Moody alternative rockers of the 1990s, feted by the British press, held to cult status in US. Collection includes: 'Attack Of The Grey Lantern' (1997); 'Six' (1998) Japanese Edition; 'Little Kix' (2000) Japanese Release.

Alone with Everybody is the first solo album by English singer-songwriter Richard Ashcroft, released in June 2000. The songs "A Song for the Lovers", "C'mon People (We're Making It Now)" and "New York" were initially recorded with the Verve for their 1997 album Urban Hymns, but were never released. The two bonus tracks feature on the Japanese version of the album.

Few bands in the '90s Brit-pop scene carried as much melodramatic weight as Suede. Singles, despite its generic moniker, does an excellent job illuminating the fact that Bernard Butler and Brett Anderson were far more David Bowie and Mick Ronson than the oft-cited Morrissey/Johnny Marr press quips would have you believe. The group's penchant for neo-glam excess and apocalyptic grandstanding inundated their entire time line, from 1992's "Animal Nitrate" and "Metal Mickey" all the way through to 2002's New Morning, despite the switching out of Butler for the flashier Richard Oakes. While the group's 1993 debut and 1994 follow-up Dog Man Star remain required listening for anyone with even a passing interest in the scene, this collection, paired with 1997's Sci-Fi Lullabies, presents a near perfect picture of one of the late-'90s most underrated acts.

Pioneering Brit-pop band known both for its stylish sound and vocalist Jarvis Cocker's lyrical obsessions (sexual foibles, working-class misfits). Collection includes: His 'N' Hers (1994); Different Class (1995); This Is Hardcore (1998); We Love Life (2001).

2006 Japanese Limited Edition issue containing 25 CD singles with every single release from April 1994's 'Supersonic' through to December 2005's 'Let There Be Love' totalling a mighty 89 classic tracks.

Blur's debut album, Leisure was recorded in 1991 and although it did not have the same impact as 1994's Parklife, it stood as a pre-cursor for things to come. This special edition is repackaged and includes a bonus disc with some previously unreleased material.

To celebrate the 21st anniversary of their debut release, Blur s fourth album The Great Escape has now been remastered from the original tapes by Frank Arkwright, with the remastering overseen by legendary original producer, Stephen Street. Whilst Parklife took Blur stratospheric, The Great Escape maintained the band s success with their second successive No 1 entry into the album charts, with the September 1995 release going on to sell three times platinum. Accompanying the remastered album, the bonus disc of The Great Escape Special Edition crams in 18 tracks, including all the b-sides from all formats of the Country House, The Universal, Stereotypes and Charmless Man singles. Among these b-sides are nestled a duet version of To The End between Damon and Francoise Hardy, the Live It! remix of Entertain Me and four tracks taken from the now legendary 1995 Blur gig at Mile End Stadium. Completing the bonus disc are two live tracks from Blur s show at the Budokan arena in Tokyo (both of which were only previously released on the Japanese-only single release of It Could Be You), plus the instrumental Eine Kleine Lift Musik, which originally formed part of the Help War Child compilation released in 1995.

To celebrate the 21st anniversary of their debut release, Blur s break-through album Parklife has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. The first of five No 1 albums for the band, the four times platinum selling Parklife transformed Blur into the biggest band in the country and the Parklife Special Edition certainly doesn t fall short of that status. The accompanying bonus disc begins by collecting together all b-sides from all formats of the Girls And Boys, To The End, Parklife and End Of A Century singles, which contain - among many lesser-known Blur tracks - a Pet Shop Boys remix of Girls And Boys, a rendition of To The End with Damon singing in French, Graham s take on Country and Western in Red Necks and a rare appearance of a track written by Alex on, Alex s Song. Also included are previously unreleased acoustic versions of Jubilee and Parklife recorded for a BBC Radio 1 session in 1994 and the previously unreleased Cadena 40 Principales Acoustic Version of End Of A Century, which featured on a Spanish-only promo for the single.

A 15-track collection of the band s singles, videos and remixes, The Singles Collection: 2001-2011 celebrates 10 years of audio visual innovation and three studio albums from the most successful virtual band in the world ever.

