Susan Kagan, intrigued by Ries’s Op. 1 piano sonatas went on to record all 14 of his solo piano sonatas and sonatinas, gaining critical acclaim for her eloquent advocacy of these unfairly neglected yet often substantial works. Bridging the divide between the Classical style of Haydn and Mozart and the Romantic impulses of Schubert, Chopin and Mendelssohn, with a healthy dose of Beethoven often in evidence…

A virtuoso pianist, Ferdinand Ries began composing piano sonatas at a time when the genre was undergoing significant changes from the models of Haydn and Mozart to new developments by Clementi, Beethoven and Hummel. Ries also pre-figures Schubert’s poignant harmonic language, Mendelssohn’s expressive sweetness and Chopin’s brilliant figurations, notably in The Dream. Opening with a stately polonaise in rondo form, Ries’s C major Sonata concludes with a thrilling perpetuum mobile finale. In his only named sonata, The Unfortunate, the influence of Beethoven’s Pathétique is apparent.

La Santissima Annunziata est un oratorio d'Alessandro Scarlatti, écrit pour solistes (SSSAT) cordes et basse continue, créé à Rome au Palazzo della Cancelleria en 1700 ou 1703, sur un livret italien de Pietro Ottoboni.
Présenté pour la première fois le 3 avril 1700 au Palazzo della Cancelleria de Rome (résidence du cardinal) et repris postérieurement, au moins dans autres deux occasions : le 1er avril 1703 et le 25 mars 1708 (palazzo Ruspoli). Le fait qu'une annonce de la représentation de 1700 attribue la responsabilité de la musique à Giovanni Lorenzo Lulier, musicien attaché à Ottoboni, a fait douter sur le véritable auteur de celle-ci.

Digitally remastered and expanded two CD edition of the British Pop/Ska outfit's sophomore album including bonus tracks. Originally released in 1980, Absolutely moved away from the band's Ska origins and embraced a style that mixed Reggae, '60s Pop, Music Hall and other genres together into a wholly unified sound. In other words, Absolutely was the first album that truly represented Madness' unique and timeless sound.

Composed in 1910, but only reconstructed from parts as late as the 1980s, after a long period of obscurity, the Liturgy of St. John Chrysostom is one of Sergey Rachmaninov's most profoundly moving choral works, as well as one of his most harmonically rich and sonically radiant compositions. This setting of the Liturgy, along with Rachmaninov's Vespers and other sacred pieces, enjoyed a significant revival in the 1990s during the general awakening of interest in religious music for meditative listening, and their popularity has continued through periodic releases of first-rate recordings.

The Classical Opera Company was founded in 1997 by conductor Ian Page. It specialises in the music of Mozart and his contemporaries, performing with its own period-instrument orchestra, and is emerging as one of Britains most exciting and highly regarded young arts organisations. It has attracted considerable critical and public acclaim, not only for the high quality of its performances but also for its imaginative programming and, in particular, its ability to discover and nurture outstanding young singers.

Henry du Mont was only French by adoption, originally coming from Liège. He was a prolific mid-17th century composer and wrote over three hundred compositions, mainly religious. His first collection of motets was published in 1652. His favourite vocal combination was the duo and half of the pieces in this collection are these. He exploits other combinations too, such as a top line, bass and upper violin part.

Listen to the heartbeat of Africa and South American continents, to the pulsing jazz beat of the most mysterious land, and share the excitement of this, LES BAXTER S thrilling adventure in stereo sound: African and Jungle Jazz. Les Baxter s music here echoes the basic ceremonial and message patterns of tribes throughout Africa, using the basic rhythms, tribal chants, drums, even the Watusi nanigo rhythms of their ceremonial rites as the beginning for a dozen original, Africa-inspired compositions. In this series of vivid impressions, he employs the talents of some outstanding jazz virtuosos, including Larry Bunker on vibraphone, xylophone, and marimba, Milt Bernhart on trombone, with the great Plas Johnson on tenor. It is all part of the Les Baxter genius for creating the rich, singular, arresting kind of music in AFRICAN JAZZ. On Jungle Jazz, he captures the teeming, steaming excitement of South America s jungles in twelve of his original compositions. His vibrant orchestrations present the wild, exotic sounds of the primitive forest in striking contrast to singularly arresting jazz interpretations featuring Plas Johnson alternating on tenor sax and alto flute. This is the music of high adventure with a beat exotically presented in a Baxter blend of JUNGLE JAZZ.

