Recorded Live 1992, no location specified.
Universally hailed as the king of the blues, the legendary B.B. King was without a doubt the single most important electric guitarist of the last half of the 20th century. His bent notes and staccato picking style influenced legions of contemporary bluesmen, while his gritty and confident voice - capable of wringing every nuance from any lyric - provided a worthy match for his passionate playing. Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts, and he was one of the few full-fledged blues artists to score a major pop hit when his 1970 smash "The Thrill Is Gone" crossed over to mainstream success (engendering memorable appearances on The Ed Sullivan Show and American Bandstand). After his hit-making days, he partnered with such musicians as Eric Clapton and U2 and managed his own acclaimed solo career, all the while maintaining his immediately recognizable style on the electric guitar.

In the glorious decade and a half of sound that was Stax in the '60s and early '70s, Carla Thomas was the Queen of Memphis Soul. She was born in Memphis in 1942, and 18 years later she recorded a duet with her father Rufus Thomas, giving the fledgling Satellite label its first taste of success with the regional hit "Cause I Love You." As her 18th birthday drew nigh, she cut her first solo single, the teen ballad "Gee Whiz (Look at His Eyes)." Written a few years earlier and rejected by Vee-Jay in Chicago, it gave Satellite its first national hit, breaking the Top Ten mark on both the R&B and pop charts. Shortly thereafter Satellite became Stax, and Carla proceeded to claw her way onto the national charts another 22 times with such immortal slices of soul as her answer song to Sam Cooke, "I'll Bring It on Home to You," as well as "Let Me Be Good to You," "B-A-B-Y," "Tramp" (with Otis Redding), and "I Like What You're Doing to Me." Carla released six solo albums and, with Redding, one duet album on Stax between 1961 and 1971. In 2007 a live album she recorded for Stax at Washington's famed Bohemian Caverns back in 1967 was released in its entirety, including an impromtu cameo set from her father, Rufus Thomas.

Muddy's next-to-last Chess album, Can't Get No Grindin' marked a return to working with a band of his own after several experimental line-ups and recordings – Pinetop Perkins took over the piano spot from the late Otis Spann, with Chess veteran harpist James Cotton aboard, and PeeWee Madison, and Sammy Lawhorn handling the guitars (apart from Muddy's axe, natch). The music is raw, hard-edged, and sharp (the guitars slash and cut), more like a successor to Muddy's classic 1950's sides (he rethinks a bunch '50s numbers here) than to the London Sessions, Super Blues, brass blow-outs, and psychedelic albums that he'd been doing. It's also easy to hear Muddy's heart in this release – he fairly oozes soul out of every note he sings.

The Progressive Blues Experiment is the debut album by Johnny Winter. The Progressive Blues Experiment was originally issued on Austin's Sonobeat Records label in 1968. When Winter signed to Columbia Records, the rights were sold to Imperial Records who reissued the album in 1969. Winter plays here in a trio with his late-sixties band. Several blues artists are covered including B.B. King ("It's My Own Fault"), Sonny Boy Williamson ("Help Me"), and Slim Harpo ("I Got Love If You Want It").

Scorchin' Blues marries tracks from Johnny Winter's early Columbia albums - including the classic National steel-driven "Dallas" from his 1969 debut - with material from his return-to-roots Blue Sky period in the late '70s. The aggressive playing and raunchy vocals will appeal to both blues and rock fans, and Ben Sandmel crams an authoritative biography into seven pages, complete with interesting Winter quotes. The one downside: a miserly ten tracks spread over only 43 minutes of playing time.

Jimi Hendrix De Amerikaanse gitarist Jimi Hendrix groeit in de jaren zestig uit tot een van de meest legendarische popartiesten aller tijden. Zijn ongeëvenaarde gitaarspel wordt zijn handelsmerk en hij geeft memorabele liveoptredens op onder meer het Monterey-festival. In 1970 overlijdt hij op 27-jarige leeftijd aan een overdosis slaappillen. Maar ook na zijn dood blijft zijn muziek van grote invloed op steeds weer nieuwe generaties artiesten. In 2018 wordt het postume album Both Sides of the Sky uitgebracht, met daarop nummers uit het familiearchief.

