Grammy winner, Dave Alvin, has been roaming the highways of American music for over a quarter century. During those decades he's busted speakers with roots rock kick-starters, The Blasters, as well as mined the depths of country, folk and blues with his solo projects. A mainstay during much of this journey has been Alvin's electrifying band The Guilty Men. Following the recent death of Dave's best friend and Guilty Men accordionist Chris Gaffney in early 2008, Alvin decided to move in an exciting new musical direction. In October 2008 he stepped onto the stage of the Hardly Strictly Bluegrass Festival in San Francisco with an all-star, all-female group. Since dubbed The Guilty Women, the group consists of Americana scene vets Cindy Cashdollar, Nina Gerber, Laurie Lewis, Sarah Brown, Amy Farris, Christy McWilson and Lisa Pankrantz. Special guests include Marcia Ball and Susie Thompson. The self-titled debut from this unique assemblage of players, led by Alvin, is a spirited collection of thoughtful yet dynamic tunes featuring world-class musicianship worthy of his now legendary pedigree.

West of the West is Dave Alvin's tribute to the songs and songwriters of California. It's the fourth-generation Californian's latest excursion into the sounds and history of his home state, continuing the high standard he set with King of California and Blackjack David. Produced by Greg Leisz (Wilco, Lucinda Williams, Beck, Brian Wilson), the new album mixes much loved songs by Merle Haggard, John Fogerty, Tom Waits, Brian Wilson, Jackson Browne, Jerry Garcia, Kate Wolf, Robert Hunter and Los Lobos' David Hidalgo and Louis Perez, with unearthed gems from such previously overlooked talents as Blackie Farrell and Jim Ringer. Dave's first collection of cover songs (2000's Public Domain) won a Grammy for Best Traditional Folk Album and his most recent album of originals (2004's Ashgrove) garnered praise from USA Today, Rolling Stone, Mojo and the Los Angeles Times who said, "Few songwriters capture the way music can provide escape or solace to the lonely, the lost and the desperate as Alvin".

In the Dark is the 12th studio album by the Grateful Dead. It was recorded in one week in January 1987, and originally released on July 6, 1987. In the Dark was the band's first album in six years, and its first studio album since 1980's Go to Heaven. It became unexpectedly popular, achieving double platinum certification in the U.S. It reached #6 on the Billboard 200 chart, the Grateful Dead's only top ten album. The peppy "Touch of Grey" peaked at #9 on the Billboard Hot 100, the band's only top forty single; it also became a frequently played music video on MTV. "Hell in a Bucket" and "Throwing Stones" (for which videos were also made) also achieved significant album-oriented rock radio airplay.

With 1970's Workingman's Dead, the Grateful Dead went through an overnight metamorphosis, turning abruptly from tripped-out free-form rock toward sublime acoustic folk and Americana. Taking notes on vocal harmonies from friends Crosby, Stills, Nash & Young, the Dead used the softer statements of their fourth studio album as a subtle but moving reflection on the turmoil, heaviness, and hope America's youth was facing as the idealistic '60s ended. American Beauty was recorded just a few months after its predecessor, both expanding and improving on the bluegrass, folk, and psychedelic country explorations of Workingman's Dead with some of the band's most brilliant compositions. The songs here have a noticeably more relaxed and joyous feel.

Workingman’s Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman’s Dead attains audiophile reference status courtesy of this first-ever hybrid SACD version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures. The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman’s Dead stakes its existence to great songs, homespun warmth, and bare essentials.

