New remastered CD release for Camel's classic 1978 studio album with bonus track & deluxe booklet with photos & liner notes. After recording a string of successful albums with Camel, Breathless would be the last studio album to feature Peter Bardens and heralded more line-up changes for the band. Former Caravan and Hatfield & The North member Richard Sinclair had already been in Camel for some months and was soon joined by his cousin Dave Sinclair in a new Camel line-up. Breathless features traditional Camel music along with the Canterbury influences associated with Richard Sinclair, making for a unique album. This Esoteric Recordings reissue has been re-mastered from the original master tapes and includes the single version of Rainbows End as a bonus track.

A Live Record is the first live album by the progressive rock band Camel, released in 1978. It is a double LP, composed of recordings from three different tours. LP one features recordings from the Mirage tour in 1974, and the Rain Dances tour, in 1977. Tracks 1–4 on the LP are from the Rain Dances tour, and 5–6 are from the Mirage tour. LP 2 features the original line-up all the way, and is devoted to a complete performance of the band's instrumental concept album, The Snow Goose, during the tour for the album in 1975, performed with the London Symphony Orchestra.

Unlike many bands whose careers had begun in the early 1970s, Camel still continued to enjoy much success at the close of the decade. I Can See Your House From Here was a revitalized work that included many fine songs such as Ice (featuring Phil Collins on Percussion), Hymn To Her and Your Love is Stranger Than Mine. Produced by Rupert Hine, the album was a chart success and spawned an extensive World tour. This Esoteric Recordings edition has been re-mastered from the original tapes and features two Bonus Tracks, including a live version of Ice recorded by the BBC in 1981. The accompanying CD booklet includes copious photographs and memorabilia and a new essay.

Unlike many bands whose careers had begun in the 1970s, Camel continued to enjoy much success in the 1980s, producing fine studio albums such as Stationary Traveller. Although destined to be Camel’s final studio album for Decca Records, it was a fine effort. Inspired by the Cold War (then at its height) between the Eastern Bloc countries and NATO, the album featured such classics as Cloak and Dagger Man, West Berlin, Stationary Traveller and Long Goodbyes and saw Camel reach new heights of creativity.

Unlike many bands whose careers had begun in the 1970 s, Camel continued to enjoy much success in the 1980 s, producing fine studio albums such as Nude. A conceptual work, the album featured many fine songs such as Lies, City Life and Drafted, along with excellent instrumental pieces such as Captured. An international success, Camel toured globally to promote the album, with their concert at Hammersmith Odeon recorded by the BBC for the In Concert programme. This re-mastered and expanded release includes the lengthy medley Excerpts from Nude from that radio broadcast as over 30 minutes of bonus material. This new release also includes an extensive booklet with copious photographs, memorabilia and a new essay.

The band's fifth release, Rain Dances is Camel at its best, offering the most consistent and representative package in their saga. The addition of Caravan-cofounder Richard Sinclair proves profitable, as do a few colorist touches by Brian Eno on "Elke." Mel Collins' woodwinds are among the highlights, especially on "Tell Me" and the title track. From beginning to end, this project flows gracefully.

Peter Bardens was a keyboardist and a founding member of the British progressive rock group Camel. He played organ, piano, synthesizers and mellotron, and wrote songs with Andrew Latimer. Prior to Bardens joining Andrew Latimer and co. to form Camel, he recorded two excellent solo albums for Transatlantic Records. The first of these was The Answer and this superb eponymous second album. The album included such excellent tracks as Write My Name in the Dust and did much to enhance Bardens reputation as a musician and composer. The music on both of Bardens solo albums would also map the route that he would take as a member of Camel.

Esoteric Recordings are pleased to release a newly re-mastered and expanded edition of the classic 1970 album "The Answer" by the legendary keyboard player and Camel member Peter Bardens. Prior to Bardens joining Andrew Latimer and co. to form Camel, he recorded two excellent solo albums. The first of these was "The Answer". The album included the side long opus "Homage To The God Of Light", later performed by Camel in their live sets. The album is expanded with both sides of the only single released by Bardens' outfit Village, a group who also included future Elvis Costello band member Bruce Thomas and lasted just a few months in 1969.

Camel are an English progressive rock band formed in 1971. Led by founder member Andrew Latimer, they have produced 14 original studio albums, 14 singles plus numerous other compilation and live albums. The band's music combines elements taken from jazz, classical and Baroque music, blues and electronic music. Pressure Points: Live in Concert is a live album by progressive rock band Camel, released in 1984. A remastered version with six bonus tracks was released in 2009 as a double CD Set.

This double-CD set more or less supplants – though in some ways it also enhances – the 1993 compilation Echoes: The Retrospective. With a slightly longer running time and a fair difference in song content; though the same number of tracks, the overlap between the two is surprisingly limited. Gone are "Unevensong," "Breathless," "Skylines," the studio versions of "Lunar Sea" and "West Berlin," and "City Life," among other tracks – in their place as "Stationary Traveler," "Long Goodbyes," "Slow Yourself Down," "Nimrodel," "The Great Marsh," and "Spirit of the Water," plus live renditions of "Lunar Sea" and "West Berlin." The sound here is also improved somewhat, although Echoes was very good in that department as well, and, to be fair, there's a limited amount that one can do with the earliest recordings in terms of raising the fidelity. The annotation is extremely thorough, and the overall quality of the package makes a worthy addition to any Camel collection, as well as a good introduction to the band for the uninitiated.

A new, larger version of Camel debuted on Nude, a concept album about a Japanese soldier stranded on a deserted island during World War II and staying there, oblivious to the outside world, for 29 years. More ambitious than the preceding I Can See Your House from Here, Nude is in many ways just as impressive. Although it's a less accessible effort, it has a number of quite intriguing passages, particularly since it boasts heavier improvisation, orchestration, and even some worldbeat influences. It's not as spacy as Camel's earlier progressive rock records, yet it is quite atmospheric, creating its own entrancing world.

Coming of Age is a live album by progressive rock band Camel released 1998. Two hours of live recordings at Billboard Live in Hollywoodduring their 1997 West Coast tour. 28 tracks total, including 'Lunar Sea', 'Sasquatch', 'Milk 'N Honey' and 'TheHour Candle'.

Rajaz is the thirteenth studio album by Camel, released in 1999. The album's songs have been composed on the camel's walking metre and is considered by many fans to be a return to the band's musical roots of the 1970s.

Progressive rock bands like Camel have to be creative in their touring schedules, often traveling to Europe in order to find a substantial concentration of fans in a single place. So it was that Camel arrived with their 20th anniversary tour at Enschede, Holland. After their tenth anniversary tour (which found them promoting The Single Factor), few would have predicted a 20th, but the release of Dust and Dreams in 1991 suggested the band had found a second creative wind (or at least tapped into the original breeze last felt on Nude). Never Let Go confirms the point that Camel has plenty of life left in it. Spread out across two discs (the untangling of which is like disassembling a child's toy, a problem common to two-disc sets), this live show features two distinct sets.