Australian new wave rockers known best for their '80s hits "Crazy" and "Electric Blue." Collection includes: Flowers (1980); Primitive Man (1982); Sidewalk (1984); Measure For Measure (1986); Man Of Colours (1987); Code Blue (1990); Big Wheel (1993).

Falco 3 was the artist's biggest hit album in the United States because of the radio and video success of the song "Rock Me Amadeus." The track "Vienna Calling" is a forgotten minor hit, as it charted in the Top 20. Originally released in 1986, Falco 3 was out of print for years, until its reissue in 1996. "Jeanny" is also of note, as it was ridiculously banned from radio play for its theme of prostitution. A classic, synth pop piece of 1980s guilty pleasure. Six of these tracks appear on Falco's Greatest Hits disc, which is the definitive collection of the Austrian's new wave dance pop. Falco 3 is his best and most popular album.

Buddha's Greatest Hits is the first definitive collection of the Austrian new wave dance-popster's hits, containing his two great singles – "Rock Me Amadeus" and "Der Kommissar" – plus such other hits as "Jeanny" and "Vienna Calling," album tracks, and Jason Nevins' bonus remix of "Der Kommissar." Of course, Falco's music hasn't dated particularly well and was always lightweight Euro-dance, but it can be a guilty pleasure, and this is the best place to find out why.

Collection includes: 'Talking Heads 77' (1977); 'More Songs About Buildings And Food' (1978); 'Fear Of Music' (1979); 'Remain In Light' (1980); 'Speaking In Tongues' (1983); 'Stop Making Sense' (1984); 'True Stories' (1986).

Blur's debut album, Leisure was recorded in 1991 and although it did not have the same impact as 1994's Parklife, it stood as a pre-cursor for things to come. This special edition is repackaged and includes a bonus disc with some previously unreleased material.

To celebrate the 21st anniversary of their debut release, Blur s fourth album The Great Escape has now been remastered from the original tapes by Frank Arkwright, with the remastering overseen by legendary original producer, Stephen Street. Whilst Parklife took Blur stratospheric, The Great Escape maintained the band s success with their second successive No 1 entry into the album charts, with the September 1995 release going on to sell three times platinum. Accompanying the remastered album, the bonus disc of The Great Escape Special Edition crams in 18 tracks, including all the b-sides from all formats of the Country House, The Universal, Stereotypes and Charmless Man singles. Among these b-sides are nestled a duet version of To The End between Damon and Francoise Hardy, the Live It! remix of Entertain Me and four tracks taken from the now legendary 1995 Blur gig at Mile End Stadium. Completing the bonus disc are two live tracks from Blur s show at the Budokan arena in Tokyo (both of which were only previously released on the Japanese-only single release of It Could Be You), plus the instrumental Eine Kleine Lift Musik, which originally formed part of the Help War Child compilation released in 1995.

To celebrate the 21st anniversary of their debut release, Blur s break-through album Parklife has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. The first of five No 1 albums for the band, the four times platinum selling Parklife transformed Blur into the biggest band in the country and the Parklife Special Edition certainly doesn t fall short of that status. The accompanying bonus disc begins by collecting together all b-sides from all formats of the Girls And Boys, To The End, Parklife and End Of A Century singles, which contain - among many lesser-known Blur tracks - a Pet Shop Boys remix of Girls And Boys, a rendition of To The End with Damon singing in French, Graham s take on Country and Western in Red Necks and a rare appearance of a track written by Alex on, Alex s Song. Also included are previously unreleased acoustic versions of Jubilee and Parklife recorded for a BBC Radio 1 session in 1994 and the previously unreleased Cadena 40 Principales Acoustic Version of End Of A Century, which featured on a Spanish-only promo for the single.

Atomic: The Very Best of Blondie is a compilation album of recordings by the band Blondie released by EMI/Chrysalis Records in the UK and the rest of Europe in late 1998, at the time when the band reunited and shortly before the beginning of Blondie's successful comeback tour. Atomic: The Very Best of Blondie includes the band's best known songs from the 70's and 80's as well as two new remixes of the title track. The compilation reached #12 on the UK charts and was certified platinum.

