Gäa from the German state of Saarland have become quite known in collectors’ circles thanks to their LP "Auf der Bahn zum Uranus" from 1974. It is a mature and well-balanced album, the artistic value of which long remained undiscovered. The tasteful cover was designed by Eduard Bell, the brother of Gäa bassist Peter Bell. There were several re-issues of the album - LPs as well as CDs -, but unfortunately not all of them legitimate releases. The CD on Garden of Delights was released in co-operation with the artists and has the original cover artwork.
In early 1975 they recorded three tracks for a, however, unfinished second album. They are simply brilliant and show how mature and inventive the band was at that time. The tracks have been rediscovered only recently and form the heart and major part of the CD, which also contains four minor bonus tracks from the 80s…

This double CD set includes two remastered and outstanding California sessions on one disc. The first disc reproduces a jam recorded in San Diego in March 1975 by the tenor saxophonist Harold Land. The frontline soloists are: the great East Coast trumpeter Blue Mitchell, and the fabulous West Coast saxes of Harold Land, Buddy Collette and Art Pepper; playing tunes such as 'Milestones' and 'Over the Rainbow'. The second disc includes the five titles recorded in concert at the legendary Pasadena Civic Auditorium, to commemorate the 20th anniversary of Charlie Parker's death. Obviously, the repertoire was classic tunes performed by Bird ('Groovin' High', 'Donna Lee', 'Ornithology', etc), played here by an All Star quintet featuring Art Pepper on alto sax, Sahib Shihab on baritone sax, Joe Albany on piano, and Harry Babasin on bass.

Kullervo represents not only the confident first step in Sibelius's symphonic odyssey, it is also a viscerally exciting experience on its own terms. It is little wonder that the first performance in 1892 was such a triumph for the young composer. This recording from Thomas Dausgaard and the BBC Scottish Symphony Orchestra in an unmissable acquisition for anyone who knows only the numbered symphonies.

Milena Wilke was born in Freiburg in Breisgau in 1996. She won first place in the Ton und Erklärung competition (Kulturkreis der deutschen Wirtschaft) 2016 in Berlin and won several other prizes in competitions on both national and international level. In 2017, she was awarded a scholarship by the Studienstiftung des deutschen Volkes und des Richard-Wagner-Verbands Konstanz and was additionally welcomed in the organization Yehudi Menuhin, Live Music Now. For this new release, together with Tatiana Chernichka she has recorded several works for violin and piano and she also has written two pieces herself.

This is a wonderful collection of Spanish Baroque harpsichord music. Of course Scarlatti, who came from Italy, is the king. Igor Kipnis plays one of Scarlatti's single sonatas and the great triptych, K. 490- 92. He gives an object lesson in performing Scarlatti with imagination, virtuosity, taste, and ornamented repeats, the latter adding a great deal of interest to the music. José Nebra and Josep Soler aren't quite on Scarlatti's level, but the way Igor Kipnis plays their entertaining music is bound to hold your attention.

Katie Webster plays barrelhouse boogie-woogie, New Orleans R&B, Gulf Coast swamp pop, deep bayou blues and Southern gospel-flavored soul like nobody's business; her 35 years of professional piano work has appeared on at least 500 singles, including the original version of "Sea of Love," and countless albums. Music critics and fans around the world acknowledge her as the premier female blues piano player anywhere. Alligator Records' Deluxe Edition collects 15 of her very best tracks from her three albums since 1988, and there isn't a filler track to be found. Webster never once failed to deliver on her sassy and sensuous blend of barrelhouse boogie-woogie. Some of the high points of Deluxe Edition include several duets - "Love Deluxe" with Vasti Jackson and the classic "Who's Making Love," which finds Kim Wilson (the Fabulous Thunderbirds) and bluesman Robert Cray jamming with the Boogie Queen…

Underground psychedelic electric jazz-rock / improv sound with mellow folk-rock moves and homemade / basement atmosphere. Mostly instrumental with some cut-up vocal sounds and effects. A mix of self-penned songs and amazing cover versions of classics like “Summertime”, “Scarborough Fair” or “A Taste Of Honey” turned into hip, extended jams not so far away from the sound of the pioneering psychedelic ballroom bands from San Francisco. Electric & acoustic guitars, bass, drums, flute… Named after an old Detroit blues LP, Hasting’s Street Opera was formed in Montclair, New Jersey by a group of young friends (Harry Wellott, Gordon Carlisle, Don Hathaway and Chris Nelson) influenced by blues, rock, jazz and the eclectic sounds emanating from freeform / underground FM radio stations: Blues Project, Butterfield Blues Band, Miles Davies, Pharaoh Sanders, Jethro Tull…

Although Tangerine Dream is usually associated with synthesizers and the ambient movement that followed over a decade after such albums as Phaedra, Stratosfear, and Rubycon were recorded, Force Majeure shows the band displaying its roots in space rock. This time around, guitar and drums (played by Klaus Krieger) are as prominent as the keyboards. As the name would appear to indicate, the music on the album doesn't seem played so much as propelled forward, the overall pace rarely slackening for long. The title track is a suite that incorporates several distinct themes that segue into a cohesive whole via musical bridges. "Cloudburst Flight" is really an excuse for Edgar Froese to display his virtuosity on the electric six-string, which he does with amazing intensity…