Led by Scott Boyer and Tommy Talton, the Jacksonville band Cowboy was discovered by none other than Duane Allman, who, as legend has it, banged on their door at 7 am one day and asked to hear some songs. He then recommended them to Capricorn label owner Phil Walden, who sent Allman Brothers producer Johnny Sandlin to check them out; Sandlin ended up producing several Cowboy albums for Capricorn, of which this 1971 release was the second. The Allman Brothers connection on this album is even more explicit than it was on their debut album (Reach for the Sky, also reissued by Real Gone Music); Allman plays guitar on Lookin for You and dobro on Please Be with Me, while ABB keyboardist Chuck Leavell appears on half of the album tracks. But what makes 5 ll Getcha Ten special and indeed what makes it many Cowboy fans favorite record is the songwriting. Please Be with Me was covered by Eric Clapton on his classic 461 Ocean Boulevard release, and throughout the album a gentle undercurrent of spirituality courses through these beautifully played and sung songs, particularly on What I Want Is You, Innocence Song and the title tune.

Rick Springfield released the big, bold Songs for the End of the World in 2012, just before he received a boost in credibility from Dave Grohl. The Foo Fighters leader featured Springfield in Sound City, his 2013 feature-length love letter to classic rock, and while its accompanying soundtrack wasn't a smash, it did help shift the conventional wisdom on Rick Springfield. Now, he was celebrated for his power pop and arena rock, two things that helped him land a plum role in Jonathan Demme's 2015 film Ricki and the Flash, where he played a puppy dog foil to Meryl Streep's aging lead. Springfield knocked his role out of the park, allowing himself to be vulnerable and funny, two qualities he sometimes avoids on record. Happily, Rocket Science – the 2016 album that is his first since the great Rick renaissance of the 2010s – finds the rocker acting looser than he's been in years, letting his gift for the frivolous sit alongside his yen to explore his spiritual side.

Four-time Grammy-winning band The Doobie Brothers (with Michael McDonald) have teamed up with some of country music’s biggest stars for ‘Southbound’, an album of all-new recordings of the band’s classic hits. The studio lineup harkens back to the Doobie Brothers’ earliest days. Fellow singer-songwriter-guitarist-lead-vocalists Patrick Simmons and Tom Johnston continue to front the group, while multi-instrumentalist John McFee’s history with the Brothers dates back to 1978, after his stint with Southern Pacific. Michael McDonald returns to The Doobie Brothers for this project, which invites fans to once again “Listen to the Music” in a whole new way. Country stars Blake Shelton, Casey James, Charlie Worsham, Johnnyswim’s Amanda Sudano Ramirez, and Tyler Farr were among the first roster of artists choosing their favorite Doobie songs to record with the band, with selected tracks featuring special instrumental contributions from Hunter Hayes and Vince Gill. Other collaborators include Toby Keith, Brad Paisley, Zac Brown Band, Sara Evans, Chris Young, Jerrod Niemann, and Love and Theft. In choosing the album title, The Doobie Brothers’ Tom Johnston remarked, “Southbound seemed like the perfect name of this collaboration project with all these dynamic country artists. The band has a lot of roots, both musically and lyrically, from the South such as blues, country, R&B, and folk. To us it was a natural fit that it be called Southbound.”

Critically acclaimed Chicago band initially connected to the No Depression neo-country scene, later emerging as an experimental-pop powerhouse. Collection includes: 'A.M.' (1995); 'Being There' (1996); 'Mermaid Avenue, Vol. 1' (with Billy Bragg) (1998); 'Summerteeth' (1999); 'Mermaid Avenue, Vol. 2' (with Billy Bragg) (2000); 'Yankee Hotel Foxtrot' (2002); 'A Ghost Is Born' (2004); 'Kicking Television: Live in Chicago' (2005); 'Sky Blue Sky' (2007); 'Wilco' (2009); 'The Whole Love' (2011).

Kristoffer "Kris" Kristofferson is an American country music singer, songwriter, musician, and film actor. He is known for such hits as "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night". Kristofferson is the sole writer of most of his songs, and he has collaborated with various other figures of the Nashville scene such as Shel Silverstein. In 1985, Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson and Johnny Cash in forming the country music supergroup "The Highwaymen". In 2004, Kristofferson was inducted into the Country Music Hall of Fame. Collection includes: Kristofferson (1970); The Silver Tongued Devil And I (1971); Border Lord (1972); Jesus Was A Capricorn (1972); Breakaway (1974) with Rita Coolidge; A Star Is Born (1976) with Barbra Streisand; Natural Act (1978) with Rita Coolidge; A Moment of Forever (1995); The Austin Sessions (1999); The Essential Kris Kristofferson (2004) 2CD; This Old Road (2006); Closer To The Bone (2009); Please Don't Tell Me How The Story Ends: The Publishing Demos 1968-72 (2010); Feeling Mortal (2012).

