SILVER BULLET BLUEGRASS all-star tribute to BOB SEGER features 13 tracks from some of the best Bluesgrass artist's and musician's in the business! SILVER BULLET BLUEGRASS has broad appeal and should charm SEGER fans and Bluegrass lovers alike.

“Not a lot of people talk about the true origins of bluegrass music, but it came from Black people. The banjo, the washtub, all that stuff started with African Americans. We were playing it before it even had a name.” - Swamp Dogg

This unique project features previously unissued bluegrass studio performances by David “Dawg” Grisman with legendary friends, colleagues and heroes — Vassar Clements, Red Allen, Del McCoury, John Hartford, Herb Pedersen and the Nashville Bluegrass Band, to name a few. Highlights of this collection from the Dawg Archives are several tracks featuring Tony Rice singing with Earl Scruggs picking his iconic banjo and Jerry Garcia and Ralph Stanley rendering the classic “Man of Constant Sorrow.” Mastered in the sonically superior Hi-Definition (24-bit, 96kHz), this is a must have collection for every serious lover of traditional bluegrass music.

Just Like Leaving bears a powerful authenticity that prompted Rolling Stone to praise White's songwriting as "sublime Appalachian heartbreak." In sculpting the album's sparse but lushly detailed sound, White worked with a lineup of musicians she encountered through years of making the rounds at roots-music festivals, including Reed Stutz on mandolin/vocals; Julian Pinelli on fiddle/vocals, and Robert Alan Mackie on bass.

Formed in 1968 by departing Byrds Gram Parsons and Chris Hillman, the Flying Burrito Brothers boasted a stellar lineup of talent during their first half-decade of incarnations, including the Eagles’ Bernie Leadon and pedal steel legend “Sneaky” Pete Kleinow. But by 1972, soon-to-be Firefall founder Rick Roberts needed to recruit virtually a whole new band to fulfill tour dates already contracted for the Burritos. Enter bluegrass fiddle player Byron Berline and guitarist Roger Bush of Country Gazette, plus others, for a concert recorded in Amsterdam in 1972. A double vinyl LP capturing this show was released in Europe in 1973 but was never picked up in the U.S. until now. Live in Amsterdam 1972 features an entire bluegrass set followed by a selection of country-rock standards including “Wild Horses”, “Sin City,” and ‘Christine's Tune.”

Pickin’ on Pink Floyd delves into the extensive catalog of the world’s premiere cosmic rock band. This experimental and unique approach marries excellent bluegrass instrumental interpretations with the psychedelic space rock of Pink Floyd. Featuring some of America’s finest on mandolin, acoustic guitar, 5-string banjo and fiddle, this collection is a journey into the world of Pink Floyd in an organic improvisational nature. Pickin’ on Pink Floyd will take listeners on a ride through the imagination on a trip that is both mystical and fun.

Two CDs containing talented guitarist, comedian and writer Mason's five albums for Warner Bros Records, dating from 1968 to 1971. Originally featured on 'The Smothers Brothers Comedy Hour' US TV show, 'Classical Gas' as performed by Williams became a US No.2 hit and a Top 10 hit in the UK and Canada. Williams has had a varied career, from recording with Mannheim Steamroller to bluegrass with Byron Berline, to writing comedy for 'Saturday Night Live'.

The album "Rhapsody in Blue" by Bela Fleck is a captivating musical journey that showcases the extraordinary talent of this renowned banjo virtuoso. Released under the Bela Fleck Productions - Thirt label, this album is a fusion of bluegrass, jazz, and classical music, resulting in a unique and innovative sound.

The Dillard & Clark duo was Gene Clark’s most artistically successful post-Byrds collaboration, and his best venture into country-rock as well. With Chris Hillman and Bernie Leadon playing behind the duo throughout the first album, in many ways it is as much an offshoot of the Flying Burrito Brothers’ work as it is of the Byrds, with more of the Burritos’ feel. The standard of playing and singing on both albums is extremely high, but the nine songs on The Fantastic Expedition of Dillard & Clark are more impressive, both as recordings and compositions.