This impressive, impeccably packaged four-CD box set focuses solely on B.B. King's 1950s and 1960s recordings for the Modern family of labels. That was a period that basically encompassed the vast majority of his work prior to 1962, though he did a few non-Modern sides before signing with ABC Paramount in early 1962 and did a few other sides for Modern in the mid-'60s. So this is basically a box-set overview of King's early career, one that saw him score many R&B hits and build a career as a blues legend, even as the blues were falling out of fashion in favor of rock and soul. As many tracks as there are here - 106 in all, four of them previously unreleased - this isn't a catchall roundup of everything the prolific King did for the label…

One of the strongest voices in the folk revival and the civil rights movement, Odetta was born on New Year's Eve 1930 in Birmingham, AL. By the time she was six years old, she had moved with her younger sister and mother to Los Angeles. She showed a keen interest in music from the time she was a child, and when she was about ten years old, somewhere between church and school, her singing voice was discovered. Odetta's mother began saving money to pay for voice lessons for her, but was advised to wait until her daughter was 13 years old and well into puberty.

Wie Johan Derksen inmiddels een beetje kent, weet dat zijn interesse niet beperkt blijft tot een potje voetbal. Integendeel, in toenemende mate houdt de voormalig hoofdredacteur van de Voetbal International zich bezig met misschien wel zijn grootste passie, muziek, de blues in het bijzonder. Op zaterdagochtend heeft Derksen een radioprogramma bij RTV Rijnmond, “Muziek voor Volwassenen”, waar hij Blues, Soul, Americana en Country ten gehore brengt en onlangs vond het eerste Holland International Blues Festival plaats, waarvan Johan een van de founding fathers was. Het festival, dat in Grolloo plaats vond omdat de legendarische Harry Muskee – overleden in 2011 – daar met Cuby + Blizzards vele van hun bluesplaten opnamen, was een groots succes. ‘Johan Derksen Presents Blues Village’ is geheel in lijn met het festival en zijn wens om van Grolloo, Blues Village dus, het Woodstock van Europa te maken.

We recorded Hans Theessink’s legendary Birthday Bash concerts at the Metropol in Vienna 2023 and 2024. Fans and musical lovers came from all over Europe and North America to celebrate Hans’ birthday (5 April). The atmosphere was splendid – Hans and his musical colleagues took us on a marvelous musical journey – handmade music at its best.

This single disc neatly collects everything of importance that Chicago blues belter Koko Taylor released through Chess and its subsidiary Checker label, presenting a thoroughly enjoyable, collection as historically important for Taylor's sizzling performances as it is for Willie Dixon's sublime compositions and sympathetic production. Those who know these formative years from Taylor's immortal "Wang Dang Doodle" will thrill to realize that the classic isn't even the best entry here. It's a toss-up as to which others challenge it, but "What Came First the Egg or the Hen," with Dixon joining in on vocals, is in the running, as is the absolutely chilling "Insane Asylum," where Dixon interestingly kicks off the song before Taylor appears over a minute later…

Blues Jam In Chicago: Volume 1 — 2004 remastered reissue of 1969 album featuring Otis Spann, Shakey Horton, Honeyboy Edwards, J.T. Brown, Guitar Buddy, S.P. Leary, & Willie Dixon, features 15 tracks including 3 bonus tracks, 'Red Hot Jam' (Take 1), 'Bobby's Rock', & 'Horton's Boogie Woogie' (Take 1). Blues Jam In Chicago: Volume 2 — 2004 remastered reissue of 1970 album featuring Otis Spann, J.T. Brown, Honeyboy Edwards, J.P. Leary & Willie Dixon, features 18 tracks including 7 bonus tracks, 'My Baby's Gone', 'Sugar Mama' (Take 1), 'Honey Boy Blues', 'I Need Your Love' (Take 1), 'Horton's Boogie Woogie' (Take 2), 'Have A Good Time', 'That's Wrong', & 'Rock Me Baby'. Both editions includes expanded booklets with detailed notes & photos.

Mark Knopfler: BBC Sessions 1988 - 2018. Very Rare and Limited 2019 EU CD Digipack.

Following the huge success of our rock & roll collection ‘Jukebox Classics’ in 2024, NOW Music proudly presents NOW That’s What I Call Jukebox Classics: True Love Ways. A stunning selection of the most cherished love songs of the '50s and '60s - 100 truly unforgettable tracks..

Pryor reaffirms his mastery of postwar blues harp over the course of this sturdy set, again done with the help of some fine Texas and Chicago players. Pryor's downhome vocals shine on the distinctive "Bury You in a Paper Sack" and "Stick Way Out Behind".