Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record’s temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in.

The Nashville, Tennessee, garage rock group were signed as teenagers to the prestigious XL in the UK and Thurston Moore's Ecstatic Peace label in the US, with whom they released two widely acclaimed albums. They went on to tour with the likes of Arctic Monkeys, Sonic Youth, Le Tigre etc and have been cited as influences for groups such as Paramore and Big Joanie.

Psychedelic Pill is the 32nd studio album by Canadian / American musician Neil Young, released on October 30, 2012. It is the second collaboration between Young and Crazy Horse released in 2012 (the first being Americana) and their first original work together since the Greendale album and tour in 2003 and 2004. The album was streamed on Young's website on October 24, 2012, and leaked onto the Internet the same day.

Alive III is a live album released by the American hard rock band Kiss in 1993. It was certified gold in 1994. It is the third installment of the Alive series. The recording of Alive III took place over multiple dates (in Cleveland, Detroit and Indianapolis) during the band's 1992 tour in support of Revenge.

When Anna Burch introduced herself on her 2018 debut Quit The Curse, it was with a concentrated wash of energetic, serotonin-boosting pop. Jangly guitars, blithe vocal harmonies and an occasional undercurrent of grungy fuzz all converged in seemingly straightforward songs that hid their complexities under sunny hooks. The impact of the songs was immediate and exciting, presenting narratives of confusion and upheaval with melodies so bright it was hard to do anything but smile. Two years later, Burch’s follow up If You’re Dreaming takes us down a different path than its predecessor, shedding some nervous energy in favour of a deeper exploration of an internal world.

“A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse / chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets proto-synth punk suicide-repellant. Have a whack at the grass or listen while flat on your ass. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. Social media toilet scrapers unite! Allow your 24-hour news cycle eyes to squint at this smiling abattoir doorman. You can find your place here at long last. All are welcome from the get go to the finale…a distant crackling transmission of 80s synth last-dance-of-the-night tune for your lost loves. Suffering from Politic amnesia? Bored of AI-generated pop slop? Then this one is for you, our friends. Wasteland wanderer, stick around. Love y’all. For fans of Teutonic synth punk and Thee Oh Sees (who the fuck are they?)" —John Dwyer

Caspar Brötzmann is a virtuosic guitarist from Wuppertal, Germany. His father, Peter Brötzmann, is a renowned free-jazz saxophonist who was peripherally involved with the highly-influential Fluxus movement. He was introduced to his instrument by Hans Reichel, a prolific improvisational guitarist and experimental luthier. Given his background, making conventional rock music was simply never an option for Caspar Brötzmann.

COPE remains my favorite little piece of madness that we have conjured as Manchester Orchestra. The album was made during a time of both exhilarating freedom and an understandable fear of our future. Being 100 percent independent at the time, I look back proudly at our band. We created what we internally needed to create, regardless of anyone’s opinions but our own. Around a year ago we rented out the legendary EARL in East Atlanta to celebrate COPE and performed the album in its entirety to our fan club.

Eggy, the New Haven, CT rock quartet known for its improv-focused live shows, has released its long-awaited sophomore album, Waiting Game. The ten-track LP, recorded with producer James Petralli (White Denim) in early 2023, marks the first full-length studio release from Eggy since 2019’s Watercolor Days.

Emily Loizeau’s previous album, Icare, was produced by John Parish at Rockfield Studios during lockdown. Released in 2021 the album then toured for nearly two years.

Five-disc Deluxe Box Set includes a new mix of the original album, 30 previously unreleased outtakes and alternate takes, a six-song 1971 BBC Radio John Peel Sunday concert, four BBC Radio session tracks, plus previously unreleased 50-minute DVD of Rory’s first-ever solo concert which was filmed in Paris for the “Pop Deux” television show.

INDOCHINE 7 sept 24 BABEL BABEL Double album 17 titres Mixé par Mark ‘Spike’ Stent Pochette : David LaChapelle.

ori Amos (born Myra Ellen Amos; August 22, 1963) is an American singer-songwriter and pianist.

"Shine A Light" is the name of Bryan Adams' new album. It is already the 14th studio album of the Canadian rock singer and world star.

For the past decade, Spirit of the beehive have honed an aesthetic like no other. They’ve chopped up samples, chewed them up, spit them back out again, baby birded it. Across four albums and a smattering of EPs, Zack Schwartz, Corey Wichlin, and Rivka Ravede have fully solidified their stance as some of rock’s weirdest and best deconstructionists. 2018’s Hypnic Jerks was a study in noise punk sampledelia. It was a breakthrough for the band. Frank Ocean became a fan, spinning “fell asleep with a vision,” on Blonded Radio. 2021’s Entertainment Death, was nasty dream pop by way of K-Mart realism and hitting the channel search setting on an old TV set.