Are you ready to party - again? Die 90er sind zurück und mit ihnen die größten Hits des Jahrzehnts! Feiere weiter mit der „BRAVO Hits Party - 90er Vol. 2“."Oops!…I Did It Again" - mit ihrem Kultsong gibt Popsängerin Britney Spears den Ton an. Auch die zweite Ausgabe der „BRAVO Hits Party 90er“ vereint die größten Hits des beliebten Party-Jahrzehnts.
Für die volle Ladung 90er sorgen Stars wie die Backstreet Boys, Salt-N-Pepa, Take That, Christina Aguilera, *NSYNC, Jennifer Lopez, Cher und viele mehr.BRAVO Hits präsentiert mit über 60 Klassikern schon das zweite 90er Special und auch hier gilt wieder: Nur Hits, keine Kompromisse!Feiere deine Jugend: „BRAVO Hits Party - 90er Vol. 2“!

When it comes to the Delta blues, all roads lead to its father figure Charley Patton, an immensely gifted performer, Patton served as a major influence on other legendary bluesmen who followed including Robert Johnson, Muddy Waters and Howlin' Wolf

5 CD set. Includes his albums, Nilsson Schmilsson, a Little Touch of Schmilsson, in the Night, Aerial and Ballet Harry Son of Schmilsson.

No American rock group ever started with as much daring or musical promise as Blood, Sweat & Tears, or realized their potential more fully – and then blew it all as quickly. From their origins as a jazz-rock experiment that wowed critics and listeners, they went on – in a somewhat more pop vein – to sell almost six million records in three years, but ended up being dropped by their record label four years after that. Blood, Sweat & Tears started as an idea conceived by Al Kooper in July of 1967. An ex-member of the Blues Project, Kooper had been toying with the notion, growing out of his admiration for jazz bandleader Maynard Ferguson, of forming an electric rock band that would include horns and use jazz as the basis for their work. He planned to pursue this in London, but a series of New York shows involving some big-name friends didn't raise enough money to get him there. He did, however, find three players who wanted to work with him: bassist Jim Fielder, Blues Project guitarist Steve Katz, and drummer Bobby Colomby. Kooper agreed, as long as he was in charge musically. The horn section featured Fred Lipsius (saxophone), with Randy Brecker and Jerry Weiss on trumpets and flügelhorns, and Dick Halligan playing trombone. The new group was signed to Columbia Records, and the name "Blood, Sweat & Tears" came to Kooper after a jam at the Cafe au Go Go, where a cut on his hand left his organ keyboard covered in blood.

Formed 1968 in New Jersey as Dr. Hook & The Medicine Show, disbanded in 1985. Their name was shortened in 1975 to Dr. Hook.

My Morning Jacket Hailed as the new heroes of the alt-country scene when they debuted in the late 1990s, My Morning Jacket have matured into an eclectic, sonically diverse ensemble whose work encompassed indie rock, psychedelia, folk, blues, and even dashes of funk and prog rock. Led by songwriter and lead vocalist Jim James, My Morning Jacket's music is most strongly rooted in Americana, with Neil Young, the Band, and the psychedelic end of the '60s folk scene as obvious reference points. However, James and his bandmates have shown a frequent interest in pushing their boundaries, adding new flavors over the course of their career while holding on to the strong melodies and impassioned vocals that were their calling cards.

CD1 kicks off with Queen's outstanding ‘Don't Stop Me Now’, followed by Def Leppard's anthemic ‘Pour Some Sugar On Me’ and Meat Loaf's classic ‘Bat Out of Hell’. CD2 opens with a stellar run of defining classics of the genre, beginning with the iconic ‘Born To Run’ from Bruce Springsteen and followed by Paul McCartney & Wings' explosive ‘Live And Let Die’, The Who's timeless Baba O’Riley. Electric Light Orchestra's peerless ‘Mr. Blue Sky’ kicks things off on CD3, followed by one of Rock’s most enduring hits ‘Don't Stop Believin'’ from Journey. Boston's ‘More Than A Feeling’, leads the way to more classic Rock from Kansas, Blue Öyster Cult, Don McLean, Sweet. CD4 delivers the ultimate collection of Rock Ballads and Power Anthems – the epic Rock-opera of Meat Loaf's ‘I'd Do Anything For Love` opens the disc!

