Snowy White is one of a handful of classic blues-orientated British electric guitar players - musicians whose sound, technique and style has echoed the originality of the blues with the excitement of contemporary rock. He has developed his own style of 'English' blues, a combination of clear, clean blues phrases and harder-edged riffs that are a recognisable feature of his very personal songs. In the Autumn of 1976 he was invited to tour America and Europe with Pink Floyd as their first augmenting musician, a gig which took up most of his time throughout 1977. In 1979, Peter Green decided to head for the studio once more and invited Snowy and his band along to jam.

Pop, rock hits are given a 60s makeover on this collection.

The greatest French interpreter of the works of Faure. A multi-awarded pianist. Complete piano works with rarely recorded works.

Violinist Amandine Beyer has a variety of musical interests but is best known as a specialist in the Baroque violin, with a repertory stretching from the early Baroque to the Classical period. She has collaborated with numerous top historical performance groups, founded the chamber orchestra Gli Incogniti, and is a co-founder of the Kitgut Quartet. Beyer was born in 1974 in Aix-en-Provence, France. She began taking lessons at age four on both the violin and recorder. In 1990, she entered the Paris Conservatory as a violin student, studying with Sylvie Gazeau, graduating in 1994 with a first prize in violin.

Vincenzo Bellini was one of the most important composers of Italian opera in his time.

Following a devastating cancer diagnosis in September 2022, Adrian Sutton, composer of the music for War Horse, The Curious Incident of the Dog in the Night-Time, and other National Theatre productions, made a conscious decision to change his focus, committing himself to working solely on music for the concert hall. This has led to a series of major new works, including his Violin Concerto which received its world première at the Southbank Centre in June 2023, played by Fenella Humphreys and the Royal Philharmonic Orchestra. Adrian commented: ‘We all have limited time – and resources. How to make best use of them? In my situation, there’s only one answer: avoid egregious waste of both time and energy ruminating on things I can’t change. Instead, I can choose how I react to the facts – and I’m choosing not to be a victim.’ This new album of world-première record ings reflects the composer’s new focus. Of the album, Adrian Sutton says: ‘Here's the real musical me. My core musical DNA. The Violin Concerto in particular (being a violinist myself) is for me the main course on this disc, but the other works are a showcase for what I’ve always been about… ranging from the bracing and instrumentally challenging A Fist Full of Fives through to orchestral suites derived from my theatre works. I’m very proud of them all, and pleased to have had the opportunity to share them.’

Pop, Latin, and R&B hits are given a 60s makeover on this collection.

Rob Zombie The longtime frontman for '90s industrial superstars White Zombie, New England-bred multi-hyphenate Rob Zombie went on to forge a highly successful solo career and later branched off into the world of film. A lover of B-movie camp, horror nostalgia, and psychedelic imagery, his enduring 1998 debut Hellbilly Deluxe set him apart from contemporaries by balancing brutal metal power with a tongue-in-cheek sense of humor and sexiness that never took itself too seriously. Over the decades, he remained a fixture in the U.S. Top Ten, scoring additional hits with 2001's The Sinister Urge and 2006's Educated Horses.

Barbara Hannigan, a Grammy award-winning artist at the forefront of creation, leads an ensemble of outstanding young musicians from the Royal Academy of Music and The Juilliard School. Since 2002, the Academy and The Juilliard School, both international leaders in their field, have enjoyed a special and fruitful friendship based on 20 years of performances, exchanges and recordings. In this latest collaboration, Hannigan directs students from both institutions in an all-Stravinsky programme, including the Octet, Dumbarton Oaks, Ragtime and Three Japanese Lyrics. Recently appointed the Reinbert de Leeuw Professor of Music at the Academy, Hannigan conducts this transatlantic group in a wonderfully intelligent and engaging programme of Stravinsky's most iconic ensemble repertoire.

