Cesária Évora was a Cape Verdean popular singer. Nicknamed the "Barefoot Diva" for performing without shoes, she was also known as the "Queen of Morna". A native of the island nation of Cape Verde, Cesária Évora was known as the country's foremost practitioner of the morna, which is strongly associated with the islands and combines West African percussion with Portuguese fados, Brazilian modhinas, and British sea shanties. Évora began singing morna at age 16 after meeting an attractive young guitarist. Her talent soon had her performing all over the islands, and in the late '60s two of her radio tapes were released as albums in the Netherlands and Portugal, respectively.

New York City has always been a hotbed for musical innovation. Each neighborhood has a unique sound of its own.However, the sounds and styles of Spanish Harlem became a music form of their own and as such, something truly special. This box set is the fruits of a massive crate digging focused on the sounds of ''El Barrio.'' The set features four distinct collections culled from Fania's massive archives and includes repertoire from other Fania owned labels such as Cotique and Speed. These chapters in Fania history feature funky Latin sounds, Boogaloo, Latin Disco and Latin Soul. Many of the tracks actually defy genre categorization as they are the perfect blend of a variety of cultures and influences. The artists featured are none less than world renowned musicians such as Ray Barretto, Mongo Santamaria, Fania All Stars, Joe Bataan, Louie Ramirez, and Tito Puente. Also included are the rare and sought after artists such as Johnny Colon, Seguida, Café, Dave Cortez and more all doing their hard to find classics. A must-have for all and a great gift for the season.

As the first album the band recorded after guitarist Henry Garza suffered a serious spinal injury when he fell off-stage during a concert, 2014's Revelation finds Los Lonely Boys revitalized. The Texan trio has never been constrained by genre, but here they let their imagination wild, dabbling in every sound or style that's ever tickled their fancy, easing into proceedings with a teasing bit of traditional Tex-Mex – "Blame It on Love" opens with little more than guitar, accordion, and voice – before diving into every roots or rock style they've ever hinted at in the past.

The "10,000 Anos à Frente" box brings together six CDs adapted from LPs released by Philips during the heyday of Raul Seixas' career – from 1973 to 1977: Krig-Há, Bandolo (1973), Gita (1974), Novo Aeon (1975) , 10 Thousand Years Ago (1976), Raul Rock Seixas (1977) and 30 Years of Rock (1985). It is a tour of the various facets of this artist in classic songs such as “Ouro de Tolo”, “Mosca na Sopa”, “Al Capone”, “Metamorfose Ambulante”, “Gita”….”I was born Ten Thousand Years Ago” and so many others that marked the epoch. Limited edition in honor of 25 years without Raul and the 40th anniversary of the release of the album "Gita".

Santana's Greatest Hits is a 1974 compilation album by Santana. It offers highlights from the group's first three albums. It is the band's best-selling compilation album, selling over 7 million copies in the U.S. alone while selling more than 8 million records worldwide.

Factory Benelux presents a remastered CD edition of Sextet, the second studio album by Manchester postpunk funk group A Certain Ratio, originally released by Factory Records in January 1982. Self-produced at Revolution Studio, Sextet saw the original Ratio quintet of Donald Johnson, Jeremy Kerr, Martin Moscrop, Simon Topping and Peter Terrell joined by co-vocalist Martha 'Tili' Tilson. Written and recorded following a transformative sojourn in New York at the end of 1980, the album reflects Latin, samba and even jazz influences (eg Skipscada; Day One), while still retaining Ratio's signature brittle funk textures, heard in full effect on Lucinda, Gum and trancelike floor filler Knife Slits Water.

Tropical Tribute to the Beatles is a tribute album of tropical artists released in 1996 by RMM Records (Ralph Mercado's record company), produced by Oscar Gomez (distributed by Bellaphon & Uni Distribution). Arrangements were made by Steve Roistein, and lyrics were adapted into Spanish by Jorge Córcega, who had previously adapted the lyrics of Salvatore Adamo.