2010 two CD collection from the British Space Rock legends. Whilst the bulk of this release is made up of a live set recorded for the BBC in Concert program, it opens with a previously unreleased session recorded for Johnnie Walker featuring a shortened version of the Doremi Fasol Latido album classic 'Brainstorm' and a version of the hit single 'Silver Machine', featuring Lemmy on vocals as per the single. The in Concert itself, a hypnotic continuous performance, is presented in both mono and stereo versions. The mono version was previously released by Windsong on CD in 1991 and has been remastered and re-indexed to include all of the pieces originally performed, and the concert itself in it's entirety. The stereo version has long been in the domain of the bootleggers as an off air recording known the as "Broadcast" version. This mix was in fact distributed by the BBC for broadcast internationally. Apart from being in stereo, the sound quality is superior to the mono version and the mix is generally more exciting.

Hello Starling is the third studio album by American singer-songwriter Josh Ritter. As Ritter's previous albums have done, Hello Starling was compared to other Americana greats such as Woody Guthrie, Townes Van Zandt, Bob Dylan, and Leonard Cohen. His voice on the album was described as smooth with sleepy, rough edges. George Graham praised the lyrics and vocal delivery. Hello Starling was reissued on January 17, 2010 as a two-disc Deluxe Edition. The Deluxe Edition includes the complete original studio album and a second bonus disc. The bonus disc contains solo acoustic versions of all the original tracks (re-recorded by Ritter in Nashville of June 2008) as well as four live bonus tracks, an introduction by Dennis Lehane, and a full color lyric and photo booklet with never-before-seen photos.

After tackling old-school R&B, country-roots, and Memphis soul on his previous three releases, Australian rock veteran Jimmy Barnes returns to more familiar territory on his 16th studio release, Rage and Ruin. Produced by longtime collaborator Don Gehman, the back-to-basics affair sees the gravelly-voiced rocker, the most successful home-grown recording artist in his country's history, battle his demons on 12 tracks inspired by a book of notes he wrote while struggling with drug and alcohol addiction – hence the biblical titles like the driving country-rock of "This Ain't the Day That I Die," the Eagles-influenced AOR of "I've Seen It All (Rage and Ruin)," and the self-described "raw rockin' stomper" "Before the Devil Knows You're Dead."

Verdi’s Requiem is a work of white-hot dramatic intensity, infused with his lifetime of composing opera. His approach to religion is explosive, emotional, and full of temperament and fear, the latter being wonderfully conveyed by López-Cobos in this concert performance.

With their soaring, Appalachian harmonies and chunky, jumbo acoustic rhythm guitars, The Everly Brothers brought an entirely new sound to Rock'n'Roll, occupying an area where C&W, Bluegrass, R&B and R&R met on equal terms.

Little Bird is the seventh studio album released by the Australian singer Kasey Chambers, released by Liberation Music in Australia on 17 September 2010. The first single of the album is "Little Bird". The album peaked at number three on the Australian ARIA Charts, becoming Chambers' first album to miss the number one spot since her debut album peaked at number eleven in 1999.

At the beginning of their career, Level 42 was squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band – whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes – had crossed over to the point where they were often classified as sophisti-pop and dance-rock, equally likely to be placed in the context of Sade and the Style Council as was any group that made polished, upbeat, danceable pop/rock. The band's commercial peak came with 1985's World Machine, but they continued to record and tour sporadically throughout the '90s and 2000s.