Pet Shop Boys resume their exceptional late-period run with Hotspot, their third in a series of high quality collaborations with producer/engineer Stuart Price. Recorded at Berlin's legendary Hansa Studios, the acclaimed duo's 14th album finds them firmly in their element, delivering crisp electro-pop invocations, wry dance bangers, and melodic gems both sunny and stormy. Still more or less in the self-described "electronic purist" mode of 2013's Electric and 2016's Super, Neil Tennant and Chris Lowe make a few allowances here, particularly on the melancholic standout, "Beneath the Heather," which features some crafty psych-inspired guitar work from Suede guitarist Bernard Butler.

Singer/dancer/choreographer Paula Abdul hit the big time with the third single, "Straight Up," off this album, which sparked a string of hits that carried through to her follow-up. Despite having a slight voice, her voice is distinct and perfectly suited to this synthesized type of late-'80s dance-pop. "Cold Hearted" is insistent and catchy, "Forever Your Girl" is sweet and accessible, and "Opposites Attract" gives Abdul a chance to spar with the Wild Pair. There is some filler – "Next to You," for example – that hasn't aged as well as the better material, but overall this is a consistent album with some great dance-pop songs. Unfortunately, as Abdul and her material matured, her audience waned.

Anouk Teeuwe, professionally known by the mononym Anouk, is a Dutch singer-songwriter and record producer. After her breakthrough in 1997 with the single "Nobody's Wife", she had numerous hit singles in the Dutch and Belgian charts, such as "R U Kiddin' Me", "Michel", "Girl", "Lost", "Modern World", "Three Days in a Row", and "Woman". Anouk has released ten studio albums to date, the most recent one being Queen For A Day, released on 4 March 2016.

A more mature, calculated album from a pop star who's often gloried in being immature and spontaneous, I've Been Expecting You may suffer from comparisons to its excellent predecessor, but it also finds Robbie Williams weathering the sophomore storm quite well. While Williams' debut was infectious and outrageous, the second is indeed a more studied album. The opener, "Strong," begins very well, with the spot-on lyrics: "My breath smells of a thousand fags/And when I'm drunk I dance like me Dad," and "Early morning when I wake up/I look like Kiss but without the makeup." Many of the tracks on I've Been Expecting You show an undeniable growth, both in songwriting and in artistic expression; two of the highlights, "No Regrets" and "Phoenix From the Flames," are sensitive, unapologetically emotional songs that may not be as immediately catchy as those on his debut, but pack a greater punch down the road. Williams does indulge his sense of fun occasionally, playing up James Bond during the transcontinental hand-waver "Millennium" (which samples Nancy Sinatra's theme for You Only Live Twice), and simply roaring through "Win Some Lose Some" and "Jesus in a Camper Van."

One of the best U.K. debuts of the '90s, Life Thru a Lens is an uninhibited joyride through all manner of British music, from glam to alternative to soft-rock to dance-pop. Beginning with the joyous "Lazy Days," the album continually betrays overt influences from Oasis and other Britpop stars, but triumphs nevertheless due to gorgeous production, Williams' irresistible personality, and the overall flavor of outrageous, utterly enjoyable pop music. Whether he's romping through aggressive burners like "Ego A Go Go" and "South of the Border," crooning on the ballad "Angels," or offering a slice of life – working-class style – on the title track and "Lazy Days," Williams is a pop star through and through. For those who appreciate great pop with plenty of cheek, Life Thru a Lens is an excellent album.