The first Latin soul collection featuring a mix of chart-topping hits and deeper cuts from the crown jewel of the mambo era Tico Records, celebrating the iconic imprint’s 75th Anniversary. The 2-LP set includes 26 tracks from trailblazers Tito Puente, Ray Barretto, Joe Cuba, Celia Cruz, Eddie Palmieri, La Lupe, Willie Bobo and more. New liner notes by DJ Dean Rudland that tell the story of the New York City label that launched the careers of some of the most revered names in Latin music.

An album with a remarkable journey through music from Latin America and the Caribbean plus Mexico’s son jarocho, it’s a collaboration among multi GRAMMY® winners Arturo O’Farrill and the Afro Latin Jazz Orchestra, together with featured guests: the Conga Patria Collective, that includes Patricio Hidalgo, Ramón Gutiérrez Hernández, Tacho Utrera, Wendy Cao Romero, Fernando Guadarrama, and Jorge Francisco Castillo (founder, Fandango Fronterizo).

Legendary Percussionist Pete Escovedo is an artist who broke down the barriers between Smooth Jazz, Salsa, Latin Jazz and contemporary music. His name has been synonymous in the music industry for more than 60 years.

This is the album that launched Flora Purim's solo career with great promise following her magnificent stint with Chick Corea's first incarnation of Return to Forever. Most of the tracks on this album sound like they would have fit very nicely onto one of RTF's first two LPs, with bandmate Stanley Clarke not only lending support on electric and acoustic bass, but also contributing original compositions and arrangements to the mix. The rest of the supporting cast is not too shabby either, including sax and flute man Joe Henderson, keyboard whiz kid George Duke, guitarist David Amaro, and Purim's other half, percussion legend Airto Moreira. Clarke's funky "Dr. Jive" and lyrical "Butterfly Dreams" are standout tracks here, as is the upbeat Egberto Gismonti composition "Moon Dreams." Duke shows his light Brazilian side on "Love Reborn," featuring Henderson's tenor sax solo and Amaro's lovely acoustic guitar. Purim delivers a gorgeous take on Jobim's well-known ballad "Dindi," and reshapes the standard "Summer Night" into a wordless vocal in her unmistakable style. The disc closes with a fine reworking of Clarke's now-classic "Light as a Feather," which strays not too far from the original RTF version. Neatly capturing Flora Purim's many vocal strengths, Butterfly Dreams delivered on the great expectations generated by her work with Corea and turned out to be a high point in her recording career.

Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at the forefront of fado, as one of the leading performers of the emotive Portuguese style, and there's no doubt she possesses a wonderful voice. But the addition of several guests, such as Chucho Valdés, Ivan Lins, and Tito Paris (among others) seems to open up the seams between fado and other genres, including Brazilian music and jazz. It does so relatively subtly, and she keeps her base pretty firmly in fado (witness the glorious "Ja Me Deixou"). Her duet with Paris on "Beijo de Saudade" is a highlight, and the voices play off each other gloriously, hers pure and clear, his gruff and harsh. Ultimately, the question is whether it all works, and it does, because it doesn't try to do too much, just a small re-positioning, although what the future will bring remains to be seen.

Some of Flamenco's most beloved compositions, performed by the genre's undisputed King, Carlos Montoya. Flamenco Magic is a set of recordings from 1980 containing many of Montoya’s best and most beloved works. The tracks featured are all performed unaccompanied, casting a rare undiluted spotlight on his virtuosity.

Enrique is the debut English album and fourth studio album by Enrique Iglesias recorded in English and released in November 1999. The album launched two No. 1 U.S Billboard hot 100 hits, "Bailamos" and then "Be with You". The album debuted at #33 on Billboard 200 albums chart and would go on to be certified Platinum in the United States. The album was a success in Canada too, where it became 5 times Platinum and in Spain 4 times Platinum. It achieved Platinum status in Germany, Italy, Norway and Poland and Gold in Denmark, Switzerland and 30 other countries. The album has sold over 7 million copies worldwide, becoming his second most successful albums to date, after the follow-up album Escape.

Flamenco is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage.