This massive new reissue from Eugene Ormandy’s stereo discography collects all the Columbia Masterworks recordings he made in Philadelphia between the early 1960s and early 1980s. Sony Classical’s new 94-CD box set once again demonstrates what noted critic Jed Distler, reviewing the previous instalment of this ambitious project “The Columbia Stereo Collection 1958–1963” in Gramophone’s December 2023 issue, characterized as “the Philadelphia Orchestra’s brilliance and versatility as well as Ormandy’s unflappable consistency and habitually underestimated interpretative gifts”.

British rock group, formed by Phil Bates in 1976. Recorded an album, "Find The Lady", for United Artists. Trickster signed to Jet Records when Don Arden became their manager. They went on tour as ELO's support act on their legendary "Out Of The Blue" tour in 1978. Recorded a second album, "Back To Zero", with a different line up in 1979. The single "I'm Satisfied" enjoyed some chart success. Their next single "Tomorrow Belongs To Me" got extensive airplay in the USA, but did not do very well in the charts. The group was not satisfied with their record company, but Jet Records wouldn't let them out of their contract. Their European tours with Boston and John Miles and their British tour with Violinski led to interest from other major labels and the band almost signed to RCA before they finally decided to split in 1980.

TRICKSTER was founded in Birmingham, UK around 1976 by singer Phil Bates who previously played in Kwil and other local acts (He would release the terrific album 'Power' with the band Atlantic in the '90s).

Boys Will Be Boys is the debut record from the group Rabbitt, the South African rock quartet led by Trevor Rabin. It was released in 1975 on Jo'Burg Records in South Africa, and promptly went gold faster than any other disc released in the country. The band would go on to win the Sarie Award (South Africa's equivalent to the Grammy) for "Best Contemporary Pop".

When Willie Nelson took the unexpected step of releasing Stardust in 1978, many predicted that the album of popular standards would severely derail the outlaw country singer's career. Confounding the critics, the disc became Nelson's best-selling effort, and spawned a whole subgenre of modern singers covering the classics. Nelson revisited the format with 1994's orchestral Healing Hands of Time and to varying degrees on several other records, but it wasn't until 2009's American Classic that the red-headed stranger delivered an album billed as the true follow-up to Stardust. Released on the venerable Blue Note label, the disc features guest appearances by superstar jazz singers Norah Jones and Diana Krall, but the focus is always placed squarely on Nelson's famously idiosyncratic vocals…