Seoul duo Salamanda arrive on Wisdom Teeth with their latest and most focused LP yet: 'In Parallel' - a vividly textural and immersive record that brings a new level of clarity to their typically psychedelic, expansive approach.
Since arriving in 2019, the pair - comprised of friends Uman Therma (aka Sala) and Yetsuby (aka Manda) - have been fast at work mapping out their elaborate, dream-state sonic world - prolifically honing their sound across four albums and over a dozen singles to date.
Across their already-extensive discography the pair have established a few key calling cards. Mallet instruments and tuned drums play out playful music-box melodies; thick washes of gaseous ambience invoke otherworldly or ancient soundscapes; buried fragments of found sound and manipulated vocal are layered, giving their otherwise synthetic compositions a warm sense of first-person narrative…

The North London group Komputer began its career in the late '90s as an electro-pop act modeled largely after Kraftwerk but changed its style considerably in subsequent years, moving toward a more original sound. Comprised of Simon Leonard and David Baker, Komputer actually began as a trio, also featuring Jane Brereton, and debuted on Mute Records in 1996 with a self-titled, four-song EP led by "Valentina Tereshkova," a future single for the group. A year later, in October 1997, Mute released The World of Tomorrow, Komputer's first full-length album. Seemingly a literal homage to Kraftwerk, characterized largely by analog synths and vocoderized singing, the album spawned three singles - "Looking Down on London," "Valentina," and "Terminus" - that Mute released individually with accompanying remixes over the course of 1997 and 1998…

Three is the upcoming twelfth studio album by British electronic musician Four Tet. It is set to be released on 15 March 2024 through Text Records.

Counterfeit² is the first full-length studio album by Martin Gore, the primary songwriter for the band Depeche Mode.
Martin Gore's Counterfeit² beat David Gahan's Paper Monsters to the punch by just over a month; with some better timing - and, you know, a synchronous album from Andrew Fletcher - Depeche Mode could've pulled a Kiss. This first full-length from DM's principal songwriter follows an EP he released 14 years prior. On that EP, Gore covered some of his favorite songs and made them sound unsurprisingly like his group circa that year. As one can tell from the title of this disc, this is the same concept, and even some of the most ardent fans no doubt breathed another sigh of relief with the knowledge that he decided once again to let other people provide the lyrics…

Digitally remastered and expanded edition. This album originates from 2015 and was only issued in an extremely limited and now a highly sought after CD. This CD reissue has three further bonus tracks. Life in Moments is classic melodic weirdness from the minds of FSOL.

Welcome to ‘LXXXVIII’ - the ninth Actress album to be created by Actress (Darren Cunningham) and the very first presentation of Actress’ voyage into luxury sonics.
A lifetime in the making, ‘LXXXVIII’ is the culmination of 25 years’ honing mind-shorting, soul-igniting audio infusions for dance floors, rave dens, festivals, and concert halls.
‘LXXXVIII’ pays dividends to meditate on an instrumental facet of its creation: game theory. Indeed, deep strategic thinking - more readily associated with economics and chess than artistic practice - was fundamental to Actress’ process as ‘LXXXVIII’ was channelled into existence…

Between When Planets Explode and Joined Ends, Oliver Johnson's first and second Dorian Concept albums, the Viennese musician and producer released a few singles and EPs. Among them were the brilliantly nutty "Trilingual Dance Sexperience" and relatively restrained four-track EP Her Tears Taste Like Pears, his first work for Ninja Tune. Johnson also performed around the world, including a stretch as a keyboardist for Flying Lotus' live show. He retreated from the stage, swapped out the microKORG with which he'd been closely associated, and eventually developed new material with use of other analog synthesizers and an electric Wurlitzer piano. Less jumbled and jagged than his debut, Joined Ends is filled with spiraling melodies and softer beats that place him a lot closer to Lone than to Hudson Mohawke…

Human Pitch is proud to welcome Salamanda to the label for the release of their 3rd LP, Ashbalkum - a portal into unseen worlds, enchanting stasis and laughter in the face of our evolving realities. Across an effervescent 39-minute runtime (+ bonus track), Ashbalkum provides a spellbinding view into how we interact with the world around us - one where one’s own being, language, & nature itself are all rendered infinitely mutable.
Written during the surrealist landscape of summer 2021 somewhere between a sweet dream & a beautiful nightmare, Ashbalkum accesses a playful tranquility that mirrors our tumultuous present - distantly intimate, static & constantly changing, moving while standing still, all the while narrowly evading the pressures of our pre-apocalyptic world looming just overhead…

Loraine James lets her influences run wild on her third Hyperdub volume, sampling DNTEL, Telefon Tel Aviv and Lusine on tracks that dig into her emotional core. Featuring guest appearances from Marina Herlop, keiyaA, Corey Mastrangelo, Eden Samara, George Riley and Contour.

One of the first of the blissed-out rave acts to storm the charts, and also one of the longest lasting, the Future Sound of London deserved a good singles compilation, and fortunately they get one with the Virgin retrospective Teachings from the Electronic Brain. Their highest moments were virtually always their singles, and short-form tracks offer a much easier path to understanding the music of Brian Dougans and Garry Cobain than their occasionally bloated LPs. Teachings from the Electronic Brain neglects nothing of real value, beginning with their first chart hit ("Papua New Guinea") and grabbing the best tracks from their albums Accelerator ("Expander"), Lifeforms (the title track), the live-in-the-studio ISDN ("Far-Out Son of Lung and the Ramblings of a Madman," "Smokin' Japanese Babe"), and Dead Cities ("We Have Explosive"). Best of all, licensing requirements prevented the addition of material from 2002's half-baked The Isness.

This is the 3rd and final album in a 3 CD set originally released on Txt recordings by Lee Norris and Matt Hillier as 'Plank and Ishq' and continues the journey through the land of the 'Crows An Wra' and mythical landscape of cornish radiophonic oscillations and Henge like vista's. Surfice to say its a fairly odd work at times, at other times light and floaty like a cornish opiate cream tea and dream like, detached, we cant use that word enough. The music was conjured from a mental space of freeform experimentation and fluid like acts of non conformity. It suits late night headphone excursions well and is its own work, something different and one for the collection, unique and a genuine work of art in some respects maybe as its uncontrived and seeks to just exist for its own sake.