Digitally remastered edition of this 1983 solo album from 1/2 of The Everly Brothers. The album features the UK Top 10 hit `She Means Nothing To Me' with Cliff Richard sharing lead vocals. Includes musical assistance from Pete Wingfield, Billy Bremner, Terry Williams, Christine McVie and Mark Knopfler. Songs written by acclaimed writers such as Ian Gomm and Gallagher & Lyle.

Susan Jacks (nee Pesklevits) began her singing career at the age of 14, was a regular performer on a national Canadian television show at 15 and appeared as a guest on numerous other television shows in Canada and the U.S. At 18, she hired Terry Jacks to accompany her on rhythm guitar. Craig McCaw was soon added on lead guitar and Susan stopped performing solo engagements, dedicating her time to the trio. They would eventually add Satwant Singh on tablas, recording and performing as The Poppy Family featuring Susan Jacks. As the voice of the Poppy Family, Susan and the group recorded a string of hit records, the most notable being "Which Way You Goin' Billy?", "That's Where I Went Wrong" and "Where Evil Grows". Susan left the Poppy Family in 1972, resuming her solo career and recorded a string of hits through the seventies and eighties. The Dream album, recorded in 1975, was received with rave reviews as she crossed from a predominantly light pop genre to a more alternative format, moving easily through blues, country rock and alternative rock. Produced by Claire Lawrence, who was not only an accomplished rock musician but also an innovative and solid producer, the album was abruptly removed from the market a few short months after its release, its future uncertain. After regaining her rights to the album and re-mastering by the best in the business, this extraordinary album is now available on CD.

Rock Salt & Nails is the debut album by Steve Young. It is a pioneering Country rock/Outlaw country album that was recorded in 1969, with guest musicians Gram Parsons, Gene Clark and James Burton.

It was one of the more unlikely major-label releases of 1992: it had nothing to do with grunge, and was certainly not a last holdout from '80s mainstream sludge. On the flipside, it wasn't really the incipient alternative country/No Depression sound, either; for all that, there was a clear influence from the likes of Gram Parsons and fellow travelers throughout the grooves. This wasn't a sepia-toned collection of murder ballads or the similarly minded efforts that were almost overreactions to Nashville's triumphalism throughout the '90s. At base, Hollywood Town Hall found a finely balanced point: accessible enough for should-have-been success (sclerotic classic rock station programmers were fools to ignore this while still playing the Eagles into the ground) but bowing to no trends. Its lack of variety tells against it a bit – while there are certainly stronger moments than others, most of the songs do have a tendency to blend into each other – but the core strengths of the group come through. George Drakoulias fleshed out the sound just enough, with the side help of performers like Benmont Tench and Nicky Hopkins adding fine extra touches without swamping the identity of the group.

Day of the Dead is an epic tribute to the music and artistry of the Grateful Dead, curated by Aaron and Bryce Dessner of The National. They have brought together some of their favourite musicians to reinterpret the songs and sounds of the Dead for a new generation. 59 tracks and over 5 hours of music makes the album a landmark to get lost in, to discover hidden treasures and to make your own playlists for whatever mood you’re in. Covers by The War On Drugs, Kurt Vile, Bill Callahan, Courtney Barnett, Anohni, Wilco, Mumford & Sons, Unknown Mortal Orchestra, The Flaming Lips, Stephen Malkmus, Cass McCombs, Tim Hecker, Lucinda Williams, Perfume Genius, Fucked Up, Bonnie "Prince" Billy, The Tallest Man On Earth and others.