A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees. It was released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands" of the post-punk era. In August 2007, it was ranked No. 1 on Mojo magazine's list of the best albums of 1982.

4 brand new unreleased tracks from the highly influential alternative rock band Garbage comes as an exclusive for Record Store Day 2024 on limited coloured vinyl. The EP features a stunning cover of Tim Buckley’s ‘Song To The Siren’ and a brand new remix of their classic hit ‘Bad Boyfriend’ featuring Dave Grohl, as well as 2 more unheard tracks.

The tenth studio album from Better Than Ezra, Super Magick arrives as a prime showcase for the distinct collision of elements that have made them so beloved over the years: the eternally sticky melodies, heart-on-sleeve storytelling and wildly clever turns of phrase, potent yet finely composed soundscapes embedded with so much ear candy. But in a creative leap typical of the sonically adventurous band—whose lineup also includes guitarist/keyboardist James Arthur Payne Jr. and drummer Michael Jerome Moore—the album finds Better Than Ezra’s exploring influences from an eclectic mix of genres (country, Britpop, dub, new-wave-leaning arena rock, to name just a few). Mainly produced by Griffin and Emery Dobyns (a producer/songwriter/engineer known for his work with Patti Smith, Lou Reed, and Antony and the Johnsons), Super Magick once again proves their passionate commitment to constant evolution in their artistry. “This album took a while, but we wanted to put the right energy into it,” says Griffin. “There’s this idea that most people who go to see veteran bands are there for the old songs, but for us putting out a new record is about adding to our canon of work and creating music that we’re excited to play.”

Attics have always exerted an irresistible allure on David J’s imagination. They can unveil luminous jewels that time and dust have rendered all but lost. With Tracks From the Attic, the Bauhaus and Love and Rockets co-founder invites us to join him and climb up the ladder. A most fascinating journey ensues: we’re looking through boxes of tapes, getting reacquainted with an artist we’ve known for a long time—yet, the intimate songs he recorded in solitude over three decades reveal new sides to him. Even while busy with his two legendary groups, David J was bursting with songs; this is a thrilling selection of recordings he made between 1984 and 2004, some on the road and most at home, with only the help of his Muse, a recorder and a lit candle.

Rare 1991 French-only 12-CD set, comprising all their albums from Three Imaginary Boys to Disintegration in individual card wallet picture sleeves, plus 68-page deluxe illustrated booklet [all text in French], housed in a picture box with pull-out tray and die-cut band logo section with rotating wheel insert!

Death Lens relentlessly seeks a place in your consciousness, a persistent presence whispering in your ear. Concealing ferocity beneath a stylish veneer, their live shows unleash energy and chaos, leaving spectators disarmed and forever transformed. After successful tours with Militarie Gun and Together Pangea and hometown support, Death Lens is poised to release their latest album, "Cold World," on May 3rd, through Epitaph Records.In recordings, Death Lens forges unyielding rock, blending West Coast surf punk with Britrock's tight, bouncy rhythms. Despite their deceptive chill and vibe-focused portrayal, live performances brim with hardcore intensity. Rooted in slick guitar sonics and sugary backing vocal harmonies, reminiscent of indie punk and shoegaze, Death Lens channels the energy of bands like Turnstile and Militarie Gun on stage, creating soundtracks for indelible memories of high-energy, sweat-soaked singalongs.

Compiled by Kevin Cummins, one of the world’s leading music photographers, famed for his iconic portraits of David Bowie, Patti Smith, Joy Division, The Smiths, New Order and Oasis 26 classic tracks, lost gems, live and alternative versions, b-sides and single edits from the Britpop era Includes all of the key acts including Oasis, Blur, Pulp, Suede, Elastica, Radiohead, Lush, Supergrass, Menswear and Gene Also features The Auteurs, The Charlatans, Echobelly, Ash and Sleeper. Complete with original photos from Kevin’s collection.

One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album would rank as the band's most gothic release. Siouxsie and company took things to an entirely new level of darkness on Juju, with the singer taking delight in sinister wordplay on the disturbing "Head Cut," creeping out listeners in the somewhat tongue-in-cheek "Halloween," and inspiring her bandmates to push their rhythmic witches brew to poisonous levels of toxicity.

A Secret Life is the twelfth studio album by English singer Marianne Faithfull. It was released on 21 March 1995 by Island Records. The album marked her first studio release composed mostly of original material in over a decade. Faithfull collaborated with American composer Angelo Badalamenti after his work on the television series Twin Peaks. Influenced by her interest in classical music, A Secret Life was a musical departure from her previous work and displayed a more tender side to her voice. Musically, A Secret Life is an alternative rock album which was inspired by classical music and also incorporates elements of blues. The songs deal with themes such as broken relationship on "She" or secret love affair on "Love in the Afternoon".

The Butterfly Effect, Jah Wobble's follow up to his recent and acclaimed Dream World album, features a collection of eight tracks that lyrically tackle (sometimes with tongue in cheek) subjects such as the nature of mind, the post modern age and what it is to be human. The album was recorded at Inner Space Studios in London. All of the songs collected here originated from poems that were written by the legendary bass player around the time of the global financial crash of ten years ago. 'The Iron Lady Got Rust' in particular looks back to a time which saw Thatcher impose UK banking deregulation and the free market political and economic attitudes that led to the crash and subsequently to modern day austerity and Brexit.

Todd Snider is perhaps the quintessential postmodern troubadour, toiling away on the folk and Americana circuits year after year, never gaining a hit yet always growing his audience. For a while, it seemed as though he could ride the post-Nirvana alt-rock wave that brought contemporaries like Jill Sobule a single hit, but his 1994 debut LP, Songs for the Daily Planet, peaked at number 23 on Billboard's Heatseekers chart, with its accompanying single "Talkin' Seattle Grunge Rock Blues" proving not to be a novelty fluke.

2CD set. Sprawling 25-track live performance, recorded in Sydney in November 1987 on his "Glass Spider" tour. Cameo by Peter Frampton.

Oranges & Lemons is the 11th studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title (derived from the nursery rhyme of the same name) was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US. The album is primarily pop and rock, although a variety of other styles are plundered throughout, such as jazz, reggae, hard rock, Middle Eastern music and Zairean soukous. 12 of the album's 15 tracks were written by guitarist Andy Partridge, with the rest by bassist Colin Moulding.

Mantras (stylized as ~mAntras~) is the sixth studio album by American rock band Alien Ant Farm, released on April 26, 2024. It is their first studio album in 9 years, since Always and Forever in 2015. The album was announced on January 19, 2024, alongside releasing a single titled "So Cold" that same day.

One of the most important and revered bands of the post-punk and alternative rock scenes, the Jesus and Mary Chain's artistic impact is incalculable. Heavily influenced not only by the dangerous sounds of bands like the Velvet Underground and the Stooges, but also by the sonic grandeur and pop savvy of the '60s-era girl group sound and the Beach Boys, the band was able to find the beauty in noise, while both celebrating pop conventions and thoroughly subverting them. Their landmark 1985 album, Psychocandy, basically invented noise pop, while Darklands stripped away the scuzz to reveal pristine melodies. From there the group explored many aspects of rock, from beat-heavy electro punk to dusty heartbreak ballads - hitting big with "Sometime Always" in 1994 - before going their separate ways in a cloud of bad feelings…