OK Computer is the third studio album by the English alternative rock band Radiohead, released in 1997 on Parlophone and Capitol Records. Four songs from the album – "Paranoid Android", "Karma Police", "Lucky" and "No Surprises" – were released as promotional singles. The album expanded Radiohead's worldwide popularity and has sold over eight million copies worldwide to date. In 2003, the album was ranked number 162 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. "Special Edition" in deluxe, lift-top box packaging, includes both audio discs and adds a DVD with a variety of promotional music videos, TV performances and filmed concert performances, as well as a series of postcards.

(What's the Story) Morning Glory? is the second studio album by the English rock band Oasis, released on 2 October 1995 by Creation Records. It was produced by Owen Morris and the group's guitarist Noel Gallagher. The structure and arrangement style of the album were a significant departure from the group's previous record Definitely Maybe. Gallagher's compositions were more focused in balladry and placed more emphasis on huge choruses, with the string arrangements and more varied instrumentation on the record contrasting with the rawness of the group's debut album. (What's the Story) Morning Glory? was the group's first album with drummer Alan White, who replaced Tony McCarroll. In 2010, Rolling Stone commented that "the album is a triumph, full of bluster, bravado and surprising tenderness. Morning Glory capped a true golden age for Britpop." The magazine ranked the album at 378 on its 2012 list of "The 500 Greatest Albums of All Time". The album was also included in the book 1001 Albums You Must Hear Before You Die.

Definitely Maybe is the debut studio album by the English rock band Oasis, released on 29 August 1994 by Creation Records. It was an immediate commercial and critical success in the UK, having followed on the heels of singles "Supersonic", "Shakermaker" and "Live Forever". The album helped to spur a revitalisation in British pop music in the nineties and was embraced by critics for its optimistic themes and supposed rebuttal of the downtrodden fatalism evident in the dominant grunge music of the time. Definitely Maybe is regarded as a seminal record of the Britpop scene, and has appeared in many publications' 'best of' lists. The album is also popular among audiences: in June 2006, NME magazine conducted a readers' poll in which it was voted the greatest album of all time.

To celebrate the 21st anniversary of their debut release, Blur s eponymous fifth album has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. Continuing the trend, Blur went straight in at No 1 on its release in February 1997, as had Parklife and The Great Escape before it. Representing a musical evolution for the band, the album is home to two of Blur s biggest hits in Beetlebum and Song 2. B-sides taken from all formats of these two singles are included in the accompanying Blur Special Edition bonus disc, along with b-sides from the album s fourth single M.O.R. Also included on the bonus disc is a 7 mix of Death Of A Party by Adrian Sherwood, the Dust Brothers produced Cowboy Song (which featured on the Dead Man On Campus soundtrack), four acoustic live tracks recorded at Viva Niteclub (previously only released on the German-only version of the M.O.R. single) and three live tracks recorded at MC Vredenburg, Utrecht, Netherlands, which were only previously released on the Netherlands-only version of the album.

To celebrate the 21st anniversary of their debut release, Blur s classic follow-up album Modern Life Is Rubbish has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. The Modern Life Is Rubbish Special Edition finally unites the non-album single Popscene (which was recorded whilst tracks from the album were being demo ed) with a Blur studio album. Also included in the accompanying bonus disc are all the Popscene, For Tomorrow and Chemical World b-sides (amongst which are nestled the Visit To Primrose Hill Extended Version of For Tomorrow, a reworked version of Chemical World and a cover of the Rod Stewart classic Maggie May. Completing the bonus disc are the b-sides to The Sunday Sunday Popular Community Song CD, (the official title of the main Sunday Sunday single release), the music-hall style covers of Daisy Bell and Let s All Go Down The Strand.

To celebrate the 21st anniversary of their debut release, Blur s sixth album 13 has now been expanded across 2CDs, with an entire disc of bonus material added to the original album. Originally released in March 1999, 13 saw a departure from long-time collaborator Stephen Street with William Orbit taking over production duties, what followed was Blur s fourth consecutive No 1 album and a further, more introspective, development of their music. Accompanying the remastered album in the 13 Special Edition is a whole disc of bonus material, including b-sides to the hit singles Tender, Coffee & TV and No Distance Left To Run. Featured in this extensive collection of b-sides are each band member s own remix of the album track Bugman, the track Beagle 2 (which was sent aboard Mars landing spacecraft of the same name) and the epic Cornelius Remix of Tender. Completing the bonus disc are a demo version of I Got The Law (previously only released on the Japanese version of 13) and the Music Is My Radar single (and its b-side) released on the 2003 Blur: The Best Of.