Outside in Music is proud to announce the March 17, 2023 release of Beautiful Tomorrow, the sophomore recording from vocalist and trombonist Hailey Brinnel. When asked to define her style, the Philadelphia-based artist, whose sound is steeped in swing and bebop, describes her effort to move the genre into new spaces: “I like pushing the limits of the idiom, while staying true to jazz.”

Antonietta Stella (15 March 1929 in Perugia – 23 February 2022 in Rome) was an Italian operatic soprano. Her career was overshadowed by the great divas Maria Callas and Renata Tebaldi, but she was nevertheless able to achieve great success at La Scala, throughout Italy and at some renowned stages in Europe, in America and Japan. She was considered a great Verdi and Puccini interpreter.

The Bamberger Symphoniker and Jakub Hrůša’s cycle of the four Brahms symphonies and Dvořák’s last four symphonies is the first recording to give an overview of their extraordinary universe and cast light on their musical affinity, in a vivid soundscape with a contemporary pulse.

The Bamberger Symphoniker's collaboration with Tudor has evolved in cycles. It began with Joachim Raff's œuvre, a pioneering step into overlooked repertoire. Then stepped up to the Greats with Schubert's symphonies: the first recording to follow the new Schubert edition was enthusiastically hailed as a refreshing new departure interpreted with historical awareness. Reaching for the stars under the aegis of Jonathan Nott, the scores of Gustav Mahler then entered the Bamberg Konzerthalle. That whole cycle has won countless prizes and awards, becoming a milestone of Mahler discography. The next step? Staying in Vienna with symphonies by Johannes Brahms while remaining true to Gustav Mahler's Bohemian homeland with Antonín Dvorák.

The Bamberger Symphoniker and Jakub Hrůša’s cycle of the four Brahms symphonies and Dvořák’s last four symphonies is the first recording to give an overview of their extraordinary universe and cast light on their musical affinity, in a vivid soundscape with a contemporary pulse.

2015 two CD collection. Reach For The Sky: The Change Anthology offers the very best of Change, the innovative studio group masterminded by Jacques Fred Petrus, and brought to life by producer/arranger Mauro Malavasi and bassist Davide Romani. Change launched Luther Vandross' solo career with the #1 dance classic 'The Glow of Love' and the Top 20 UK hit 'Searching'. This 28 track collection spans the group's six albums from 1980-1985 and includes every single that made the pop, R&B, and dance charts in the U.K. and U.S., plus an exclusive bonus new disco remix of 'It's A Girl's Affair' by Mike Maurro. Reach For The Sky features a 24-page booklet with rare photos, plus definitive liner notes with brand new interviews and a track-by-track commentary by some of those who helped define Change's biggest hits, including Jocelyn Brown ('A Lover's Holiday'), Diva Gray ('Paradise'), James "Crabbe" Robinson ('The Very Best In You'), and Deborah Cooper ('Change of Heart'). Newly remastered from the original tapes and housed in a deluxe digipak adorned with Greg Porto's iconic artwork throughout, including this release's front cover. Reach For The Sky will lead Change lovers to paradise.

What I Did on My Vacation is an official compilation album from Ian Gillan, released in 1986 in UK by 10 Records. The album covers Gillan's recordings between 1977 and 1982 and was released in three formats (2LP, CD, MC). All songs from the album had been previously released. Although not credited on the cover, "Scarabus" is preceded by an instrumental piece by Colin Towns, which was used as the intro to "On The Rocks" (from the Glory Road album).

An amazing value 5CD box set includes five classic albums from Free: Free, Fire and Water, Highway, Free at Last and Heartbreaker.This astonishing collection features the original albums from the halcyon years from 1969 to 1973 packaged in mini-LP sleeves and housed in a slip case. The legendary tracks include All Right Now, Wishing Well, Fire and Water, Little Bit of Love and many more!