'The rehearsals for La Vie parisienne are almost driving me insane', wrote librettist Ludovic Halevy a few days before the work's first performance. The artists of the Palais-Royal company were struggling with some of the musical numbers Offenbach had written for them. Under pressure, composer and librettists had to simplify, cut, rewrite and sometimes even abandon some of their most successful inspirations. The international success of the final score soon ensured the hundreds of pages reluctantly deleted by Offenbach were well and truly forgotten. Now the research of the Palazzetto Bru Zane team has uncovered all this musical material, making it possible to present the world premiere recording. Listeners can now enjoy a delightful Diplomatic Trio, a Seduction Quintet, a Roadsweeper's Song, an air for Urbain, the Fabliau of the Baroness, and more. The team of fourteen soloists assembled under the baton of Romain Dumas benefits from the glittering sonorities of the Orchestre national du Capitole de Toulouse, which previously recorded Offenbach's 'other' Vie parisienne back in… 1976.

The soprano Ania Vegry, the recipient of many prizes, was nominated by Opernwelt as the Young Artist of the Year in 2009 and has been an ensemble member at the State Opera of Lower Saxony in Hanover since 2007. The Online Musik Magazin certifies that »her soprano voice, most highly fluent in the coloraturas, possesses warmth and substance, expressive power, and flawless intonation« – which makes her the ideal choice for the rich affections of the arias of Florian Leopold Gassmann, an Austrian composer on the cusp between the Baroque and Early Classicism. After two years of study with Giovanni Battista Martini, Gassmann became an organist in Venice. In 1757 he composed his first opera, and through 1762 he composed an opera every year for the Carnival season In Venice.

'Weltschmerz' is the much anticipated new and final double studio album from Fish that is being acclaimed as the finest work of his long and illustrious career. Co written with long term collaborators Steve Vantsis and Robin Boult with contributions from John Mitchell (Garden of Remembrance) and Foss Paterson it has been over 3 years in the making and as such is an exceptional piece of work produced by Calum Malcolm (Blue Nile, Fish 'Feast of Consequences' and '13th Star') and Steve Vantsis.

In celebration of his 80th birthday, this four-disc set spans more than five decades of Michael Tilson Thomas' compositional career. It features 18 works, from premiere recordings to remastered archival recordings available for the first time. The deluxe collection also includes an extensive booklet containing composer's notes, original essays, and a timeline of archival photos chronicling MTT's life as a pianist, conductor, composer, recording artist, and teacher. All proceeds from GRACE: The Music of Michael Tilson Thomas will be donated to brain cancer research at the University of California, San Francisco Brain Tumor Center.

The Sainte-Colombe family remains a source of mystery to this day: the first name and the origins of the father, who taught Marin Marais and composed numerous pieces for one or two viols, remains hidden in the mists of time. The same obscurity surrounds his son or sons: records show a few traces of him in London and Edinburgh around 1700, although all that is really known of him comes from the Pieces de viole recorded here; these five suites of dances in the French style, including a Tombeau pour Mr de Sainte-Colombe le pere, have survived in a non-autograph manuscript. The version presented here breaks with the usual interpretations of these Pieces de Viole, as it includes a reconstruction of a basso continuo part as was common in works by composers of the son's generation. The non-autograph source that has survived gives a general feeling that something is missing in the harmonic structure, a lack that is here filled by this new basso continuo part. Reconstructed in the musical language and style of the time, the music of Sainte-Colombe's son here seems to come back to life; these pieces have not only recovered their full meaning but also reveal a sublime music.

Since the Baroque revival of the late 1980s, Iphigenie en Aulide is Gluck's only French opera to have remained unrecorded (in the studio and released on CD) on period instruments. To celebrate its 250th anniversary in 2024, Julien Chauvin, Le Concert de la Loge, Les Chantres du Centre de musique baroque de Versailles and a top-flight cast led by Judith Van Wanroij, Stephanie d'Oustrac, Cyrille Dubois, Tassis Christoyannis, Jean-Sebastien Bou and David Witczak have filled that gap with a new recording of the work which revolutionised the aesthetics of French opera. It is underpinned by in-depth musicological and stylistic research carried out by the Centre de Musique Baroque de Versailles in collaboration with Julien Chauvin, in this, his first operatic recording.