Dave's Picks Volume 24 is a three-CD live album by the rock band the Grateful Dead. It contains the complete concert recorded at the Berkeley Community Theatre in Berkeley, California on August 25, 1972. It was produced as a limited edition of 16,500 copies, and is scheduled to be released on November 1, 2017.

Live/Dead is the first official live album released by the San Francisco-based band Grateful Dead. It was recorded over a series of live concerts in early 1969 and released later in the year on November 10. At the time of its release, Robert Christgau wrote that side two of the double album "contains the finest rock improvisation ever recorded." It was the final album with keyboardist Tom Constanten. In 2003, the album was ranked number 244 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Look out Big Boss Man, Pigpen's on the loose! We're shedding our lovelight on the not-to-be-overlooked Spring 1971 tour with DAVE'S PICKS VOLUME 51, featuring the complete unreleased show from the SCRANTON CATHOLIC YOUTH CENTER, SCRANTON, PA 4/13/71 AND the 2nd set from the previous night at the Pittsburgh Civic Arena in Pittsburgh, PA on 4/12/71.

Grateful Dead, live from Northrop Auditorium, University of Minnesota, Minnesota, MN October 19th 1971.
Combining psychedelia with their chilled style, as heard on 1970's Workingman's Dead and American Beauty, 1971 saw the Dead at their greatest live, performing a huge number of fine sets with extraordinary length. This live concert, from the University of Minnesota's Northrop Auditorium on October 19th that year - broadcast on KQRS-FM radio - was no exception and saw them rip through material from the length of their career up to that point, much of which had not featured on studio albums. Presented here in its entirety, accompanied with background notes and archival imagery.

Eight months after the release of Wake Of The Flood, the Grateful Dead followed up that masterpiece with the second album on their Grateful Dead Records label, From The Mars Hotel. To this day, most of the songs on From The Mars Hotel are played frequently by the band members as they continue to bring the music to the people, and during the Grateful Dead's touring career, more than half of the songs were important parts of their live repertoire. “Scarlet Begonias,” “Ship Of Fools,” and “U.S Blues” arrived on the scene in 1974, with “China Doll” and “Loose Lucy” coming a year earlier, and they all quickly became staples of Grateful Dead live sets for decades, although “Loose Lucy” had a 15 year hiatus 1975-1989. Phil's two songs on the album are often played live these days when Phil performs with his rotating cast of Friends, and these songs, “Pride Of Cucamonga” and “Unbroken Chain” are elicit ecstatic responses. These would be the final two Phil-sung songs on a Grateful Dead studio album. Peaking at #16 on the Billboard Top 200 chart in 1974, the album's terrific batch of new songs and exceptional production had Dead Heads scooping up the album 50 years ago upon its release.

The Grateful Dead's second live release was an eponymously titled double LP whose cover bears the striking skull-and-roses visual motif that would become instantly recognizable and an indelibly linked trademark of the band. As opposed to their debut concert recording, Live/Dead (1969), this hour and ten minutes concentrates on newer material, which consisted of shorter self-contained originals and covers. Coming off of the quantum-leap success of the studio country-rock efforts Workingman's Dead (1969) and American Beauty, Grateful Dead offers up a pair of new Jerry Garcia/Robert Hunter compositions – "Bertha" and "Wharf Rat" – both of which garnered a permanent place within the band's live catalog.

Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

We're easin' on into the last Dave's Picks of the 2022 series with the complete show from AUTZEN STADIUM, UNIVERSITY OF OREGON, EUGENE, OREGON, 6/23/90 and you're going to need your sunglasses because the forecast for this one is bright. Doors were at noon with Little Feat opening (fun fact: Little Feat's Lowell George produced SHAKEDOWN STREET) and the Grateful Dead taking the stage at 2pm to deliver what is surely one of their longest performances and what can most certainly be classified as an upper-echelon late-Brent era show.

Will you come with me? Won't you come with me? There's no better place to take a long strange trip with the Grateful Dead than right here. We've got music from every single studio album and a bevy of live albums, to boot. There are celebrated live performances from the 70s and 80s and official videos with more skeletons than you can shake your bones at, an exclusive seaside series on what's to come from the band's rich catalog and details on meet-ups all across the promised land. If it's community you’re after, try your hand at our yearly DEAD COVERS PROJECT competition and connect with fellow Dead Heads around the world. Heck, keep your eyes peeled you might even catch a glimpse of Pigpen on keys, Jerry in a GROOVE, Bobby tellin' tales, Mickey talkin' space, Phil and friends, Bill on the beach, or anyone from our extended family.

Dave's Picks Volume 23 is a live album by the rock band the Grateful Dead. It contains the complete concert recorded at McArthur Court at the University of Oregon in Eugene, Oregon on January 22, 1978. It was produced as a limited edition of 16,500 copies, and was released on August 1, 2017.

"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

The Grateful Dead‘s September 8, 1973 concert at Nassau Coliseum in Uniondale, New York will be featured on Dave’s Picks Volume 38, which is due in the second quarter of 2021. Dave’s Picks 2021 subscribers will receive a bonus disc containing highlights from the previous night’s show at the same venue.

April 26, 1983 was the Dead's second night of a two-show stand at The Spectrum. The sextet - which at the time featured guitarists Bob Weir and Jerry Garcia, bassist Phil Lesh, keyboardist Brent Mydland and drummers Mickey Hart and Bill Kreutzmann - opened with Shakedown Street. Surprisingly, this will be the first version of Shakedown Street issued as part of a Dave's Picks release.

One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due. First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

"Certain people" will know that we're coming in hot with one that's got all these things and more, Dave's Picks Vol. 41: Baltimore Civic Center, Baltimore, MD, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away."