Deluxe 9-CD box set all re-mastered from the original ¼” master tapes, plus seven inch single of their 1974 flexi-disc ‘Monty Python’s Tiny Black Round Thing’. Although the seven inch single has "33 1/3 RPM" shown on both sides, this is actual a 45 RPM single.

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.

Rhino's five-disc box set Respect: A Century of Women in Music was surely assembled with the best of intentions, but it doesn't quite work. First of all, any collection that focuses solely on "the female contribution" comes off as a little condescending, no matter how good the intentions are. Still, the concept has enough weight to make for at least an interesting listen. However, any compilation that spans nearly 100 years and every conceivable popular musical genre is bound not only to be incomplete, but too sweeping to be totally effective. The scope is impressive, as are the featured artists – think of any major female musician and they're likely to be here, unless it's Joni Mitchell (Kim Gordon and Kim Deal are also missing, as are several other similarly minded post-punk rockers and various pop and folk singer/songwriters, but no omission is as shocking as Mitchell's) – but the overall effect is somewhat bewildering.

Best Buy Presents Collector's 2 CD Set: Fleetwood Mac - Tour 97. Comes with a 34 page booklet with bios on each artist. Promo.

A complete 4CD boxset from the source of the 1963 radio series "Pop Goes The Beatles"
From January 1963, The Beatles regularly pulled in U.K. audiences of around ten million on "Saturday Club" and a myriad of other BBC pop shows, until they received the ultimate recognition from the B.B.C. when they were offered their own show, "Pop Go The Beatles".
For some groups, a series that demanded five new recordings each week might have been daunting, but it allowed The Beatles to air their influences, and try out some new favourites.
Pop Go The Beatles was broadcast in the summer of 1963 and this 4 CD set contains all sixteen episodes.
The show features the band taking requests, interacting with presenters Lee Peters (first four episodes) and Rodney Burke (all the other episodes), playing their favourite songs and most importantly, performing live. Whilst most of the Beatles performances here appear on the more extensive BBC collections, it’s a treat to hear these shows in their entirety (except they're not !). The Beatles hadn’t been to America yet and were still Britain’s best kept secret. The innocence of 1963 comes through in these recordings…you can tell they were still just having fun playing together.
An added bonus is the exhaustive 20 page booklet of sleeve notes, so detailed that it even transcribes all the between-song banter!

The West Coast's answer to The Last Poets, The Watts Prophets played an integral part in the raising of black consciousness and laying the foundations for rap. Formed at the Watts Writer's Workshop, Anthony "Amde" Hamilton, Otis O'Solomon, and Richard Dedeaux began performing together as Watts Prophets, setting their socially and politically conscious poetry to spare, often jazzy musical backing. They made high-profile guest appearances on Stevie Wonder's Songs In The Key of Life and Quincy Jones' Mellow Madness. And were later the subject of an Emmy-nominated documentary, Victory Will Be My Moan. In 1969, the group debuted with The Black Voices: On the Streets in Watts and, two years later, followed with Rappin' Black in a White World, which featured accompaniment by ex-Motown songwriter/pianist DeeDee McNeil. The radical, incendiary tone of their work fit right in with the emerging black power movement and attracted unfavorable notice from the government, with the home of the Watts Writers Project being destroyed by fire in 1975 after having been infiltrated by an FBI informant. Throughout the years, they've remained sporadically active as performers, and were rediscovered by the hip-hop generation as their records were sampled frequently by many hip-hop artists including Ice Cube, Digable Planets, and Coolio. The Watts Prophets remain dedicated community activists today, promoting creative self-expression and the arts to young people around Southern California and beyond. Two bonus tracks. Deluxe Arigato Pak! Water Records. 2005.

Exclusive 2005 interview the main man behind the Kinks, Ray Davies. Topics include Ray’s song writing process, hearing the Beatles for the first time, Chrissie Hynde and the Pretenders and lots more.

The Beatles Anthology is a documentary television series on the career of the Beatles. It was broadcast on UK television in six parts on ITV between 26 November and 31 December 1995, while in the United States it was seen as three feature-length episodes on ABC between 19 and 23 November 1995. It was released in greatly expanded form as an eight-volume VHS set and an eight-disc Laserdisc set on 5 September 1996. The series was re-released on DVD in 2003, with an 81-minute special-features disc…

The Lost Paris Tapes is the title given to a recorded collection of unedited poems and songs by rock musician and poet Jim Morrison of the Doors. Although Morrison intentionally made the recordings, they are considered bootlegs because they were never officially released to the public in their unedited form by Morrison or his heirs…

The double-disc The Ultimate Collected Words rounds up about 100 minutes of interviews from the late '60s, including the previously released Stoned But Articulate. That record is the highlight of the set, since Morrison is at his most articulate and thoughtful…

More than 30 years after the death of Jim Morrison, interest in The Doors is as strong as ever. They have been the posthumous subject of both a best-selling biography and a cinema film. 'Maximum Doors' presents the complete and unauthorised audio-biography of this ground-breaking quartet from their earliest days, through their rise to fame and enormous success, to the death of Morrison in Paris and the demise of the band. A perfect addition to every Doors fan's collection.

Limited slipcase containing three CDs in miniature LP sleeves and a 36 page booklet containing lyrics, commentaries and exclusive photographs of the Radio Cineola project. The the.s busy 2017 gathers pace with the announcement of the Radio Cineola: Trilogy box set. The three albums are based upon 12- or 24-hour time-cycles and as interlinked as Borromean rings…

It’s been “Red Summer” for over a hundred years. While the term “Red Summer” typically refers to the race-driven violence in the Summer of 1919 across the United States, its repercussions, its vocabulary can be felt or heard on every corner of every street. In Chicago, it has a special significance, as Chicago was one of two catalysts for that era’s violence, exploded by invisible racial borders along the South Side, a phenomenon that exists today, constantly considered by long-running gospel industrial band ONO.