On their sophomore release, Illuminate, the members of the David Crowder Band leave no one in the dark regarding their collective talents. This 16-song set rides a sonic edge that is helping lead modern worship into new, uncharted territory. The six-man group is unabashed in putting 21st century, Christ-centered optimism to a brilliant innovative sound.

The debut international long-player by the Bee Gees may shock anyone who only remembers them for their mid- to late-'70s disco mega-hits, or their quirky early-'70s romantic balladry. Up until 1966, they'd shown a penchant for melodic songs and rich, high harmonies, in the process becoming Australia's answer to the Everly Brothers. When the Bee Gees arrived in London late in 1966, however, they proved quick studies in absorbing and assimilating the progressive pop and rock sounds around them. In one fell swoop, they became competitors with the likes of veteran rock bands such as the Hollies and the Tremeloes, and this long-player, Bee Gees' 1st, is more of a rock album than the group usually got credit for generating. Parts of it do sound very much like the Beatles circa Revolver…

Following in the wake of his popular and well received Punk and New Wave and Lost 80s compilation box sets, English broadcaster, TV presenter and DJ Gary Crowley is at it again. This time, he takes on the music of the Nineties via his Indie 90s Playback Classics, Curveballs and Bangers.

Perhaps it’s all down to Stevie Nicks being at peace with her legacy, perhaps she was coaxed back toward the ‘70s by producer David A. Stewart, perhaps it’s the presence of Lindsey Buckingham on “Soldier’s Angel,” or perhaps it’s the fact that she excavated a 1976 song called “Secret Love” for this album, but In Your Dreams is Stevie’s first solo album to embrace the sound of Fleetwood Mac at their prime. Nicks never exactly ran away from the Mac, but her ‘80s solo hits were tempered by a steely demeanor and her subsequent solo albums strove too hard to recapture the magic that In Your Dreams conjures so easily.

Hello Young Lovers is the 20th studio album by Sparks and was originally released on 6th February 2005. The album was the most commercially popular Sparks album since the 1970s. Hello Young Lovers has been newly remastered for this CD reissue, which contains sought after bonus material!

Bookended as it is by Russell Mael's wordless chorale vocals that help kick off the opening "Intro" and which recur in the soothing but strange conclusion to the final song, "Likeable," not to mention similar moments throughout the album, it's almost too easy to summarize Exotic Creatures of the Deep as Sparks' most involved tribute to the Beach Boys, late-'60s version. But as with nearly everything the band's ever done, one can't sum up an album quite as simply as that, and Exotic Creatures, if not as completely explosive as Hello Young Lovers at its heights, finds the rude creative health of the Maels still firing on all cylinders.

Balls is the 18th album by the American rock band Sparks, released in 2000.

Since coming together in 1982, Norwegian pop trio a-ha have established a personal and artistic chemistry that can accommodate three strong personalities. There was a long hiatus after 1993's Memorial Beach and a formal reunion for 2000's Minor Earth Major Sky, followed by two more studio outings. They split again in 2010 to pursue solo careers, but reunited for 2015's Cast in Steel. In 2021, the documentary a-ha: The Movie toured global film festivals. The band's 11th studio album, True North, and its accompanying documentary film appear during their 40th anniversary year. The trio recorded and filmed over three weeks in a studio some 55 miles above the Arctic Circle in Bodø, with the Norwegian Arctic Philharmonic Orchestra conducted by Anders Eljas. Filming was done by Stian Andersen. Half of these 12 tracks were composed by guitarist Pal Waaktaar-Savoy, with the other half by keyboardist Magne Furuholmen. Each man produced his own work.

Digitally remastered and expanded edition of Marc Almond's 11th solo album, Stranger Things (2001). Containing no less than 32 bonus tracks across discs two and three including original song demos, remixes, rarities, alternative versions and live renditions of Stranger Things album tracks recorded around the time of the album's sessions.

“This record being the third in a trilogy of song collections mostly based on film music I wrote for Spike Lee over the past few years, I wanted to move to some new stylistic places and maybe make a more upbeat record overall. We don’t get a ballad until #7, the pandemic shut-down era piece “Days Ahead” ( a duet with Danielle Haim). Lyrically the record is dotted with three Covid-related songs; the aforementioned, “Tag” and the album opener “Sidelines” (a duet with Ezra Koenig of Vampire Weekend), and otherwise ranges far afield with the world of science again a recurring influence (“Lidar” and “Point Omega”). The record also includes the first cover song I’ve ever put on a studio release, a total re-
imagining of Chuck Berry’s “Too Much Monkey Business.” The album title 'Flicted relates to this strange time in which we live, when the world is basically, well, ‘flicted!”