Red House Records is pleased to announce a new release by Ray Bonneville, a poet of the demimonde whose new album, Easy Gone, was released on April 15, 2014. The album finds the French Canadian-born, American-bred guitarist/ songwriter delivering a powerful, gritty batch of songs written from a lifetime of hard-won knowledge, including a stint in Vietnam and a struggle with drug addiction. In his life, he’s been a bush pilot and a cab driver among other jobs, living both in the States and French-speaking Canada. A true raconteur with a lifetime of stories to tell, the self-taught musician was just too busy living to get around to opening his storybook until his early 40s, some 20 years after he started performing.

BMA Winner for Best New Blues Artist 2012, Samantha Fish makes much of her growing maturity on her second solo album ‘Black Wind Howlin’. Given the wide variety of relationship songs and a mix of reflective and self confident narratives, it appears she’s taken stock and come out the other side with a clearer sense of who she is.

Creedence Clearwater Revival was an American rock band active in the late 1960s and early 1970s which consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as The Blue Velvets and later as The Golliwogs. Their musical style encompassed roots rock, swamp rock, and blues rock. They played in a Southern rock style, despite their San Francisco Bay Area origin, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially conscious lyrics about topics including the Vietnam War.

"The Musician's Musician". "The Master of the Eclectic". There are probably a dozen more titles by which this "guitar player" is known. To even refer to him as a guitar player is probably a gross mislabeling of this musician. He defies any sort of categorization; this is his greatest strength and for some his weakness. The theme for these nine cuts is rhythm of all different ilk. I won't even give the parameters because he seems to have none. I wondered how many different instruments he played on this album (I thought I counted five different types of guitar); it only says guitar and vocal for his credits. Listen to his version of "All Shook Up," more bop and rhythm than Elvis could put into four of his songs. It seems musicians line up to play with him, and they feel he did them a favor by letting them play on his albums. He always gives them plenty of space to do what they do. This CD will make the dead start tapping their toes.

New vinyl and CD boxset, focusing on the live recordings of Dire Straits, to coincide with the 40th Anniversary of their show at Hammersmith in 1983, immortalised in the live album Alchemy. A follow-on release to 2013 vinyl box set and 2020 CD box set, The Studio Albums 1978 – 1991, with a similar package spec.

Former Rolling Stone teams up with a stellar cast of players. The second of a trilogy involving a dream team of musicians of the calibre of Eric Clapton, Albert Lee and Andy Fairweather Low. After last year’s rootsier, R&B-oriented; predecessor, Struttin’ Our Stuff, this follow-up consists of ’30s and ‘40s blues/jazz standards and Wyman’s pastiche originals. With no corners cut in production or performance, delivery is immaculate, although each song tends to stand alone, like a set-piece, rather than forming a coherent whole. Overall, however, there’s not a duff track on the album, with Georgie Fame’s smokily quizzical tones on Walking One & Only and Beverley Skeete’s sassy rendition of the toe-tapping When Hollywood Goes Black & Tan standing out.

When Bill Wyman left the Rolling Stones, he didn't leave music at all. Instead, he went back to the songs he loved growing up, whether it was rock & roll or big band or folk/skiffle. Now, those tracks make up the majority of songs performed during Bill Wyman's Rhythm Kings Live, taped during a Berlin concert in June 2005. Supported by a talented cast of musicians including guitarist Albert Lee, Wyman and company are introduced one by one, with each then joining in for a fun and lively boogie version of "I Got a Woman." Each member of the band takes their turn on lead vocals, with Albert Lee taking charge during the swinging, big band bop of "Jump, Jive and Wail," while "Baby Workout" has the soulful pipes of Beverley Skeete.