Famous Opera Arias—Pedro Lavirgen, tenor Recorded ‘live’ in various unspecified venues, 1967 – 1978.

Songs of love and loss by a trio of early 18th century Spanish composers, showcasing the vocal art of a distinguished early-music soprano.

Disco Samba, Taj Mahal, Upa Neguna, Desacato, Copacaba, Charlie Brown, Yo vendo unos ojos negros, Palo bonito, Desde que te vi, Brazil, Brigitte Bardot, Lamento borincano, etc.

Après les albums Ida en 2014 et Ants en 2017 (2 fois “Révélation” JazzMagazine), le saxophoniste ténor Ricardo Izquierdo présenta bientôt son nouveau disque : «Kikun Pẹlu Mi Wá». (« Peindre avec mes racines » en Yoruba).

Interpreta a Juan Gabriel con el Mariachi Arriba Juárez es el álbum de mayores ventas de la cantante Lucha Villa, publicado originalmente en 1985 bajo el sello discográfico de BMG Ariola.

'Can We Do Tomorrow Another Day?' is the debut project from Paul Simonon, of The Clash, Gorillaz and The Good, The Bad and The Queen; and Galen Ayers, singer-songwriter who amongst other artistic projects released the rightly acclaimed solo album 'Monument'.

El Siempre Mar, the latest output from heralded pianist Emilio Solla and in-demand saxophonist and vocalist Antonio Lizana. El Siempre Mar follows the critical reception of Solla’s Latin GRAMMY® Award-winning Puertos (2019), the rapturous, propulsive fruits of his 17-piece Tango Jazz Orchestra. Upholding his devotion toward Tango music and its history on his 13th leader recording, the multi-GRAMMY nominated Solla returns alongside the prolific Lizana for a virtuous welding of jazz-infused, cross-continental Latin styles.

Most bands who've soldiered on for as long as Los Lobos find that middle-age brings a laissez-faire bargain between fame and nostalgia that makes it all too easy to coast into the sunset comfortably seated on their laurels. What's so compelling about Lobos in the 1990s and beyond is their steadfast refusal to succumb to any such temptation. This Time marks the third chapter in their collaboration with producers Mitchell Froom and Tchad Blake that yielded the outstanding and surprising Kiko and Colossal Head. It's easily their most adventuresome, category-confounding outing yet.

Los Lobos might have touted themselves as “just another band from East L.A.”, but it’s quite likely that even the group’s humble members recognized that few - if any - other artists in the late 1980s rivaled their soulful music, rousing performances, and eclectically blended arrangements. While lacking the commercial status of the quintet’s subsequent La Bamba release, By the Light of the Moon stands as the band’s most enjoyable excursion into American-hued soul, penetratingly reflective lyrics, and earnest roots rock. The music making is simply extraordinary.

Multi-award-winning Toronto artist and performer, Eliana Cuevas, announces an incredible sonic-cinematic venture, Seré Libre, her forthcoming album set to release May 12 on Alma Records. The collection of songs will feature imaginative orchestral versions of her original repertoire with a focus on her roots, showcasing a unique take on music based on the Venezuelan tradition.

Jesús Legido, one of the greatest composers of contemporary Art song in Spain, is portrayed here in this first recording of a selection of his voice and piano songs, which draw inspiration from folklore and his poetic influences (like Antonio Machado and Federico García Lorca). Renowned Spanish soprano Raquel Lojendio, accompanied by pianist Irene Alfageme, invites us to this marvelous voyage through love, death and life, the three pillars of Legido’s poetic and powerful language.

"Spirits Dancing in the Flesh" it's Santana's 15th and final studio album for Columbia Records. It's hardly a surprise that a brief uplifting message from Carlos Santana accompanies "Spirits Dancing in the Flesh". What is unusual is the message's placement: just below the note dedicating the album to junior-welterweight boxing champion Julio Cesar Chavez. Now that, like the album itself, is yin and yang at its finest. It reached eighty-five in the Billboard 200.

Super obscure New York Latin Jazz superbly produced by Eddie Drennon of the massive Disco hit of the early 1970's "Let's do the Latin Hustle".

The second in Jazz Room's occasional Pure Latin releases this Masterpiece first emerged in 1980 and is an outstanding example of the Classic Era NuYorican El Barrio Underground Sound! If you dug the Tata Vasquez LP on Jazz Room or Grupo Folklorico Y Experimental Nuevayorquino – Concepts In Unity then this is for you.

The material is released on physical support during these days by the RGS Music label.