Cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. Contains "Just A Song Before I Go" & "Shadow Captain".

Recorded at Abbey Road Studios, London between June 1972 and January 1973. Limited edition crystal clear 2-LP, 180g. Featuring UV artwork printing on the non-groove side.

Stunning compilation of Small Faces cuts released worldwide on the Immediate Records label. A-sides, rare B-sides, classic hit singles such as Itchycoo Park, Lazy Sunday, Here Come the Nice, Tin Soldier, The Universal, Afterglow Of Your Love and more. For the first time ever, all the correct single versions are included, newly remastered from recently discovered original mono master tapes by Matt Colton.

Duke '78 is a live album by the rock band the Grateful Dead. It contains the complete concert recorded at Cameron Indoor Stadium in Durham, North Carolina, on April 12, 1978. It is scheduled to be released on September 20, 2024, as a three-disc CD and a four-disc LP. The April 12 concert recording is also scheduled to be released on September 20, 2024, as part of the eight-show, 19-CD box set Friend of the Devils: April 1978.

Spirit Mother’s forthcoming album “Trails” brings the energy of the band’s visceral, all-in live performances while expanding on the sensibilities of their debut album “Cadets.” It is the undeniable next chapter in the band’s creative process. The darker tonality, heavier, fuzz-fueled riffs, and relentless rhythm section accompanies prolific structure and arrangement. The violin summons a brooding, atmospheric pedestal for the remaining power trio to wield with fervor. Lance’s haunting vocals and stark lyricism intersperse the instrumentals with a melody that is as dynamic as it is accessible. It is the culmination of road worn years in pursuit of the art, and the moment-to-moment adrenaline of studio exploration. The album was aged, captured, delivered by Spirit Mother, and brought to the broader public by Heavy Psych Sounds Records.

Following the Juicy Lucy first self-titled album, in 1969 Ray Owen left the band and decide to start a solo career. He released only one album in 1971. After this album Ray Owen vanished into thin air to reappear in the mid 90's in a new Juicy Lucy album "Here She Comes Again". The music is a mixture of prog, blues and psych.

That this record ever nabs a Krautrock tab is solely because the band is German and came up during the
70s timeframe that produced many of those bands. It bears none of the hallmarks of the genre. What’s more interesting is that its a German band that seems to wholly and heavily in-debt themselves to West Coast American rock. They pull much more from Quicksiler Messenger Service, heavier Moby Grape, Kak or West Coast imitators like The Wizards From Kansas than any of their own country’s heavy hitters.

Etran de L’Aïr the STARS OF THE AÏR, the longest running wedding band in AGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazed desert sound! Their first album, No.1, brought their music to critics and fans. Their second album, Agadez, sent them into the international touring circuit. And now they're back with 100% SAHARA GUITAR, ready to take on the world, with those swinging melodies, like a sandstorm blowing in from across the sea.

Live 1978 by Guru Guru is a captivating album released by Repertoire Entertainment Gmbh. This live recording showcases the innovative and dynamic sound of the German krautrock band during their performance in 1978.

There are songs that makes friends with anyone and do great at parties, doling out compliments left, right and center. And then there are those songs that just don’t seem to fit in, songs that knock over glasses and makes awkward comments to the host as they stubbornly refuse to adapt and adjust to whatever larger setting you needed them to work in; these are songs that seemingly insist on remaining outside your control no matter how many stylistic or production tricks you try to pull.

Robyn Hitchcock is a rock’n’roll surrealist. Born in London on March 3rd, 1953 he describes his songs as “pictures you can listen to”. As much a child of Dali, De Chirico, and JG Ballard as of his 1960s musical heroes, he is a master of the absurd, reveling in the beauty of the unexpected. His first publicly visible band The Soft Boys (1976 – 81) has remained an influential art-rock touchstone for generations of musicians.

“A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse / chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets proto-synth punk suicide-repellant. Have a whack at the grass or listen while flat on your ass. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. Social media toilet scrapers unite! Allow your 24-hour news cycle eyes to squint at this smiling abattoir doorman. You can find your place here at long last. All are welcome from the get go to the finale…a distant crackling transmission of 80s synth last-dance-of-the-night tune for your lost loves. Suffering from Politic amnesia? Bored of AI-generated pop slop? Then this one is for you, our friends. Wasteland wanderer, stick around. Love y’all. For fans of Teutonic synth punk and Thee Oh Sees (who the fuck are they?)" —John Dwyer

Crime In Australia follows 2022’s The Real Work, the first Party Dozen record that (some) people were actually waiting for; the one that Nick Cave sang on; the one that had a track that billy woods jumped on for a rework; the one that took them to the USA, Europe (twice), Japan, China and New Zealand; the one that saw Party Dozen hook up with a cool US label (Temporary Residence Ltd.); the one that made Bandcamp, Stereogum, Brooklyn Vegan and a whole swathe of Australian radio stations declare it their Album of the Day/Week/Epoch; and the one that made KEXP invite the band in for a live session, and made Sub Pop add to their hallowed Singles Club.

“Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world”.

"From Liverpool - The Beatles Box" Each album has a unique laminated picture sleeve, and the set is housed in a 12" x 12" picture box. Each record stored inside paper with plastic lined inner sleeves.
Special versions on All My Loving counting in, I'm Only Sleeping (early mix released in USA on Yesterday And Today) and Penny Lane with extra piccolo trumpet at the end. Mastered by Harry T Moss 'HTM' as seen on runout space.