A 25x14cm booklet said to be "Limited Bookset 126/350".This great bootleg I just found in a very small record shop for 65Ђ while on summer holidays in the south of France.Seems to me to be an upgrade to what's been uploaded yet, but I let you listen to it and judge by yourself.I find these are tremendous shows in which Bowie plays two different sets with almost all the songs used during the first part of the tour.Sorry for the artwork, I couldn't scan it my scanner being out of order. so I simply took photos of it, think it'll be alright though…

Considering his last genuine hit was way back in 1997, Michael Bolton's back catalog has been the subject of a surprisingly high number of compilations. If you're wondering what 2012 collection Gems: The Very Best Of can offer what the other 20-odd flooding the market haven't already, the answer is not a lot. Indeed, apart from the substitution of "That's What Love Is All About" for his take on Bill Withers' "Lean on Me," its 17 tracks are exactly the same as his hugely successful Greatest Hits 1985-1995 (albeit in a different order). It therefore means that the 11 studio albums he's recorded since are entirely ignored, but with only one of his 17 U.S. Top 40 hits ("Go the Distance") charting outside that time frame,

Auber’s overtures were once as popular as those by Rossini and Suppé, with no less a figure than Tchaikovsky commenting on the ‘elegant clarity of his harmonisation, his delightful and striking melodies … and beautiful instrumentation.’ Full evidence is provided here in music that ranges across Auber’s creative periods where finesse of orchestral detail and piquant harmonies are met by verve and wit. Some of his least well-known music is encountered, as are scores that explore vivid dance themes, all presented with Auber’s gossamer orchestration and lightness of touch.

Dr. Hook & the Medicine Show (shortened to Dr. Hook in 1975) was an American rock band, formed in Union City, New Jersey. They enjoyed considerable commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of 'Rolling Stone'" (both 1972), "Only Sixteen" (1975), "A Little Bit More" (1976), "Sharing the Night Together" (1978), "When You're in Love with a Beautiful Woman" (1979), "Better Love Next Time" (1979), and "Sexy Eyes" (1980). In addition to their own material, Dr. Hook and the Medicine Show performed songs written by the poet Shel Silverstein.
The band had eight years of regular chart hits in the United States, where their music was played on top-40, easy listening, and country music outlets, and throughout the English-speaking world including the UK, Canada and South Africa. Their music spanned several genres, mostly novelty songs and acoustic ballads in their early years, though their greatest success came with their later material, mostly consisting of disco-influenced soft rock, which the band recorded under the shortened name Dr. Hook.

[45th anniversary of debut, super luxurious celebration commemorative concert featuring all current and former members]
Complete recording of the debut 45th anniversary performance held at the Tokyo International Forum on October 21, 2023, as well as backyard interviews and documentary footage. Former members who have participated in music activities for 45 years have gathered together to create a video of a one-time gorgeous reunion-like festival between T-SQUARE, which still reigns at the top of its field, and the top artists who supported it! Discs 1 & 2 contain footage from this concert, and Disc 3 includes interviews with current and former members, backyard documentary footage, and rare footage.

David Bowie n'était pas une "légende du rock" comme les autres. Avoir traversé les décennies et les modes de la sorte a toujours conféré à Bowie un statut d'innovateur, artiste singulier réussissant à se réinventer perpétuellement, à se remettre en question aussi… Qu’il s’agisse du glam, de la new wave, du funk ou de la soul, du disco ou de l’électro, David Bowie a endossé tous les genres ; parfois même avec une longueur d’avance. De Major Tom à Ziggy Stardust, d’Aladdin Sane au Thin White Duke, il s’est inventé et réinventé, s’est métamorphosé et a exhibé son corps devenu spectacle. Corps qu’il a fait voyager aux quatre coins du monde, de Londres à New York en passant par Berlin.

Concert organisé par Bowie lui-même pour fêter ses 50 ans, Parmi ses invités : Frank Black, Robert Smith (The Cure), Lou Reed, The Foo Fighters, Sonic Youth, Billy Corgan…Recorded Live At Madison Square Garden, New York January, 9 1997.

This is the final show of the Reality Tour in Japan.The quality is very good indeed, and the taper must have had a great location as there is very little audience bleed.