Six years went by between the release of Crazy Horse's third album, At Crooked Lake, and its fourth, Crazy Moon, and a lot of water went under the bridge in the meantime. Crazy Horse was, in effect, three different bands on its first three albums because the only constants were bassist Billy Talbot and drummer Ralph Molina as lead singers, songwriters, guitarists, and keyboardists came and went. The band name seemed to be retired by 1973, but in 1974 Talbot and Molina hooked up with singer/guitarist Frank Sampedro as Crazy Horse, leading to sessions with their erstwhile employer Neil Young that resulted in the Young/Crazy Horse album Zuma. At the same time, they recorded some Crazy Horse tracks that sat around for years, finally being finished off in the summer of 1978 for release here. The result is the first album since their debut, 1971's Crazy Horse, that sounds identifiable as the band that backs Young.

Relish can be a sharp, bittersweet condiment; it can also suggest a determined gusto to live to the fullest. Combined, these two images provide a good taste of Joan Osborne's major-label debut (the live Soul Show was self-released in 1992). Grounded in blues, soul, and gospel, the Kentucky native wields her gritty voice with personality and forceful presence, kind of Melissa Etheridge meets Sophie B. Hawkins with a splash of Jann Arden. Osborne's passion for life oozes from the grooves. There's an uplifting fervor to her material and delivery, as if every second, every note, was being individually savored.

Spellbound is the second studio album released by Paula Abdul in May 1991. The album was an international success and spawned major radio hits with the singles "Rush Rush", "The Promise of a New Day", "Blowing Kisses in the Wind", "Vibeology" and "Will You Marry Me?". The album went triple platinum in the United States and peaked at No. 1 on the Billboard 200. Its worldwide sales stand at 7 million. Spellbound won a Grammy Award for Best Recording Package.

'Plays Live' was compiled from live recordings made at four venues across the American Midwest in late 1982. It is effectively a sign-off to the first phase of Peter Gabriel the solo artist. As such, it's a celebration of all that was achieved on that opening quartet of self-titled long-players, while also standing as confirmation that Peter was an engaged and engaging frontman. At the time, all bar one of the tracks would be familiar to the Gabriel completist, the exception being the previously unreleased 'I Go Swimming'. A studio vocal version of the song has still never been released. The touring band captured by the recordings consists of Peter, alongside Jerry Marrotta (drums and percussion), Tony Levin (bass and stick), David Rhodes (guitar) and Larry Fast (synthesizer and piano), whilst the iconic cover image of Peter in 'monkey mask' make-up was taken by long-time collaborator Armando Gallo.

‘Rachmaninov fans won’t want to miss this’ was Gramophone’s verdict on Steven Osborne’s recording of the Études-tableaux, and this thrilling new release is an equally essential acquisition. Osborne proves a predictably fine exponent of the Faustian Piano Sonata No 1 and is no less compelling in the selection of shorter works which completes the album.

Nine Below Zero started life in South London during 1977, in the midst of the punk rock boom in England – but their sound and inspiration were so totally counterintuitive to what was going on in punk rock that they scarcely seemed to be part of that movement, apart from their extremely energetic attack on their instruments. Rather than noise for its own sake or auto-destruction, their inspiration lay in classic Chicago blues (though John Mayall's early music and that of the Who and the Kinks from early in their careers also figured into their sound). Dennis Greaves (lead vocals, guitar), Peter Clark (bass), and Kenny Bradley (drums) – soon joined by Mark Feltham (who actually replaced a teacher of theirs who had sat in on the early gigs) on vocals and harmonica – were schoolmates and friends who shared a love of blues; all had all come into the world in the early '60s, and might well have resigned themselves to having missed the boat for the British blues revival by virtue of having been born in the midst of it. Instead, they reached back to that era and found themselves pegged as part of the "mod revival" in the midst of the punk era.

After the release of there one and only album on the famous Vertigo label in 1972, Odin were invited by German radio SWF to produce 4 titles for a radio show in February 1973. A 12-minutes version of 'Live is only' and a 11-minutes version of the Zappa composition 'King Kong' are fine examples for Odin's terrific musicianship. 'Oh no' and the Terstall composition 'Turnpike lane' make the radio recording session complete. In addition to the radio recordings there is a bonustrack from a concert in autumn 1971 titled 'Make up your mind' which is an impressive example of the bands early works. All titles are digitally remastered. The booklet contains a comprehensive band history with a lot of rare photos.