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Alexander Weimann - Alessandro Scarlatti: Complete Keyboard Works, Vol.1 (2005)

Posted By: ArlegZ
Alexander Weimann - Alessandro Scarlatti: Complete Keyboard Works, Vol.1 (2005)

Alexander Weimann - Alessandro Scarlatti: Complete Keyboard Works, Vol.1 (2005)
EAC | FLAC | Image (Cue & Log) ~ 450 Mb | Total time: 69:02 | Scans included
Classical | Label: ATMA Classique | # ACD22321 | Recorded: 2005

Right now the music of Alessandro Scarlatti is getting more attention than ever before, but musicians are still very selective in what they are performing. One part of Scarlatti's oeuvre that is widely neglected is his keyboard music. Alexander Weimann is not the first to pay attention to this genre: the Italian keyboard player and director of the Concerto Italiano, Rinaldo Alessandrini, devoted a disc to the genre. But Weimann is the first to plan to record it all. He writes in the booklet, "as a composer for the keyboard, Alessandro Scarlatti … deserves the same respect that we show for his vocal works."

Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson - François Francœur: Sonates à violon seul et basse continue (2018)

Posted By: ArlegZ
Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson - François Francœur: Sonates à violon seul et basse continue (2018)

Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson - François Francœur: Sonates à violon seul et basse continue (2018)
EAC | FLAC | Image (Cue & Log) ~ 712 Mb | Total time: 63:38+60:34 | Scans included
Classical | Label: Glossa | # GCD 921809 | Recorded: 2018

For her ninth recording project on Glossa, the Berlin-based American harpsichordist Mitzi Meyerson is joined by her Finnish colleagues Kreeta-Maria Kentala (violin) and Lauri Pulakka (cello). With this same setup which they are keen to call the Jones Band they have previously unearthed works for the label by Richard Jones and Giovanni Battista Somis. The new recording is centred on François Francur, a celebrated member of the Vingt-quatre Violons du Roi and of Le Concert Spirituel in France, and co- director, later in his career, with François Rebel, of the Paris Opéra. The ten violin sonatas on the present double album represent the complete Premier Livre de sonates à violon seul et basse continue, published in Paris in 1720.

Vox Luminis, Lionel Meunier - Scarlatti: Stabat Mater (2008)

Posted By: tirexiss
Vox Luminis, Lionel Meunier - Scarlatti: Stabat Mater (2008)

Vox Luminis, Lionel Meunier - Scarlatti: Stabat Mater (2008)
XLD | FLAC (image+.cue, log) | Covers Included | 01:04:01 | 258 MB
Genre: Classical | Label: Ricercar | Catalog: RIC 258

"Sheer joy in music-making is as evident here as the sense of piety required by what are, after all, holy works. Yet it is difficult to begrudge Vox Luminis the feeling of joy at the astonishing sounds they are able to produce. The spirit of devotion is very much alive here too, in an album that pays equal attention to the holy and the heady."

Weser-Renaissance Bremen, Manfred Cordes - Johann Grabbe: Madrigals & Instrumental Works (2012)

Posted By: tirexiss
Weser-Renaissance Bremen, Manfred Cordes - Johann Grabbe: Madrigals & Instrumental Works (2012)

Weser-Renaissance Bremen, Manfred Cordes - Johann Grabbe: Madrigals & Instrumental Works (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 77:34 | 370 MB
Genre: Classical, Vocal | Label: CPO | Catalog: cpo777662-2

Comparable to Heinrich Schütz as a composer but not as well known, Grabbe is regarded as an important mediator of Italian vocal artistry in the north-western region of Germany. Since he was influenced by Franco-Flemish polyphony and the English compositional style, he embodied the leading musical trends of his time. This release continues CPO's new series in musicians and music of the Weser-Rennaisance in northern Germany.

Nikolaus Harnoncourt & Gustav Leonhardt - Bach: Sacred Cantatas, BWV 1 - 9 (2024)

Posted By: delpotro
Nikolaus Harnoncourt & Gustav Leonhardt - Bach: Sacred Cantatas, BWV 1 - 9 (2024)

Nikolaus Harnoncourt & Gustav Leonhardt - Bach: Sacred Cantatas, BWV 1 - 9 (2024)
WEB FLAC (tracks) - 873 Mb | MP3 CBR 320 kbps - 466 Mb | 03:20:38
Classical, Sacred, Vocal | Label: Warner Classics

Written to exalt the glory of God and to facilitate Lutheran worship, Johann Sebastian Bach’s sacred cantatas stand among the highest achievements of Western musical art.

