Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation.

Here's Tom With the Weather reads the sleeve, and on Shack's fourth full-length album, the forecast calls for mostly delicate vocals, partly chiming guitars, and more-than-occasional ballads. With these twelve hushed songs, songwriter Michael Head has crafted the most relaxed album of his career. Song titles like the Lilac Time-esque "The Girl with the Long Brown Hair" and "Byrds Turn to Stone," which declares an obvious musical influence, are every bit indicative of the lilting, graceful songs they name. Head's tunes haven't felt this soft and bouncy since he fronted the the Pale Fountains, but that doesn't mean the album ever feels dull.

The Gaslight Anthem's 2023 LP History Books serves as their first since 2014, and the band brings such ferocity to their return, it sounds as if they're trying to wipe away a near-decade's worth of cobwebs in a single riff, cymbal crash, and lyric. Somber but not sad, History Books recalls the urgency and triumph of the band's sophomore effort and breakthrough, 2008's The '59 Sound. Singer Brian Fallon sounds reinvigorated and as tenacious as ever, yet also a bit wiser since the last time he and his band checked in. Opener "Spider Bites" shines with soaring guitar solos and a galloping drum groove. Fallon's voice is awash in distortion, less desperate but no less passionate than he sounded as a young man 15 years prior to History Books.

WILCO: 2022 was meant to be the year Wilco celebrated the 20th anniversary of Yankee Hotel Foxtrot, the album that almost split the band but ended up securing their legend. However, this is a group that likes to keep moving – hence the surprise appearance in May of the organic and emotionally direct Cruel Country. OUR FREE CD! CROSSEYED STRANGERS: An alternative Yankee Hotel Foxtrot, compiled by Wilco.

Hot Potatoes is the best available single-disc overview of Devo's career, hitting nearly all of the most significant moments from their first five albums, as well as including the non-LP singles "Be Stiff" and "Working in a Coalmine." "Whip It" and "Freedom of Choice" are here, of course, as are cult favorites "Jocko Homo," "Mongoloid," "Satisfaction (I Can't Get Me No)," plus many more. However, even if it's the best available, it isn't that widely available in the U.S.; plus, Devo's first three albums in particular all have at least a few fine songs that aren't included here. But if you only want one disc and don't mind hunting a bit, Hot Potatoes: The Best of Devo is superior to the American Greatest Hits, which for some reason does not feature "Mongoloid," one of the most obvious choices for a Devo hits collection.

It's been eight years since Medusa, Annie Lennox's last studio album, was released. It's been 11 since her debut solo effort and five since the short-lived Eurythmics reunion. And while she may not be prolific, Lennox is always enigmatic. Bare is a collection of self-penned tracks, as the artist explains in the liners: "This album contains songs that are deeply personal and emotional. In a sense I have 'exposed' myself through the work to reveal aspects of an inner world that are fragile…broken through experience but not entirely smashed. I am not a young artist in their (sic) twenties. I am a mature woman facing up to the failed expectations of life and facing up to 'core' issues." Sound pretentious? One listen proves that Lennox lives up to her claims in spades. Here are 11 wholly – even infectiously – accessible, lyrically savvy, and gorgeously wrought pop songs full of spiritual and emotional depth that make for a deeply moving whole.

Celebrate the music of Mushroom across the decades with the official music accompaniment to EGO: The Michael Gudinski Story. Featuring songs by Skyhooks, Hunters & Collectors, Kylie Minogue, Yothu Yindi, Garbage, Vance Joy, Ed Sheeran and many more. The film documentary shines a spotlight on the wild ride of maverick entrepreneur Michael Gudinski who defied convention and revolutionised the Australian music industry. This 44 track, 3CD set is the soundtrack to Michael Gudinski's life in music and Mushroom's contribution to Australian music over the past 50 years. Ego: The Michael Gudinski Story will be screening nationally in cinemas from August 31 (2023).

Inspired by the raw power of the Stooges and the glam rock excess of the New York Dolls, Birmingham, England, native Dave Kusworth formed his first band (TV Eye) at the age of 16. Since then, the versatile singer/songwriter/guitarist has done time in the Hawks, Dogs D'Amour, the Jacobites (with ex-Swell Maps mastermind Nikki Sudden), the Bounty Hunters, and the Tenderhooks, as well as his own Dave Kusworth Group. His songs, gutter-bound tales of rock & roll heartache that bring to mind the Faces and the Rolling Stones, have been covered by Evan Dando and Mercury Rev and feted by the likes of Tom Waits, Chuck Prophet, and Peter Buck.

Even though he had been suffering from hearing and sight impairments, Prefab Sprout man Paddy McAloon actually picked up the pace with the release of Crimson/Red, an album that follows Let's Change the World with Music by four years, halving the eight-year wait after 2001's The Gunman and Other Stories. It's also interesting that songs like "Mysterious" (an appreciation of Bob Dylan) and "The Songs of Danny Galway" (a lush love letter to the work of Jimmy Webb) cover the same ground as Let's Change the World's numerous odes to the power of pop music, but that album was arguably "tricky," because with the Sprout, overly smart and overly ambitious are the delicious pratfalls fans still savor.