As long-standing supporters of independent record stores all around the globe, the John Lennon Estate are excited and proud to be able to join the fun with this new, exclusive, limited-edition 4-track 12” EP release. As a teaser to the forthcoming “Ultimate Edition” anniversary release of the Mind Games album (coming later this year in a collection of incredible new formats,) this extremely limited-edition EP sets the tone for what will be an extraordinary year for the music and legacy of John Lennon. Offered in two color variants – a luminous glow-in-the-dark 140g color vinyl or a 180g black vinyl version for Record Store Day 2024.

In many ways, the music of Writhing Squares could have only originated in Philadelphia; the city itself is a microcosm of creatives, go-getters, freaks & weirdos that have coalesced into a supportive & boundary-pushing crew. Former Purling Hiss bassist Daniel Provenzano & Ecstatic Vision sax-player & vocalist Kevin Nickles’ first musical missive as Writhing Squares was shot forth from this community in 2013 (the self-released CDR “Live In Space”) & various singles, split releases, albums (and a double-album) later we arrive at the duo’s fourth full-length “Mythology”, their third for Chicago-based Trouble In Mind Records.

Rodion-Ladislau Rosca spent his lifetime creating music that was ambitious, groundbreaking and innovative. He was a pioneering composer, a talented multi-instrumentalist and producer. He pushed musical boundaries to their limits. This he did as a solo artist and with his group Rodion G.A.

Akropolis Reed Quintet, composer/pianist Pascal Le Boeuf, and drummer Christian Euman join forces on the electrifying album Are We Dreaming The Same Dream? Le Boeuf’s album-length composition examines what Ralph Ellison calls “the unity of American experience” by recognizing his musical ancestors — Geri Allen, Dave Brubeck, Charles Mingus, Bill T. Jones, and Leonard Bernstein. His composition asks: Are we really dreaming the same American dream, or is our consumer culture overshadowing our own sense of belonging?

After a first album, Take Off, released in 2018 by Jazz Family, the guitarist offers a new trio opus.

In medieval times, alchemy was a mystical pursuit based on a belief that gold could be created from common raw materials. It's an ancient practice, an idea that has long since been debunked by centuries of scientific evidence to the contrary. Or has it? Attempts to derive precious substances from lead or tin may have been dismissed by modern-day science as a fool's errand, but the belief that something of great value can come from something common persists. For drummer Stanton Moore, it's just a matter of finding the right groove.

Rodrigo: Concierto de Aranjuez, Op. 30; Castelnuovo-Tedesco: Concertino for Harp, Op. 93; Debussy: Danses sacrée et profane; Turina: Tema y variaciones, Op. 100.

Recorded on 25 and 26 April 1991 at the Teatro Bulevar Casa de Cultura in Torrelones (Madrid) and originally released in October 1991, it was a respectful flamenco vision of Spanish classical music in a flamenco style. In it, Paco de Lucía performs with the Cadaqués Orchestra, conducted by Edmon Colomer, the concerto for guitar and orchestra that Joaquín Rodrigo wrote under the title Concierto de Aranjuez. To complete the album, he recorded with Juan Manuel Cañizares and Jose María Bandera three pieces, arranged by Juan Manuel Cañizares, from Isaac Albéniz's Suite Iberia. The result was absolutely devastating and is one of the best known and recognised versions of Maestro Rodrigo's masterful work.

Ambarchi, Berthling and Werliin make for an utterly unique guitar/bass/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed. On this much-desired sequel to their acclaimed 2022 debut, their unique telepathic group-think (re)opens the window to fresh acres of fusion, where funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries dance immortal. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.

Following her thrilling collaboration with Iggy Pop (The Dictator/2022) Belgian composer/musician Catherine Graindorge returns with a luminous ensemble album - Collaborators include Simon Huw Jones (And Also the Trees) and Pascal Humbert (16 Horsepower). Instrumental and vocal songs of life, love and death. Inspired by mythology from the Greeks to the Beats. "The dark sounds she produces have a strange beauty…a miasma of blues, greys and blacks." – The Arts Desk

Almost 30 years after their first concert together, and after the release of three superlative albums that have cemented a unique relationship, Michel Camilo & Tomatito return with a new album: SPAIN FOREVER AGAIN. A new work by the Dominican pianist and the Andalusian guitarist where the understanding between them reaches unique heights, the conversation between piano and guitar is constant, intimate and playful. A journey that we must savour with luxury, calm and voluptuousness, given that we are approaching a universe that aspires, above all, to offer an oasis of order and beauty.

The new focus on Bohemian classicism in the second half of the 18th century, manifested in recent recordings and articles in professional journals, has amply demonstrated the calibre of these composers and the quality of their music. Among them, Josef Mysliveček enjoyed considerable fame during his lifetime. He was known to such important figures as the soprano Caterina Gabrielli and was a friend of Mozart’s, who esteemed him.

The only collected survey of George Benjamin’s piano music on record, from a Dutch pianist who specialises in new music and has worked closely with the composer.

"Bravo Mozart!" exclaimed Emperor Joseph II as he stood up and tipped his hat at the end of the first performance of Piano Concerto No. 18 KV 456 , played by Mozart himself on 30 September 1784.

Amongst a pantheon of great Czech composers it is Bedrich Smetana who is revered as the musical personification of his country’s national spirit and the founder of its modern musical character. Composed after the onset of Smetana’s incurable deafness, Má vlast (My Fatherland) is an unprecedented cycle of six related symphonic poems that evoke ancient Czech legends and celebrate the majestic beauty of the country’s landscapes. Acclaimed with ‘unending storms of applause’ at its 1882 premiere, Má vlast reflects the unique characteristics that form the living heart and soul of the Czech nation.