Given that 'Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, and debuted at the Newport Jazz Festival the summer before to a thunderous reception.

An introduction to John Coltrane’s revered Atlantic recordings. "Trane: The Atlantic Collection" includes the hit single ‘My Favorite Things,’ the iconic ‘Giant Steps, Naimi’ and more, from the ‘heavyweight champion’ of the jazz world. This release is newly remastered.

Coltrane’s "Sun Ship" was one of the final and finest chapters in the story of his classic quartet. It features pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones. The work highlights the saxophonist in transition from the secular (“Dearly Beloved”) to the sacred (“Amen”). "Sun Ship: The Complete Session" includes every recorded moment from this historic session including alternate takes, conversations between the musicians, their leader and their producer and more than one hour of unreleased music.

Concord Music Group will reissue a remastered and expanded edition of John Coltrane's "Afro Blue Impressions". Enhanced by 24-bit remastering by Joe Tarantino, three bonus tracks, and new liner notes, the new reissue celebrates the 40th anniversary of Pablo Records, the jazz label founded by Norman Granz in 1973.

All Mornin' Long is a jazz album by pianist Red Garland and his quintet. It was originally issued in 1958 on the Prestige label and catalogued as PRLP 7130. It features only three pieces, which belong to the hard bop subgenre and distinguish themselves by being fast-paced and bluesy. Critic Ira Gitler found the album satisfactory and said that the eponymous first piece was a "many-splendored, deep-dish demonstration of feeling, mood and melody".

John Coltrane with the Red Garland Trio is the third studio album by jazz musician John Coltrane, issued in 1958 on Prestige Records, catalogue 7123. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey. In 1961 it was reissued as Traneing In, Prestige catalogue 7651, and given a different cover photo, as pictured. Analogue Productions' reissue mastered by Kevin Gray.

My Favorite Things is the seventh studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. An edited version of the title track became a hit single that gained popularity in 1961 on radio. The record became a major commercial success.

Standard Coltrane consists of tracks recorded in 1958 but only released in 1962 to capitalize on Coltrane's growing popularity throughout the 60s. The material on the album consists of well known music from Broadway or films, mostly ballads, recorded with the bulk of the Miles Davis band of the day: Wilbur Harden on trumpet and flugelhorn, Red Garland on piano, bassist Paul Chambers and drummer Jimmy Cobb. This is a prime example of Coltrane in the middle of his signature "sheets of sound" period.

Ballads is a jazz album by John Coltrane. It was recorded in December 1961 and 1962, and released on the Impulse! label in March 1963. Critic Gene Lees stated that the quartet had never played the tunes before. "They arrived with music-store sheet music of the songs" and just before the recordings, they "would discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do it". Each piece was recorded in one take, except for "All or Nothing at All". In 2008, the album was a recipient of the Grammy Hall of Fame award.

Jazz at the Plaza Vol. I is a live album by Miles Davis. It was recorded in 1958 and released in 1973 by Columbia Records. Duke Ellington was recorded at the same event and released as the second volume (Jazz at the Plaza Vol. II).

"Alternate Takes" is a collection of Coltrane’s greatest works for Atlantic Records. The legendary jazz saxophonist provides new and refreshing renditions of his most familiar and endearing numbers for the label including “Syeeda’s Song Flute”, “Naima”, and “Cousin Mary”. Compiled from his sessions for "Coltrane Jazz", "Giant Steps", and "Coltrane’s Sound", this hi-res remastering has never sounded better and is a vital addition for any jazz lover.

The John Coltrane Quartet created some of the most innovative and expressive music in Jazz history including the hit album "A Love Supreme", which attests to the power, glory, love, and greatness of God.

In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Clifford Brown and Max Roach.

John Coltrane's "Live At The Half Note" on the Laserlight label is an excellent look at what is arguably jazz's greatest quartet - the "Classic Quartet" of Trane, McCoy Tyner, Jimmy Garrison and Elvin Jones - in an intimate club setting. It is during performances like these, where Coltrane had the ability to stretch out and play at length, improvising and creating on the spur of the moment, that he further developed his signature, searching style.

Giant Steps is the fifth studio album by jazz musician John Coltrane as leader, released in January 1960 on Atlantic Records. This was his first album as leader for his new label Atlantic Records. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry.