Franz Schubert's song cycle from Die Schöne Müllerin as a premiere recording? Anyone who wanted to claim this in view of the international discographic landscape would undoubtedly have to reckon with a storm of indignation. Unless, that is, the release announced as a world premiere had something unprecedented to offer - and the present production certainly does: instead of the original and endlessly performed version for voice and piano, cpo offers an all-round successful hypothesis here.

A young female singer in 17th-century Venice: she is virtuoso, attractive and extremely charming, and the gentlemen of her select audience are at her feet. They call her the ""Singing Venus"". But Barbara Strozzi wants more: she regularly publishes her compositions – more than any woman before her. The new BR-KLASSIK audio biography tells her story. Until the 20th century, female composers had a hard time in a male-dominated art. And in historiography for even longer: it was not until 1978 that a female American musicologist published the first specialist article on Barbara Strozzi.

The genre accompanied him for almost his entire creative career: the sacred choral song op. 30 was written by the 23-year-old Johannes Brahms in 1856, the Fünf Gesänge for mixed choir a cappella are his late legacy in the field of secular choral song, composed between 1886 and 1888. In between lie the Drei Gesänge, composed at a time when Brahms was also very practically involved with choral singing as a choirmaster, then the Sieben Lieder for four to eight-part choir and finally his large-scale Mottete op. 74, No. 1 Warum ist das Licht gegeben from 1877 and the sister work O Heiland, reiß die Himmel auf op. 74 No. 2.

Heinz Marecek tells the story of the shipwrecked sailor Enoch Arden. A melodrama of sound based on a poem by Alfred Lord Tennyson, as gripping as Odysseus or Robinson Crusoe, composed in a phase between the symphonic poems "Till Eulenspiegel's Merry Pranks", "Thus Spoke Zarathustra" and the orchestral works "Don Quixote" and "A Hero's Life".

We know Ignaz Jan Paderewski (1860-1941) as a legendary pianist, probably also as the first president of the newly founded state of Poland in 1918 - and we have certainly heard that he left behind a not insignificant compositional œuvre: In particular, his Piano Concerto in A minor and the Symphony in B minor "Polonia" have deservedly made it to recording honors. A similar one-off to these works is the opera Manru, which was premiered at the Dresden Semper Opera on May 29, 1901, and met with triumphant success.

From Schütz to Bräutigam by way of Schumann, Reger, Mauersberger, Poulenc and Werner – this recording by the Chamber Choir of the Freiburg University of Music under the direction of Morten Schuldt-Jensen takes the listener through the entire history of the motet. All of these compositions have one thing in common: their uniquely personal expressive force. The Drei Paulusmotetten by Fritz Werner, a contemporary of Poulenc, appear for the first time on HIGHRESAUDIO. These brilliant motets reflect the period and events of the time of their creation. The works by Werner and Mauersberger, for instance, were composed during the horrors of the Second World War.

For its final concert of the 2021–22 season and Osmo Vänskä’s last as artistic director, the Minnesota Orchestra chose to present Mahler’s mammoth Eighth Symphony, which calls for one of the largest complement of performers in the history of music, a symbol of the communitarian spirit of collective cultural, social and religious-philosophical endeavour in what has been referred to as a ‘Mass for the Masses’.

Luminous Voices presents Brahms’ "Ein deutsches Requiem" alongside contemporary pieces by Zachary Wadsworth in the album 'Fire-Flowers.' Exploring themes of loss, grief, and hope, the album is led by Timothy Shantz. Laura Brandt (soprano), Jonathon Adams (baritone), Cheryl Emery-Karapita (piano), and Leanne Regehr (piano) collaborated to bring these pieces to life. Wadsworth's "Battle-Flags," is inspired by Walt Whitman’s Civil War experiences. Brahms’ iconic Requiem reflects personal tragedies and calls for empathy. The album concludes with "Fire-Flowers," where Wadsworth captures E. Pauline Johnson’s poem in a musical tale of optimism and renewal.

Junge Römer (Young Romans) is the second album by Austrian pop rock artist Falco, released in 1984. While the phrase in the German language is correctly written "Junge Römer", the title of Falco's album and single in both German and English pressings is "Junge Roemer". The album was a No.1 hit in his native Austria.

Auch diese EP enthält einen Mix, der bisher nur auf Vinyl zu bekommen war: den Specially Remixed 7" Edit. Dieser war 1984 lediglich auf einer niederländischen Single erschienen und wurde nun erstmals digital veröffentlicht.

On Musikalische Exequien (Musical Exhibitions) featuring Concentus Konig, you will find a dialog between two of the most essential funerary musical works of the German Baroque.

This album is a bold reimagining of Robert Schumann's beloved song cycle, Dichterliebe, based on the artists' cutting-edge research into the earliest surviving recordings of singers and pianists - including musicians directly connected to Schumann. The musical result is jarring at first, and then increasingly compelling: a creative freedom and rhetorical flair bordering on wildness, which belies the years of careful study of historical source material that made such risk-taking possible.

The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using SACD technology to improve sound quality. This Box Set of "5 Great Operas on Deutsche Grammophon & Decca" features the four works of this time are historical name boards which were produced in the heyday of analog from 1962 to 1979, and at the time of recording, each record company gathered the best conductor, orchestra, singer, the best sound, It was recorded with an in-depth session organized at the proud recording venue.

Roderick Williams heads up the cast for this new recording of Delius' A Mass of Life with the Bergen Philharmonic, conducted by Sir Mark Elder. Accompanied by soloists Gemma Summerfield, Claudia Huckle and Bror Magnus Todenes, the Bergen Philharmonic Choir and Edvard Grieg Kor join Collegium Musicum Choir to complete the tour de force needed to perform and record this monumental work.

Thomas Guthrie's arrangement of the "Schöne Müllerin" for small ensemble transports the listener back to a world of sound that Schubert knew from the musical evenings in the homes of his friends - those gatherings where the singing was accompanied by guitars, strings and, if available, a piano. Unlike the lieder recital, where the singer stands at the grand piano in a large hall, in this intimate atmosphere the listener is drawn much more into the drama and emotion of Schubert's music. The singer Thomas Guthrie is supported by Bjarte Eike and members of his ensemble Barokksolistene.