Eva Zaïcik, Vincent Dumestre, Le Poème Harmonique - Vivaldi, Razzi: Nisi Dominus (2021)

Posted By: ArlegZ
Eva Zaïcik, Vincent Dumestre, Le Poème Harmonique - Vivaldi, Razzi: Nisi Dominus (2021)

Eva Zaïcik, Vincent Dumestre, Le Poème Harmonique - Vivaldi, Razzi: Nisi Dominus (2021)
EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 58:31 | Scans included
Classical | Label: Alpha Classics | # ALPHA 724 | Recorded: 2020

In the seventeenth century, the Ospedale della Pietà in Venice took in young orphan girls who received advanced musical instruction. The concerts given there attracted visitors from all over the world, curious to hear these divine voices which remained invisible, since the girls performed hidden behind the grilles of the chapel gallery. Vivaldi became Maestro de’Concerti of the Pietà in 1714, and it was his pupils who performed his famous Nisi Dominus.

Mignarda - Shakespeare's Lutebook (2024)

Posted By: delpotro
Mignarda - Shakespeare's Lutebook (2024)

Mignarda - Shakespeare's Lutebook (2024)
WEB FLAC (tracks) - 278 Mb | MP3 CBR 320 kbps - 139 Mb | Digital booklet | 00:56:40
Classical, Vocal | Label: Prima Classic

The music on this album is the result of decades of research and many lecture-recitals performed across the US, with publication of a book of scores bearing the same title. We do not pretend to know whether Shakespeare the playwright played the lute — or whether the historical figure of Shakespeare the playwright existed at all. But we know that the plays were a collaborative effort written and produced in concert with several of the best literary and musical figures of the Elizabethan/Jacobean age, and indication for music in Shakespeare plays was as ubiquitous as any other stage direction. Much of the music appearing in the plays is of a lighter character, suitable for capering and jollification in an outdoor theater. But the historical music Mignarda chooses is typically of a more complex nature, and was likely performed in an indoor theater where subtlety and nuance, an essential characteristic of music for voice and lute, might actually be heard. Our approach is to convey the texts with understanding, choosing historical musical settings when they survive, but employing informed choices of historical style and convention when the original setting is lost to history.

The Kuijken Ensemble - François Couperin: Les Nations (1992)

Posted By: ArlegZ
The Kuijken Ensemble - François Couperin: Les Nations (1992)

The Kuijken Ensemble - François Couperin: Les Nations (1992)
EAC | FLAC | Image (Cue & Log) ~ 548 Mb | Total time: 50:43+50:13 | Scans included
Classical | Label: Accent | # ACC9285/86 | Recorded: 1992

What is it that makes this 1992 recording of François Couperin's Les Nations by the Kuijken Ensemble so special? In a word, brotherhood. You see, the Kuijken Ensemble has the brothers Barthold, Sigiswald, and Wieland on transverse flute, violin, and viola da gamba and they play together with a combination of affection, aggression, appreciation, and wholehearted love that makes the ensemble like no other. Each brother a master of his instrument, and they understand Baroque music with a combination of intellect, emotion, and musicality that few other period instrument players can match.

Hamburger Ratsmusik, Simone Eckert, Genevieve Tschumi, Klaus Mertens - Georg Philipp Telemann Inauguration Cantatas 1721 (2024)

Posted By: ciklon5
Hamburger Ratsmusik, Simone Eckert, Genevieve Tschumi, Klaus Mertens - Georg Philipp Telemann Inauguration Cantatas 1721 (2024)

Hamburger Ratsmusik, Simone Eckert, Genevieve Tschumi, Klaus Mertens - Georg Philipp Telemann Inauguration Cantatas 1721 (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 1:13:55 | 171 / 333 Mb
Genre: Classical

The Hamburger Ratsmusik was the name, in German, for the Hamburg city government musical establishment of Hamburg during the baroque period. Ratsmusik was a generic term to distinguish from Hausmusik, domestic music making, during the Hanseatic period.

Ecclesia Nova - G.B. Martini: Musiche per il triduo in onore del beato Giuseppe da Copertino (Roma, 1753) (2024)

Posted By: delpotro
Ecclesia Nova - G.B. Martini: Musiche per il triduo in onore del beato Giuseppe da Copertino (Roma, 1753) (2024)

Ecclesia Nova, Concerto Romano & Alessandro Quarta - G.B. Martini: Musiche per il triduo in onore del beato Giuseppe da Copertino (Roma, 1753) (2024)
WEB FLAC (tracks) - 215 Mb | MP3 CBR 320 kbps - 124 Mb | Digital booklet | 00:46:11
Classical, Sacred, Choral | Label: Tactus

The fame of Father Giambattista Martini is largely due to the activity as a historiographer, theoretician and teacher of music unceasingly carried out by him in the Bolognese convent of S. Francesco: his monumental Storia della musica, the first history of music ever written in Italian and published in Italy, was hailed by the most distinguished personalities of that period, who unanimously praised his deep erudition; and a great number of young composers and musicographers from all over Europe, wishing to learn the secrets of this art, stopped in Bologna to receive a training or perfect their knowledge under his guidance.

