143 is the seventh studio album by American singer Katy Perry. It was released on September 20, 2024, by Capitol Records. The album title not only represents the phrase "I love you", but is also Perry's symbolic "angel number". As Perry's first album since Smile (2020), 143 includes themes of self-love and empowerment, inspired by her motherhood. In order to create a "dance party" album, Perry worked with previous collaborators Max Martin, Dr. Luke, and Stargate, while also approaching first-time collaborators Vaughn Oliver and Rocco Did It Again!. 143 features guest appearances from German singer Kim Petras and American rappers JID, 21 Savage and Doechii.

'Live in Tokyo' is a live album initially only released in Japan on vinyl. It features great versions of 'F.U.B.B'. and 'The Way Of The World'. The album was recorded when the band were playing live at Tokyo Sun Plaza in Japan, during their 1978 No Smoke Without Fire tour. 'Live In Tokyo' used to be a hard to find 'live' album of the Mark 2 Lineup from Wishbone Ash with on bass guitar and lead vocals Martin Turner, backing vocals and the famous flying V lead guitar Andy Powell, also on lead guitar Laurie Wisefield and on the drums Steve Upton.

Clepsydra is a Swiss neo-progressive band that was formed in 1990 by Aluisio Maggini (vocals), Lele Hofmann (guitars), Philip Hubert (keyboards), Andy Thommen (bass) and Pietro Duca (drums). In 1998 Clepsydra released their third album "Fears", the first album with Marco Cerulli on guitar. In the wake of the album release Clepsydra had a 10 day long European tour and was booked for a concert in Canada on the strength of this production. In 2001 the band released "Alone" with Nicola De Vita on bass. This album came with 3 different album covers: "The Chicken", "The Octopus" and "The Fish".

God Bless is an Indonesian rock band founded in 1973 by Ahmad Albar (vocals), Jockie Soerjoprajogo (keyboard), Fuad Hassan (drums), Donny Fattah (bass), and Ludwig Lemans (guitar). They had their first concert on 5 May 1973 at Taman Ismail Marzuki, which was followed on 16 August with the Summer 28 concert, the first (and, as of 2004, largest) open-air concert in Indonesia. During that period they also played at the Jakarta Fair, held near the National Monument. That same year the band acted in Ambisi (Ambition); Lemans left the band not long after to return to the Netherlands.

Australian quartet Buffalo's third long-player in as many years, 1974's Only Want You for Your Body found them honing their songwriting into far more focused and compact heavy rock nuggets, in a natural progression from first album Dead Forever's oftentimes trippy, post-psych meanderings and second album Volcanic Rock's even mix of lengthy jams and piledriving proto-metal. If anything, for what they lacked in terms of timelessly savage riffing (see Volcanic Rock's "Sunrise" and "Shylock"), new barnstormers like the leering "I'm a Skirt Lifter Not a Shirt Raiser," the comparatively well-behaved "Stay with Me," and the head-nodding chug-groove monster single "What's Going On" (which set a template abused by literally dozens of '90s stoner rock bands) were arguably more well-rounded band performances.

Winner of the 2022 York Early Music International Young Artists Competition, Protean Quartet makes its Linn debut with an eclectic programme that transcends musical eras. Taking polyphony as a starting point, the versatile young quartet ventures into various epochs, ranging from Purcell’s Pavan Z. 752, Chacony Z. 730 and Dance from the opera Dioclesian, to Schubert’s String Quartets Nos. 4 and 13 (‘Rosamunde’) by way of Josquin’s famed ‘Mille regretz’. Although different in style, these works show an equal care in the treatment of every individual voice, each one meticulously played by Protean Quartet's outstanding musicians. A multifaceted album which will delight existing polyphony enthusiasts and create many more!

Heinrich VIII. als Oper? Da erhofft man sich einen großen Historienschinken - und man bekommt einen großen Historienschinken. Einen der feinsten Güte allerdings. Für seine 1883 uraufgeführte Oper hat der anglophilie Saint-Saëns sogar in der Bibliothek des Buckingham Palace recherchiert - von wo er schließlich die choralartige Leitmelodie für seine schillernde Hauptfigur mitbrachte. Spannend an der mit gediegenstem Handwerk ausgeführten Oper ist, dass sich Komponist und Librettist auch darüber hinaus spürbar für die historischen Hintergründe interessierten.

Sometimes, dreams come true. For Francesco Tristano, the dream was twofold: first a desire to project his art in the future by devoting himself to one of the most incontestably timeless figures in the history of music, Johann Sebastian Bach. This profound desire fuelled the creation of intothefuture, Francesco Tristano’s very personal line of recordings, where sounds morph into an abstract and subtly poetic photographic imagery, which is found in the booklets. This first of these recordings, dedicated to the six Partitas (BWV 825 to BWV 830) is a perfect illustration of this concept.

This double-CD set is essential listening – not just for Downliners Sect fans, but for anyone who's ever worn out copies of any of the first three Rolling Stones albums or owns anything by the Yardbirds, the Pretty Things, Them, the Graham Bond Organisation, the Animals, early John Mayall, the Shadows of Knight, or any of countless blues-inspired American garage bands. In content, it's approximately equivalent to Charly's Yardbirds Ultimate Collection, encompassing the complete contents of the Downliners Sect's three original LPs, from the bluesy "Baby, What's Wrong" to the pounding, proto-psychedelic "Glendora." Thus, listeners don't get the EP and demo tracks "Cadillac," "Roll Over Beethoven," "Beautiful Delilah," or "Shame Shame Shame," and "I Can't Get Away from You" and "Roses" are also missing from the other end of their history – all of which are present, along with a lot else, on See for Miles' Definitive Downliners Sect: The Singles A's & B's, which is the perfect complement to this set.

Country music icon Kenny Rogers offers up his first Christmas collection since 1998's Christmas from the Heart. His sixth holiday-themed album overall, Once Again It's Christmas features a number of guest performers including Alison Krauss, Sugarland singer Jennifer Nettles, vocal group Home Free, pianist Jim Brickman, and country-pop duo Winfield's Locket. The festive collection marks Rogers' return to recording holiday music, a genre he's been quite close to over the years both sentimentally and commercially.

A classic example of a second album delivering more of the same, at least on the surface, Absolutely does benefit from the kinetic energy of being recorded quickly in the aftermath of Madness’ immediate success with One Step Beyond. Absolutely does motor ahead on breakneck ska rhythms, but it never quite feels as raw as its predecessor, and that hint of gloss serves the three big hit singles very well: the schoolyard nostalgia of “Baggy Trousers” has a bit of a sepia-toned lilt with this extra dose or production, the terrific “Embarrassment” slides by so smoothly it’s possible to not realize what an expertly crafted piece of pop it is, and “The Return of the Los Palmas 7” has a nice element of swinging ‘60s lounge cinema.