Hijazz Project is a gathering place of the most famous musicians in Turkey. Each one individually has their own bands and personal projects, play in different festivals, working in different productions. Hijazz Project for them, is a way to surrender their togetherness in this music of synthesis they make hand in hand, without any ego, matching to the idea of Mevlana and Sufism. They play from Hamamizade Ismail Dede Efendi to W.A.Mozart… from Hasselman to Nayi Osman Dede.. from J.S.Bach to Tamburi Cemil Bey.. mixed with the jazzy mood, powered by Budapest Symphonical Orchestra conducted by Alparslan Ertungaalp. HiJazz Project's first concert was supported by Turkiye Is Bankasi in 2003. in 2007 the band is supported by Arif Mardin (R.I.P), who had great effort for Hijazz Project to perform in the Istanbul Jazz Festival. He made it but passed away on the concert day. So we dedicate our 2007 Istanbul Jazz Festival performance to his loving memory. He was the only music producer in the world who made the world a better place.

Hijazz Project is a gathering place of the most famous musicians in Turkey. Each one individually has their own bands and personal projects, play in different festivals, working in different productions. Hijazz Project for them, is a way to surrender their togetherness in this music of synthesis they make hand in hand, without any ego, matching to the idea of Mevlana and Sufism. They play from Hamamizade Ismail Dede Efendi to W.A.Mozart… from Hasselman to Nayi Osman Dede.. from J.S.Bach to Tamburi Cemil Bey.. mixed with the jazzy mood, powered by Budapest Symphonical Orchestra conducted by Alparslan Ertungaalp. HiJazz Project's first concert was supported by Turkiye Is Bankasi in 2003. in 2007 the band is supported by Arif Mardin (R.I.P), who had great effort for Hijazz Project to perform in the Istanbul Jazz Festival. He made it but passed away on the concert day. So we dedicate our 2007 Istanbul Jazz Festival performance to his loving memory. He was the only music producer in the world who made the world a better place.

Founded in the vibrant musical haven of Brussels in 2015, Azmari have been crafting a truly unique tapestry of musical exploration. Melding intricate jazz textures with intoxicating oriental influences, mesmerizing ethio grooves, enigmatic dark funk, and the pulsating beats of dub music, Azmari defies conventional labels to weave a narrative of sonic innovation and artistic liberation. Influences range from an eclectic array of artists, including Okay Temiz, Heliocentrics, Whitefield Brothers, Surprise chef, Antibalas and Sons of Kemet.

Hizbut Jámm – a band lead by guitarist and composer Raphael Rogiński. Hizbut Jámm was formed by musicians from different places and different musical backgrounds. Aside from Rogiński, it consists of vocalist and guitarist Mamadou Ba, kora player Noums Dembele and drummer and percussionist Paweł Szpura.

Dedicated to spreading awareness of Carnatic (South Indian classical) music throughout the West, Jyotsna Srikanth interprets compositions from revered 15th- and 18th-century Carnatic composers. Exhibiting a range of beautiful ragas derived from the traditional Melakarta system, all pieces feature her exceptional fingering technique and the delightful fusion of musical expression and emotion.

Nazih Borish , oud player and composer of Syrian origin, presents his new album, Roots of Strings . This is the fourth release in the collection of recordings born from the artistic residencies of the Centre des musiciens du monde in Montreal.

The debut full-length from Jambinai, originally released in February 2012, is a challenging and compelling affair that won them the prize for "Best Crossover Album" at the 2013 Korean Music Awards.

South Korean trio Jambinai sound less like a band than a force of nature, fusing the full dramatic range of post rock dynamics to Korean folk roots to create an exhilarating, vivid and unique fusion. 'A Hermitage' is Jambinai's first album for Bella Union, recorded in MOL Studio in the South Korean capital Seoul, where the trio also made their 2010 EP 'Jambinai' and 2012 album 'Différance'.

When the three founders of Jambinai decided to, “communicate with the ordinary person who doesn't listen to Korean traditional music,” few outsiders anticipated an extra-ordinary fusion with metal, post-rock and noise. “Most people expect Asian traditional music to make something smooth for yoga or meditation,” says band spokesman Lee Il-woo. “We wanted to break all of that.”

The Light of the Spirit is one of Kitaro's best CDs. Perhaps it is because Mickey Hart co-produced, or perhaps Kitaro asked Hart to co-produce because it is so good. It doesn't really matter if either of those is the reason; this is just an awesome CD. Kitaro's specialty has always been the symphonic synth and this is no exception. He augments that synth with several guest musicians on a variety of ambient instruments. This is truly ambient music, albeit on the new age side of that style. The vocal accompaniment by Lynn Ray and Jeannie Tracy counts as instrumental as well. The sound design treats the wordless vocals as an extra sound to incorporate. David Jenkins contributes a smoking electric guitar that gives this rock & roll textures as well. This disc stands proudly with work by Constance Demby, Vangelis, Suzanne Ciani, and Dean Evenson as some of the best adult contemporary instrumental new age music.

Sensitively woven, tranquil textures of sound wash through the mind of the listener on this album from sound master Kitaro. The instrumentation includes synthesizers, slide guitar, mellotron, percussion, tabla and Irish harp.

Studio Album and Live Album recorded with National Orchestra of Bretagne conducted by Zahia Ziaouni.

In spite of all the reasons to be angry in this world of ours, Naïssam Jalal has chosen not to seethe, but to soothe. The flute player, composer and singer has relentlessly created music which taps into her instinctive strength. Healing Rituals could be considered as a formal climax – the quintessence of what the musician has been after. Her whispered art is a true ritual, drawing inspiration from traditional cultures and customs, especially the way they have been used throughout life to soothe and heal. The invisible realm is a recurring theme of Naïssam Jalal’s art, and one for which she was crowned in 2019 at the Victoires du Jazz. Her own reconnexion with the spiritual world lies at the root of these Healing Rituals, which bring together Egyptian, Moroccan and American traditions, aiming at collective grace.

Inspired by Peule music from Kolda, in the Casamance region of Senegal, Mussa Molo, has an original range of mixed music with Abdou SOW as their leader. Based in Bordeaux, the group uses the sounds of traditional instruments (such as the Hoddu, the Nianierou, the Calebash, the Balafon, the Djembe, the Sanza and the Sabar) which they mix with bass, electric and acoustic guitars, taking us on a journey along the banks of World-Music.Leaving behind his work as a shepherd in Casamance, this young musician travelled through Mali, Burkina Faso, Togo, Ghana, Nigeria and Niger. Once in France he began to play with Bordelais artists, all in love with World Music.

From anger to love: In a trio of organ, sax, and cello, Rain Sultanov is facing the dark side of the soul.