The Sixteen & Harry Christophers - Masters of Imitation (2024)

Posted By: delpotro
The Sixteen & Harry Christophers - Masters of Imitation (2024)

The Sixteen & Harry Christophers - Masters of Imitation (2024)
WEB FLAC (tracks) - 269 Mb | MP3 CBR 320 kbps - 155 Mb | Digital booklet | 01:06:35
Classical, Choral | Label: Coro

Imitation is the ultimate compliment. To take inspiration from someone else’s work, to borrow and rework it to form another piece…what could be more flattering? This technique, known as ‘parody’, was hugely popular in late 16th-century Europe and Orlande de Lassus was one of its most famous advocates. The Sixteen’s programme showcases the master of parody at work and also features a new commission from the extraordinarily inventive composer Bob Chilcott parodying one of Lassus’ finest secular madrigals.

I Fagiolini & Robert Hollingworth - Victoria: Tenebrae Responsories (2024)

Posted By: delpotro
I Fagiolini & Robert Hollingworth - Victoria: Tenebrae Responsories (2024)

I Fagiolini & Robert Hollingworth - Victoria: Tenebrae Responsories (2024)
WEB FLAC (tracks) - 233 Mb | MP3 CBR 320 kbps - 144 Mb | Digital booklet | 01:00:10
Classical, Sacred, Choral | Label: Coro

In the late 16th century when vocal polyphony was developing into the excesses of the late Italian madrigal and the powerplay of multi-choir writing in Venice, Victoria, in Rome, chose to write his 18 Tenebrae settings with the simplest texture imaginable: four voices with internal sections for just two or three parts. These perfect miniatures force the question: how can so little mean so much? Victoria’s austere yet profoundly moving setting of the Responsories for the services of Tenebrae (shadows) is one of the great classics of Renaissance music. In this new recording sung by solo voices it is restored to the low pitch and voicing intended by the composer. These perfect miniatures are interspersed with nine of Christopher Reid’s heart-rending poems from his 2009 collection and Costa Book of the Year winner, ‘A Scattering’, a moving collection on the dying and death of his wife.

Giovanni Sollima, Federico Guglielmo & Il pomo d'oro - Al-Bunduqiyya: The Lost Concerto (2024)

Posted By: delpotro
Giovanni Sollima, Federico Guglielmo & Il pomo d'oro - Al-Bunduqiyya: The Lost Concerto (2024)

Giovanni Sollima, Federico Guglielmo & Il pomo d'oro - Al-Bunduqiyya: The Lost Concerto (2024)
WEB FLAC (tracks) - 394 Mb | MP3 CBR 320 kbps - 172 Mb | 01:14:22
Classical | Label: Warner Classics, Erato Records

The charismatic, cosmopolitan cellist Giovanni Sollima joins the instrumentalists of Il Pomo d’Oro for Al-Bunduqiyya – The Lost Concerto.

Daniel Rowland & Stift Festival Orchestra - Richter: Recomposed: Vivaldi's Four Seasons (2024)

Posted By: delpotro
Daniel Rowland & Stift Festival Orchestra - Richter: Recomposed: Vivaldi's Four Seasons (2024)

Daniel Rowland & Stift Festival Orchestra - Richter: Recomposed: Vivaldi's Four Seasons (2024)
WEB FLAC (tracks) - 205 Mb | MP3 CBR 320 kbps - 98 Mb | 00:42:31
Classical | Label: Challenge Classics

Daniel Rowland is a charismatic and adventurous violinist, director and chamber musician. With irrepressible energy, he musically intoxicates the musicians he plays with and those who listen to his performances and recordings. The members of his Stift Festival Orchestra mirror that energy and make this brilliant piece of Max Richter sound as cool, passionate, rough and intimate as it can be.

Alexandra Nepomnyashchaya - Muffat: Componimenti musicali per il cembalo (2024)

Posted By: delpotro
Alexandra Nepomnyashchaya - Muffat: Componimenti musicali per il cembalo (2024)

Alexandra Nepomnyashchaya - Muffat: Componimenti musicali per il cembalo (2024)
WEB FLAC (tracks) - 894 Mb | MP3 CBR 320 kbps - 337 Mb | 02:25:01
Classical | Label: Linn Records

For her first solo album on Linn – she has appeared with her Duo Pleyel partner Richard Egarr on three occasions, and more will come! – Alexandra Nepomnyashchaya has taken the bold route of recording the little-known Gottlieb Muffat. Son of Georg Muffat, who most Baroque aficionados will know, Gottlieb attained far greater success in his working life, ultimately being promoted to first organist of the Austrian Habsburg court. In this double album Alexandra has recorded the lavish Componimenti musicali per il cembalo , a collection of seven ‘suites’ that are rich in texture, emotional range and flamboyant decoration. Carefully notated in the magnificent score, the breathtaking ornamentation is there to add expressiveness to the performance. These works represent one of the pinnacles of keyboard music from the mid-eighteenth century, and deserve their place in the repertoire.