Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who are at the helm of throwing some of the country's best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian.

When Light In The Attic released Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 in 2019, it was the first collection of its kind to be released outside Japan. It proved to be just what music fans had been waiting for—a compilation of sought-after tracks that had been nearly impossible to obtain unless you were well-connected with dealers and collectors, or traveled regularly to the countless record stores in Japan. Pacific Breeze included Minako Yoshida, Taeko Ohnuki, Hiroshi Sato and Haruomi Hosono among other key players of ‘70s-’80s Japanese City Pop, the nebulous genre that encompassed an “amalgam of AOR, R&B, jazz fusion, funk, boogie and disco, all a touch dizzy with tropical euphoria,” as we described it the first time around.

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Strut introduces a pioneering new compilation 'A Dancefloor In Ndola,' curated by revered East African DJ, Kampire. This release marks an evolution in Strut's approach to compilations, showcasing emerging DJ talent from across the world and embracing an innovative approach to musical discovery from the next wave of selectors.

Any DJ set tells you, unconsciously or not, about its author. Through the record choices and the way they are organized, one can feel the DJ’s state of mind and find out a bit more about the musical deposit discovered that is being shared and dug through by him or her at the moment.

Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.

After one and a half years of extensive research we are exhausted but ecstatic to present to our fans and critics the third volume in the "Can You Feel It?" compilation series. This time our journey leads us through various musical styles, originating from countries as diverse as Barbados, Guyana, Germany, and the US. But the one quality these tunes all share is that they, once again, will make you get up, get down, and get ready for some more highly underrated MODERN SOUL, DISCO and BOOGIE!