Cavalleria Rusticana: Magnificently sung, subtly played and dramatically acted… The passion of Sicily, fanned into a bonfire by one of the world's most brilliant conductors and great cast (New York Post).
Pagliacci: An interpretation of exceptionally strong emotions and artistic quality (Il Giorno). Vickers is outstanding, delivering 'Vesti la giubba' with unusual sensitivity and admirable restraint. Kabaivanska and Glossop are also impressive (New York Times).

This 2008 instrumental CD is one of the best British progressive rock albums in recent memory, pure classic prog, close to Genesis (or Steve Hackett solo) and Camel. Yak are a keys/bass/drums trio, but their sound is bigger than that – after hearing this, you will swear that there is a guitarist in the band, one who has the expressive Hackett/Latimer lead style nailed! In fact, keyboardist Martin Morgan is playing the guitar parts from a keyboard, the best emulation of that sustained electric guitar style we’ve ever heard. Of course a guitarist or two will be required live, as the guitar and keyboard sounds are layered. Just when you’ve despaired of ever hearing a British prog band create the real thing again, you are rescued by a Yak. Sounds like Dave Greenslade jamming with Genesis.

We now present a second recording devoted to the composer who can rightly be considered as the father of the symphony in France: François Joseph Gossec. These three Symphonies Op. VIII proclaim their modernity through their use of clarinets and of a Minuet and Trio, this being rare in Paris at that period. A modern symphonic composer of his time, Gossec, who had been born in Hainault in Belgium, also mastered the styles of his adopted land: the ballets in his tragédie lyrique Sabinus can be placed directly in the orchestral tradition of J.P. Rameau, the older composer who had welcomed Gossec to the French capital in 1751.

Frantic metal band In Flames can deliver a good melody around the militaristic, precision drumming of Daniel Svensson and the occasionally guttural yelps of frontman Anders Fridén. Whether it's a tight, polished effort like "The Mirror's Truth" with traces of classic metal à la Iron Maiden or especially Judas Priest, In Flames definitely bring a sense of purpose to this record. From there, the group increase the Metallica-ish franticness with "Disconnected" that relies on heavy guitar riffs but a far lighter, almost airy chorus and bridge. This is improved upon later on the album as "I'm the Highway" takes the record to another level. Probably the heaviest track is "Condemned," that again is driven by Svensson and the guitar tandem of Jesper Strömblad and Björn Gelotte…

Hotel California is the fifth studio album by American rock band the Eagles, and is one of the best-selling albums of all time. Three singles were released from the album, each reaching high in the Billboard Hot 100: "New Kid in Town" (number 1), "Hotel California" (number 1), and "Life in the Fast Lane" (number 11). The album became the band's best-selling album after Their Greatest Hits (1971–1975). It has been certified 26× Platinum in the U.S., and has sold over 32 million copies sold worldwide. The album was ranked number 37 on Rolling Stone's list of "The 500 Greatest Albums of All Time".

Communiqué is the second studio album by the British rock band Dire Straits released on 15 June 1979 by Vertigo Records internationally and by Warner Bros. Records in the United States. The album produced the single "Lady Writer", which reached #45 on the Billboard Hot 100 chart and #51 on the UK Singles Chart. The album reached #1 on album charts in Germany, New Zealand, and Sweden, #11 in the United States and #5 in the United Kingdom. Communiqué was later certified gold in the United States, platinum in the United Kingdom and double-platinum in France.

One of Michael Haydn's symphonies was taken for Mozart for a long time, and a good deal of their music is linked by its Salzburg roots. The sacred music on this disc, however, either postdates or predates Mozart and sounds very little like him. Included are four short masses for the Lenten season (all but one lacking Glorias, like some other masses of the period) and a charming Graduale for Palm Sunday. All but the concluding Missa Sanctae Crucis were written in the 1790s, after an ecclesiastical reform mandated simple, syllabic settings of liturgical texts, and the Missa Sanctae Crucis is a simple, youthful work. The music is accompanied only by a small continuo group.

German cellist Jan Vogler, who grew up in East Berlin and came to tango music via the famed surrealist film The Andalusian Dog, is straightforward in his aims for this release, which was recorded in New Jersey but grew from tango-themed performances at Germany's Moritzburg Castle. "We have found it most stimulating to classify Piazzolla as one of the twentieth century's great classical composers and to search for a wholly unique, and by the same token classical, Piazzolla performance practice."

If you thought violinist Gidon Kremer and pianist Martha Argerich's 1986 DG recording of Schumann's two published violin sonatas was the last word in overwhelming passion in the German Romantic composer's late chamber music, try this 2008 ECM disc of the two published sonatas plus the unpublished sonata by violinist Carolin Widmann and pianist Dénes Várjon.

Given that Def Leppard sounded so fun and revitalized on their 2006 covers album Yeah!, it was easy to hope that they would try to channel that same kinetic energy into their next set of original material, 2008's Songs from the Sparkle Lounge. And try they do on this tight set of 11 songs, pushing rhythms to the forefront in an attempt to kick up excitement, dipping into a Gary Glitter stomp on "C'mon C'mon," hitting harder than they have in years on the pummeling "Bad Actress," and revving up the guitars on "Hallucinate" so they mimic "Photograph," which is not the only time they allude to previous peaks, as "Only the Good Die Young" shimmers with harmonies straight out of Hysteria and "Nine Lives," a duet with country superstar Tim McGraw (the partnership isn't all that odd, considering Leppard's former producer Mutt Lange went country in the '90s with his wife, Shania Twain), rides a riff that is a kissing cousin to "Pour Some Sugar on Me."

"There is no single body of work in the universe of orchestral music that is in any way comparable to this one" (Leonard Bernstein on the Beethoven Symphonies). "He has a way of reminding you what the music can do: no one else today can make the great C major eruption in the Marcia funebre of No.3 blaze like this." - Gramophone

Café del Mar Aria is a CD compilation series that combines chill-out music with opera arias, thereby expanding the existing Café del Mar series. The Café del Mar concept originated from the "sunset bar" with the same name in Sant Antoni de Portmany on the Mediterranean island of Ibiza. Café del Mar Aria is produced by Paul Schwartz.

That the four main works on this disc have never been recorded before is no reflection on the quality of the music or the composer. Joseph Martin Kraus, the German-born composer-contemporary of Mozart's working in Sweden, was all but forgotten after his death in 1792 and recordings of his works have been few and far between. And his four Italian cantatas on this disc were nearly completely forgotten after the death of the soprano they were written for in 1790.

"Symphony No.2 gets a performance of tremendous power and energy … The Vienna Seventh never lets us forget the Bacchanalian symbolism of a work its creator claimed would make mankind spiritually drunken! Bernstein makes it so." - ClassicsToday.com