Quentin Tarantino established himself as one of the few filmmakers to effectively use pop music with his first film Reservoir Dogs, a movie where the music was integral to the success of the film yet also worked well as a collection of songs. Jackie Brown, Tarantino's long-awaited third feature, finds him exploring new territory, creating an homage to blaxploitation flicks as well as a surprisingly subtle character study and love story, and its soundtrack appropriately finds him in new territory as well. The soundtrack still features snippets of dialogue, which simply aren't as effective separated from the film as those from Pulp Fiction, but the unified collection of '70s soul and funk is refreshing. He has wisely selected a batch of songs that haven't been worn out by oldies radio, building the bulk of the album with cult favorites like Bobby Womack's "Across 110th Street," Bill Withers' "Who Is He (And What Is He to You?)," Randy Crawford's "Street Life," Minnie Riperton's "Inside My Love".

More generous than the 20-track The Very Best Of, Essential Bill Withers is a 34-track anthology that features all of Withers' notable singles, along with other highlights from the singer's albums for the Sussex and Columbia labels, from 1971's Just as I Am through 1985's Watching You Watching Me. This is a fine and extensive introduction to Withers' catalog, featuring "Ain't No Sunshine," "Lean on Me," "Use Me," "Lovely Day," and "The Same Love That Made Me Laugh." He also recorded scads of excellent deep album cuts that could not fit. In 2013, the lovingly packaged The Complete Sussex and Columbia Albums Collection – released the previous year – retailed for roughly three times the price of this set. Anyone with a serious interest in Withers' work should seriously consider that option, though it doesn't contain "Just the Two of Us," the big hit from Grover Washington, Jr.'s Winelight album.