Cum On Feel The Hitz is a superlative and comprehensive collection of Slade singles from 1970 to 1991. Cum On Feel The Hitz is released as a double CD and a 2LP collection: the CD comprises of 43 singles, while the double vinyl features 24 singles. Cum On Feel The Hitz includes all six of their UK Number one singles: "Coz I Luv You”, “Take Me Bak ‘Ome”, ”Mama Weer All Crazee Now”, “Cum On Feel The Noize”, “Skweeze Me, Pleeze Me“ and “Merry Xmas Everybody” and a total of 16 Top 10 singles. The affection for Slade’s music and attitude remains undimmed today, as 1973’s “Merry Christmas Everybody” has gone on to become Britain’s best loved Christmas song. Formed in Wolverhampton in 1966, Slade's chart career spanned 3 decades.

Recorded on December 15, 1988, during the tour for Talk Is Cheap, Live at the Hollywood Palladium is a loose, groove-laden affair, featuring the best from Keith Richards' first solo album as well as some Stones classics – mostly tunes he took lead vocals on. Opening with "Take It So Hard," the first thing that hits the listener is the lack of the gloss that was probably the only drawback to Talk Is Cheap, which is a very good thing, because while the album was still leaps and bounds more real than, say, Dirty Work, this live collection is loose without ever getting away from the band, and has an organic feel not present in the Stones' work since the early '70s.

Legendary singer Graham Bonnet and ANTHEM team up for a short noticed studio jam to record 8 tracks which include a collection of hits from both of their catalogues. The legendary singer Graham Bonnet who has been active in rainbow and Alcatrus and the authentic heavy metal band ANTHEM that Japan is proud of are united here. Graham agrees with the invitation of ANTHEM leader Naoto Shibata to “record like a jam session.” But it’s easy to say and hard to do. It is commonplace that the hurdles to reach realization are high. What I could easily overcome was the work of friendship for more than 20 years. Only if there is a lot of trust between them. Thus the emergency session was fulfilled.

AC/DC, for most intents and purposes, fell apart after the release of Rock or Bust in 2014, so it's a relief to hear Power Up and discover that AC/DC still sound like AC/DC: thick, powerhouse chords and rhythms battle and groove with Brian Johnson, who shrieks for pleasure, not attention. That sense of relief never dissipates as Power Up offers song after song that firmly hit their target, adding up to an album that delivers reliable thrills. Considering how AC/DC have rarely strayed from the blueprints they scribbled back in the days of Bon Scott, this may not seem to be a newsworthy event, but considering how the group got mired in a spell of bad fortune in the mid-2010s, this amounts to a minor miracle.

A brilliant bassist, Charnett Moffett shares a fault with Ron Carter: their own records have a great excess of bass solos. Moffett's debut as a leader features him with diverse groups ranging from duets to quartets and including such fine players as tenor saxophonist Michael Brecker, keyboardist Kenny Drew Jr, guitarist Stanley Jordan, drummer Al Foster, Kenny Kirkland on keyboards and several of his relatives (including his father, drummer Charles Moffett). Unfortunately, Charnett (who wrote all eight songs except "Mona Lisa" and "Softly As In a Morning Sunrise") dominates the solo space.