Peter Laughner was a singer songwriter from Cleveland like no other. Before his untimely death in 1977, he played in numerous bands, most notably Rocket From The Tombs and Pere Ubu, and also as a solo performer. He wrote for a variety of weekly newspapers and Creem, where he was a contemporary of Lester Bangs. He famously told Jane Scott of the Cleveland Plain Dealer that he wanted to do for Cleveland what “…Brian Wilson did for California and Lou Reed did for New York.” In many ways, Peter did in fact put the Cleveland underground on the map.

When an artist records one type of music exclusively for years, it's always amusing to hear the artist's manager, record company or publicist claim that he/she "defies categorization." The fact is that when an artist spends his or her entire career recording a specific style of music, categorization comes easy – and it's silly and dishonest to claim otherwise. But if any artist really does defy categorization, it's Robben Ford. The eclectic singer/guitarist is a compelling bluesman, but he's equally convincing as a jazz improviser and a pop/rock singer. On Supernatural, Ford's primary role is that of an easygoing pop/soft rock singer – although a pop/soft rock singer who often incorporates soul, blues or jazz.

Peter Green is an English blues rock singer-songwriter and guitarist. As a co-founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green's songs, such as "Albatross", "Black Magic Woman", "Oh Well", "The Green Manalishi (With the Two Prong Crown)" and "Man of the World", appeared on singles charts, and several have been adapted by a variety of musicians. Green was a major figure in the "second great epoch" of the British blues movement.

Blues-rock superstar Joe Bonamassa set out to perform his brand-new music for fans amidst a global entertainment shutdown. This led to an incredible live concert at the legendary Ryman Auditorium in Nashville, TN. This special show includes songs from his latest studio album, Royal Tea, which was inspired by his British guitar heroes Jeff Beck, John Mayall, Eric Clapton, & Cream. Joe also performs a few songs from his debut album, A New Day Yesterday, which helped launch his illustrious career.

Awesome Live disc by this way-kool blues/rock axeslinger from Arkansas featuring 14 songs that deliver true, retro-sonic, blues-based, heavy guitar power trio rockin' excellence. Recorded live in Germany, the "Official Live Bootleg" disc includes a killer set of great original songs plus covers by Jimi Hendrix, Stevie Ray Vaughan, ZZ Top, Alvin Lee, Freddie King & Eric Clapton that showcase Tony Spinner's impressive, kick-ass, guitar playing talents & excellent soul-powered vocals. Captured live without a net with his long-time rock solid rhythm section of Michel Mulder on bass & Alex Steier on drums complete with an excellent sonic production, Tony Spinner lands down 100% authentic as a genuine, modern day "old-school" guitar hero who speaks the six string truth & rocks the blues forever on the "Official Live Bootleg" disc released by Grooveyard Records.

After his one-album stint at Asylum Records with Luxury You Can Afford in 1978, Joe Cocker was without a record label until 1981, when he signed to Island Records. Island head Chris Blackwell took him to the Compass Point studios in the Bahamas, where he recorded a 12" single, "Sweet Little Woman"/"Look What You've Done," released in May 1981, then continued working on a full-length album. When that album, Sheffield Steel, appeared a year later, listeners could be forgiven for imagining, during the instrumental portions, that they were hearing not a Joe Cocker disc, but rather a Robert Palmer record. The instrumentalists were the Compass Point All-Stars, led by drummer Sly Dunbar and bassist Robbie Shakespeare, and including keyboard player Wally Badarou and guitarist Barry Reynolds, and they maintained a steady tropical groove on most tracks that strongly recalled their work on Palmer's series of albums…

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.