British Heavy Metal legends, Saxon, return with a second ‘deep dish’ serving of the inspirations which have fed their immensely successful 40+ year career. Whether unveiling a sensational take on The Sensational Alex Harvey Band’s “The Faith Healer” (in the process showing the direct lineage from teenage turntables to international glory), getting feral with The Animal’s “We’ve Gotta Get Out Of This Place”, letting loose a high-octane take on Alice Cooper’s “From The Inside”, or laying down a ferocious tribute to KISS’ “Detroit Rock City”, More Inspirations is a joyous trip into the sounds which galvanized the Barnsley boys and continue to get spun on home stereos and tour buses.

Jill Barber returns to her folk roots with her new album, Homemaker, delivering ten quietly profound songs about the complexities of motherhood, marriage, and the struggle to feel at home in one's own identity. Whereas her most recent albums have been bathed in lush string arrangements, Homemaker sees emotions laid bare, with a stripped- down production style reminiscent of her acclaimed debut Oh Heart and double Juno Award nominated follow-up For All Time. Written and recorded in her adopted hometown of Vancouver where she lives with her husband and two children, Homemaker is the first record that sees Jill in the role of a producer, co- producing with Erik Neilsen, and features some of Vancouver's top session players. It is an intentional push-back against the worn-out notion of what it means to be 'just a homemaker'. It is a statement about the humility and strength that it takes to do the meaningful work of creating a home for others, while still holding space for your own dreams."

Lukáš Vondráček and Sergei Rachmaninov. Scarcely do we encounter a connection between a musician and a composer so close, strong and energising. When, at the age of 15, Vondráček was invited by Vladimir Ashkenazy and the Czech Philharmonic to perform Rachmaninov’s Concerto No. 1, he had garnered international acclaim at numerous concerts and competitions. Just a year later, the pianist toured the USA and appeared at Carnegie Hall. At the age of 29, he triumphed at the Queen Elisabeth Competition in Brussels (2016), performing Rachmaninov’s Concerto No. 3, conducted by Marin Alsop. Love at first listen, Rachmaninov has become his flagship composer: “Besides affording the opportunity to showcase one’s technique, his music impresses by being contrastive and having an immense dynamic range … What more could a person keen on tone colour wish? It’s sheer beauty!”

This Da Vinci Classics album focuses on the soundtrack of an ancient Italian film, the subject of which is taken from a poem by Fausto M. Martini (1915). The film was made by Nino Oxilia and covered with sounds by Pietro Mascagni. The film revisits the myths of Faust and Dorian Gray, seen from a female perspective. Mascagni, whose fame was based mainly on his operas, sensed the potential of cinema which he considered as the future of opera, or the artistic expression that would replace singing theater as the public's preferred means of entertainment. But, once again, for Mascagni it wasn't about entertainment; he sought artistic perfection and pursued it. All the minute visual details of the film are echoed in the music, which comments on what was seen on the screen with what was performed by the orchestra. In this album Da Vinci Classics it was decided to record in full, without cuts, the piano reduction of the orchestral score created by Mascagni himself. The attached tracklist refers to the captions of the film, in order to allow the listener to follow, or imagine, the unfolding of the film.

Brett Scott is Associate Professor of Ensembles and Conducting at the University of Cincinnati’s famed College-Conservatory of Music, where he conducts the CCM Chorale, teaches conducting and literature at the graduate and undergraduate level, and is Music Director of Opera d’arte. Under his direction, the CCM Chorale released its first commercial recording, Lux Dei—New Works for Choir by Douglas Knehans, through Ablaze Records, and has begun production of its second recording, focusing on sacred music for choir and electronics.

After her studies at the « Conservatoire National Supérieur de Musique », passing with a unanimous First Prize in Vlado Perlemuter’sclass, Danielle Laval fell under Arthur Rubinstein’s notice. He was dazzled by her virtuosity and her deep sensitivity.

Sir András Schiff is world-renowned as a pianist, conductor, pedagogue and lecturer. He brings masterful and intellectual insights to his performances, which have inspired audiences and critics alike. Born in Budapest, Hungary, in 1953, Sir András studied piano at the Liszt Ferenc Academy with Pal Kadosa, György Kurtág, and Ferenc Rados; and in London with George Malcom.