Coming in way above their previous effort, 1990’s Smooth Noodle Maps, Something for Everybody is the album Devo's fans had craved for 28 long years, or maybe 29, if you fall on the sour side of the iffy Oh, No! It's Devo. The synthetic, compressed, and punchy production – courtesy of producer and Bird & the Bee member Greg Kurstin – is a modern take on the sound of 1981’s New Traditionalists, and if you judge by hooks, this is right in line with their 1980 breakthrough, Freedom of Choice, although there’s certainly no “Whip It”-sized megahit here. Instead, there’s the opening “Fresh!” a herky-jerky, infectious number with lead singer Mark Mothersbaugh stuttering as if he just created New Wave’s “My Generation.” The wicked highlight “Don’t Shoot (I’m a Man)” (“They’ll hunt you down/And tase you bro/For playing with the rules”) is the album’s other key track, thanks to Mothersbaugh’s perfect framing of de-evolution’s give (hybrid cars) and take, take, take (Beltway snipers, overzealous cops, etc.).

Though its musical legacy was brief, Malcolm McLaren's post-Sex Pistols project Bow Wow Wow left its mark on the 1980s as much as contemporaries like Adam and the Ants and Culture Club. This entry in the cross-promotional VH1 Classics/BMG '80s retrospective series features hits like the punky "C30, C60, C90, Go" and the Bo Diddley-influenced "I Want Candy," as well as also-rans like the intriguing rockabilly-jungle hybrid "Aphrodisiac," the loopy "Go Wild in the Country" (the latter complete with teen singer Annabella Lwin's modern primitive free-associations), and the Debbie Harry-esque "Mile High Club."

Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).

Reach the Beach is a significant step forward from the Fixx's debut album, Shuttered Room, simply because the band can now craft immediately accessible, incessantly catchy pop/rock melodies. "One Thing Leads to Another" has a big, ringing guitar hook hammered home by the dance beat, while "Saved by Zero" and "The Sign of Fire" are cool, robotic slices of synth pop. Although the rest of the album isn't quite as catchy as those three hits, Reach the Beach remains a pleasant collection of immaculately produced and stylishly danceable new wave.

Shuttered Room is the debut studio album by British new wave band The Fixx, released in 1982. It contains the group's debut single, "Stand or Fall", which hit the Top 10 of Billboard's Album Rock Tracks as well as #79 on the Hot 100. Its follow-up single was "Red Skies". Both songs were aided by popular MTV music videos.

The Fixx had a banner year in 1983, as their second album, Reach the Beach, broke down doors and gave the band a huge hit with "One Thing Leads to Another." Phantoms wasn't as good, not just because Reach the Beach had that hit but also because it was simply a really good mainstream new wave record. Phantoms was a little more serious, a little more lugubrious, a little directionless, but it still is a pretty good record, all the same. The reason why? The Fixx were a good band. They had an original sound, thanks to the echoing synths, clean-processed guitars, cavernous drums, and Cy Curnin's soaring voice, which soared over the precise arrangements to make it sound human. The wondrous thing about this combination is that it sounded appealing even when the material wasn't the equal of the sound, which is often the case on Phantoms. That's not to say it's a disaster, because it hardly is – the band sounds good, and the record is a shining example of post-new wave production.

Released in 1998, Time Capsule: Songs for a Future Generation is the essential B-52's greatest-hits collection. A chronologically assembled highlight reel of the group's first two decades, it contains all of their singles and a number of album favorites, along with two exclusive then-newly written tracks. When they first arrived on the scene in 1979, their kitschy thrift-store image and weirdly spartan sound immediately set them apart from others in the new wave scene to which they were loosely attached. Three guys, two girls, arcane hairdos, no bassist, and a sound that was equal parts spy music and good-time dance party, the B-52's were always fascinatingly loveable outsiders and remained so throughout their years of success. Beginning with "Planet Claire," "52 Girls," and the immortal "Rock Lobster," Time Capsule winds its way through their early and mid-'80s hits like "Quiche Lorraine" and the charming "Song for a Future Generation." As they continued to grow and evolve, their sound expanded, becoming both more nostalgic and more light-hearted, leading into their commercial peak in the early '90s with the excellent "Channel Z," "Roam," and of course "Love Shack".