Formed in Colorado in 2007, The Flight of Sleipnir have been plugging away with their blend of doom, folk and stoner metal ever since.
The Night breeze sending a gray wraith of smoke up the slopes as The Flight of Sleipnir return with their 7th album. "Eventide" is an audial rumination on the vast mysteries of nighttime intertwined by the roaring fireytones of Doom, Prog, Black Metal, Folk, and Post-Rock.

New metal sensation, ALL FOR METAL, has revealed the details about their first full-length studio album! Legends will be coming out on July 7, 2023 through AFM Records! Under the banner of ALL FOR METAL, the metal enthusiasts Tim "Tetzel" Schmidt (known as the singer of the band Asenblut as well as a strength athlete and fitness influencer) and Antonio Calanna (singer of the hard rock band DeVicious) join forces. Both are united by their love for classic heavy metal sounds and the common vision to bring them to a new generation of music fans. With great, compact, catchy songs and a dedicated, highly professional production team behind them, ALL FOR METAL unleash anthemic, straightforward metal that has international class.

The new album by Soen has a potent drive and sees the band channel the ills of current society with a crisp, riff heavy ferocity but at the same time still showcasing Soen’s unique blend of progression, aggression, and beauty. Memorial is drenched in melody with face-crushing guitars and rhythms from start to finish. Album opener ‘Sincere’ starts off with relentless propulsion, whilst the sheer power of the title track is enriched with a solid groove, underlying the weighty tones and evocative vocals of Joel Ekelöf. Finishing with the beautiful, tragic, Pink Floyd-esque ballad ‘Vitals’, Memorial is arguably the band finding their best stride yet.

Dutch progressive death metal septet Phlebotomized is well-endowed with the passion of experimenting with different styles. Their fourth album "Clouds of Confusion" released via Hammerheart Records is truly a grandeur piece, full of bombast.
These are dense sonic journeys that although based in death metal invade the worlds of folk and prog too. They are gratifying on an immediate level, but it is upon multiple listens that they truly shine and the beauty of the music really makes it self-apparent. It is an oxymoronic album in many ways, being both old school and modern sounding, brutal yet clean and beautiful.

The second studio release with "Ripper" Owens, Demolition is an intriguing album. Listening to this one sometimes makes you wish that they had decided to go with a moniker other than Judas Priest. The reason is that, although this album is very strong, it really does not fit in with the historical sound of the band. It seems like a completely new group might have released it. Such a distinction almost seems to deserve a different band name. There are moments that do feel like older Priest, but the overall texture is harder and more modern. At times Owens comes across like Rob Halford (listen to the first verse of "Blood Suckers"), but he is really working to carve out his own identity. If you are a fan of classic Priest, maybe you should hear this one first, but if you are into more modern dark metal, by all means, pick it up.

If any proof were needed that anticipation was at a fever pitch for Alcest's second full-length album, it could be found in the fact that a clever leak of Écailles de Lune that made the rounds before its release was rabidly snapped up worldwide even though most of the tracks came from a compilation of Chinese black metal acts. But the fact that it was treated as the real thing shows how strong Alcest's own aesthetic mark has been made already, and Écailles de Lune makes the most of its compelling fusion of black metal's theatricality and the after-echoes of shoegaze's propensity for utterly enveloping a listener, even if bandleader Neige approached that sound unconsciously at first. The first half of the two-part title track that begins the album starts with a gentle guitar chime before the full skyscraping riff kicks in, but - instead of getting even more intense as it goes - it's happy to turn even more elegantly beautiful…

Yngwie Malmsteen's second best album after Rising Force, Trilogy finds him delving wholeheartedly into fantastic, medieval themes and lyrical imagery. Yngwie's compositional skills are at their peak, and of all his albums, the lyrics here contribute the most to the overall feel of the music. The guitar solos, as always, are jaw-droppingly fast and technically demanding, but Malmsteen is still capable of playing them with force and fire behind them. Highlights include "Dark Ages," "You Don't Remember, I'll Never Forget," and the epic "Trilogy Suite Op:5."

Perhaps to prepare fans for their next release, Marilyn Manson have decided to release a five-track EP of dance remixes and live songs. The group does show that they have what it takes to come up with sometimes interesting dance makeovers of popular songs (such as "The Horrible People," a reworking of their hit "The Beautiful People"), but the originals are better and definitive. You'll also find a pair of live tracks, "Dried Up, Tied and Dead to the World" and "Antichrist Superstar," which catch the band in all of their shock-rock glory. And closing the mini-album is a mellow acoustic piece (consisting of just guitar and voice, with a few sound effects here and there) entitled "Man That You Fear," which is a departure from their usual sound.

Purge is intended as a continuation of the concepts of Pure, Godflesh's second album, which they performed at the 2013 Roadburn Festival and released as Pure: Live in 2022. Recognized as one of the first post-metal releases, 1992's Pure expanded on the bleak, drum machine-driven sound of earlier records like the mighty Streetcleaner, adding breakbeats and samples, resulting in a mutated form of industrial hip-hop which would give rise to nu-metal later in the decade. Purge is heavier on breaks and electronics than Pure, and it feels more sudden and immediate, forgoing the older album's dark ambient experimentation and extended track lengths. Justin Broadrick, who has been diagnosed with autism and PTSD, has felt like an outsider his entire life, and creating music as part of Godflesh serves as a form of therapeutic release for him…

Released in a cardboard sleeve with German magazine "Metal Hammer" issue February 2023. Tracks 1 to 4 are previously unreleased and physically exclusive live 2022 tracks. Tracks 5 to 8 are taken from the 2023 album "Foregonehere".
An influential and prolific Swedish heavy metal outfit, In Flames helped establish the modern melodic death metal scene and ensuing metalcore scenes of the early 2000s. With neo-classical guitar solos and innovative song arrangements, the group progressed from underground death metal to metal music innovators alongside contemporaries like Dark Tranquillity and At the Gates.

The last quality album from Judas Priest's commercial period, Defenders of the Faith doesn't quite reach the heights of British Steel or Screaming for Vengeance, in part because it lacks a standout single on the level of those two records' best material. That said, even if there's a low percentage of signature songs here, there's a remarkably high percentage of hidden gems waiting to be unearthed, making Defenders possibly the most underrated record in Priest's catalog. Musically, it follows the basic blueprint of Screaming for Vengeance, alternating intricate speed rockers with fist-pumping midtempo grooves and balancing moderate musical sophistication with commercial accessibility. It's a craftsmanlike record from a band that had been in the game for a full decade already, but was still vital and exciting, and decidedly not on autopilot (yet)…

A year on from Portrait of an American Family, Marilyn Manson released the stopgap EP Smells Like Children. Where the full-length debut showed sparks of character and invention beneath industrial metal sludge, Smells Like Children is a smartly crafted horror show, filled with vulgarity, ugliness, goth freaks, and sideshow scares. Manson wisely chose to heighten his cartoonish personality with the EP. Most of the record is devoted to spoken words and samples, all designed to push to the outrage buttons of middle America. Between those sonic collages arrives one new song, retitled remixes of Portrait songs - "Kiddie Grinder," "Everlasting Cocksucker," "Dance of the Dope Hats," "White Trash" - and three covers ("Sweet Dreams," "I Put a Spell on You," "Rock 'n' Roll Nigger"), all given a trademark spooky makeover…