevard, the album features a style similar to its predecessor but did not enjoy similar commercial success. After the success of "I Shot the Sheriff", Clapton and his backing band went to Jamaica to record There's One in Every Crowd. The songs "Swing Low, Sweet Chariot", "Little Rachel" and "Don't Blame Me" are recorded in a reggae style, though the rest of the record is considered blues and rock. However, with his growing alcohol dependency and drug problems in Jamaica, the record was very challenging to record. Clapton wanted the album title to be "World’s Greatest Guitar Player (There's One in Every Crowd)". RSO didn't like the first part and chose to release the album under the shortened title.

6 CD-Set, the third volume of outstanding Krautrock that will surely do your head in… again! Krautrock was (and still is) a musical phenomenon that sprouted in Germany in the late '60s and early '70s. Combining elements of Psychedelia, Prog Rock, Art Rock and Avante Garde, Krautrock became a movement unto itself. This 64 track anthology features cuts from Birth Control, Nektar, Anyone's Daughter, Guru Guru, Eloy, Pell Mell, and many others.

Live at the London Troxy is a live album by New Order, recorded on 10 December 2011 at The Troxy in London.
This release was the first since the band decided to reunite with its new lineup, featuring the return of keyboardist Gillian Gilbert, and Tom Chapman replacing former bassist Peter Hook. The sold-out show was their first performance in London in over five years, and the album includes the entire performance. During their 90-minute set, New Order performed songs spanning 25 years of hits, alongside songs not played live since the 1980s ("586", "Age of Consent", "Elegia", "1963"), culminating with a rendition of Joy Division's "Love Will Tear Us Apart".

Soul/funk/disco band from Miami, Florida. Formed by producer/songwriter Willie Clarke in 1974, the original line-up comprised of Andrew Curran (guitar), Willie Jackson (bass), Robert Moore (vocals), George Perry (bass), Freddie Scott (drums), Warren Thompson (guitar), Bobby Williams (organ) and Clarke himself on percussion. The band released a few albums but mainly served as the in-house band for T.K. Records. With the demise of that record label in the early 1980's, Miami was disbanded.

Red, Hot and Heavy is the first studio album by the Danish hard rock/heavy metal band Pretty Maids. The album was released in 1984 by CBS Records. The song "Night Danger" was used in the soundtrack for the horror film Demons (1985) by Lamberto Bava. In 2005, Red, Hot and Heavy was ranked number 437 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.