Golden Earring is a Dutch rock band, founded in 1961 in The Hague as the Golden Earrings. They achieved worldwide fame with their international hit songs "Radar Love" in 1973, which went to number one on the Dutch charts, reached the top ten in the UK and went to number thirteen on the US charts, "Twilight Zone" in 1982, and "When the Lady Smiles" in 1984. During their career they had nearly 30 top-ten singles on the Dutch charts; over the years they produced 25 studio albums.

Still Loving You is a compilation album by the German hard rock band Scorpions. Subtitled More Gold Ballads, the record is a follow-up to the 1985 compilation Gold Ballads. Nine of the tracks were remixed for this album by Erwin Musper at Wisseloord Studios, Hilversum, the Netherlands. The song "Living for Tomorrow" appears here for the first time.

With tongue firmly in cheek, the Cardigans decided to play up the candyfloss arrangements of their debut for second album Life. Where Emmerdale studied an introverted melancholy, Life is undiminished in both its independent-minded exuberance ("Hey! Get Out of My Way") and zest to enjoy life with others ("Daddy's Car," "Gordon's Gardenparty"). The incredible production and quality of arrangement from the debut are here also, even more strikingly crisp and spot-on. (Over 50 instruments were used on the 14 songs included on the Minty Fresh American release.) Though the Cardigans planned Life as something of a joke, it became one of the finest pop albums of the '90s.

It's not surprising that Steely Dan co-founder Walter Becker's debut solo album sounds like a Steely Dan record. What is a little surprising, though, is that, in his lead singing debut, he sounds so much like his erstwhile partner, Donald Fagen. Not that you'd mistake the two (Fagen projects more and is slightly grittier), but they sing in the same register with the same sly phrasing and the same accent. Other differences from the Dan are equally subtle: Becker adopts a sparer musical approach, for one thing, the missing element being the prominence of Fagen's keyboards (although Fagen does play on the record and co-produced it). Nothing gets in the way of Becker's voice, and he proves to be a less ornate lyricist than Fagen, restricting himself largely to tales of romantic dislocation. On the whole, this album sounds like what you'd expect – one half of Steely Dan.

The Way We Walk, Volume One: The Shorts is the fourth live album by British band Genesis. Eight songs were recorded live on the 1992 We Can't Dance tour, with the remaining three recorded on the 1986–87 Invisible Touch tour. While the album centres on Genesis' shorter and commercial songs, a companion piece, The Way We Walk, Volume Two: The Longs focuses on their lengthier material. The shared title of the two releases refers to the phrase "the way I walk," which appears in the lyrics to two different songs, "I Can't Dance" on Volume One, and "I Know What I Like" on Volume Two.

Absolutely is the debut solo album by the Canadian rock guitarist Rik Emmett, after leaving the heavy metal band Triumph. The album was released in 1990 and went gold in Canada and the US immediately. The album eventually reached platinum in both countries. The third cut on the album, "Saved by Love", was used for the closing credits of the movie Problem Child 2. The album includes ten songs and one instrumental track.

Vai/Gash is a collaboration album of Steve Vai and Johnny "Gash" Sombretto, recorded in the 90s. The recordings sat on the shelf for 30 years, and they are finally seeing the light of day!

Though her career stretched from the '30s to the '80s and she's widely considered possibly the greatest female jazz singer or all time, Ella Fitzgerald will probably forever be best known for a mid-'50s collection of albums collectively called the Songbooks, where she devoted entire albums to the works of such composers as Harold Arlen, Cole Porter, and Duke Ellington. THE BEST OF THE SONGBOOKS: THE BALLADS is one of the many compilations based on these recordings, and one of the best. From its beautiful, informative packaging to its gorgeously remastered sound, this 16-track, 64-minute collection treats the material with the respect it deserves. The material, of course, is first-rate, wall-to-wall standards from Johnny Mercer's wistful "Laura" to Ellington's sly "Do Nothin' Til You Hear From Me." Fitzgerald's performances are equally outstanding, as are the mostly big-band arrangements. This is as good as jazz ballad collections get.

Along with Holdsworth, this amazing performance features Allan playing with his Trio, featuring the late Dave Carpenter on bass and Gary Novak on drums, who also contributes to the liner notes for this release. The performance of Warsaw Summer Jazz Days '98 was beautifully recorded, filmed, and originally aired on Polish Television. The sound quality of both the audio and video is amazing and was digitally re-mastered from the original tapes.