The Complete Blue Note recording sessions with alternate takes and the bonus EP 'Enigma' which includes recently discovered alternate takes that were released on 10-inch vinyl earlier this year. Sourced from high resolution masters created by Bernie Grundman. Additional mastering by Kevin Reeves at 4th Floor Studios, New York City and Robert Vosgien at Capitol Mastering, Hollywood.

This Blu-Ray Pure Audio edition features previously released alternate takes from 'Ultimate Blue Train'. Also an unreleased take of 'Lazy Bird' and an alternate of 'Blue Train' that was released only in Japan.

When Jethro Tull released "Benefit" in 1970, it signaled a new, more progressive musical direction for the English band. It also became one of the best-known albums of their career, which is going strong more 60 million records and 40 years later. The Grammy winning group is revisiting that pivotal album with a Collector's edition, newly re-mixed by Steven Wilson. It comes with a DVD disc with Surround Sound Mix, plus UK and USA running orders and more.

Whether they called him "Satchmo" or simply the "man with the silver trumpet", millions of people, from Mongolia to Munich, Milano and Mozambique, recognized the cherubic countenance, gravel voice, and high, rhythmic notes that bought thousands to greet him and hear him wherever he went - the magnetism was, at times, as awesome as his music could be. Louis Armstrong was one of the greatest musicians jazz ever produced, perhaps - and few, if any, will argue against this - the greatest.

"Harvest" is the fourth album by the Canadian musician Neil Young, released on February 14, 1972 on Reprise Records. It featured the London Symphony Orchestra on two tracks and vocals by the noted guests David Crosby, Graham Nash, Linda Ronstadt, Stephen Stills, and James Taylor. It topped the Billboard 200 album chart for two weeks, and spawned two hit singles, "Old Man", which peaked at #31 on the Billboard Hot 100, and "Heart of Gold", which reached #1. It was the best-selling album of 1972 in the United States.

Six-time Grammy Award winner and iconic guitarist of The Eagles, Glenn Frey's first solo album in over seventeen years. "After Hours" is a tapestry of influential love songs from the 40s to present day. This smooth and rich collection focuses on the core essence of each song, showcasing Frey's growth both as a vocalist and an interpreter. The album highlighted by Frey’s effortless swooning includes the pop standards, “Route 66”, “The Look of Love”, “Caroline, No” and more.

A binaural dummy head recording, sometimes also called holophonics. The listener has to use headphones to experience the 3D surround-sound quality of the music since the recording uses the head-related transfer function. Recorded live-to-stereo in August of 2007. No edits were made and the volume was not compressed.

Mylène Farmer is a French singer, songwriter, occasional actress and author. She has sold more than 30 million records and is among the most successful recording artists of all time in France. "Monkey Me", co-written with Laurent Boutonnat, was released in December 2012.

Brazilian siren Ana Caram shares this "retro"-spective musical performance in celebration of the brilliant marriage between Brazilian song and America's "cool jazz". The result? A very cool glimpse into the bossa nova scene of a 1960s jazz club, and with Chesky's state-of-the-art recording technology, you have the best seat in the house.

"Hollywood Rio" blends the sounds of this Brazilian chanteuse's roots with the cinematic music of Los Angeles. The album is Ana Caram's tribute to the music of Hollywood. Combining her sultry voice and passionate Brazilian flare with L.A.'s cool electric sound, Caram sings such Hollywood classics such as "Raindrops Keep Falling On My Head" from the movie Butch Cassidy and the Sundance Kid and "As Time Goes By" from Casablanca. Together with Michel Friedenson's rich electric orchestral arrangements, Hollywood Rio is a 21st century look at Hollywood's past.

Award-winning saxophonist and multi-instrumentalist Jackiem Joyner celebrates his first decade as a recording artist with "Main Street Beat". Joyner became a father after his previous release, 2014's Evolve, an elation-inducing experience that informed the music he wrote and produced for "Main Street Beat". The first single from the funky, Motown-influenced session is the exultant "Trinity", named for Joyner’s first child whose presence is given voice on this release by Steve Oliver’s incandescent acoustic guitar.

"Small Places" is double-bassist/composer Michael Formanek’s follow-up to The Rub and Spare Change, his widely lauded ECM debut as a leader. The new album features the same powerhouse band of longtime confreres, with Formanek in seemingly telepathic league with saxophonist Tim Berne, pianist Craig Taborn and drummer Gerald Cleaver. If anything, "Small Places" is a step beyond this quartet’s first release, with the compositions and improvisation blending so that a listener is scarcely able to tell where one leaves off and the other begins. Earthy yet atmospheric, this is jazz alive with dark-hued melody and bone-deep rhythms, rich in dynamic possibility and the sound of surprise.

"Contact Note" is the second album from electronic composer, producer, remixer Jon Hopkins. An album that slowly evolves into a deep compelling musical experience with Hopkins calling on his skills as a classically trained musician to give his most abstract work delicate impressionist touches. Piano contrasts with deep driving basslines, drifting atmospheres and intense rhythms: a glorious sonic adventure.

"Fat Albert Rotunda" is the eighth studio album released by jazz legend Herbie Hancock. This is the first album the pianist put out under the Warner Bros. Record label, having previously been signed with Blue Note Records. The album was originally created for the TV special "Hey, Hey, Hey, It's Fat Albert".

The debut by alto saxophonist Ornette Coleman revolutionized the jazz world and quickly earned a reputation as one of the most important and controversial recordings of the era. Credited as a crucial work of early "free jazz", the album featured a lineup of then up-and-coming jazz stars: trumpeter Don Cherry, pianist Walter Norris, bassist Don Payne, and drummer Billy Higgins.