Recorded at the legendary Hyde Street Studios in San Francisco, the new studio album from The Headhunters features seven songs spanning the genre-bending repertoire of the 50 year old ensemble co-led by original members Bill Summers on percussion and Mike Clark on drums. The original and unique musical partnership between Summer and Clark who recorded on Herbie Hancock's seminal albums Head Hunters, Thrust, Flood and Man Child before embarking on a blockbuster five decade career has stood the test of time and has honed a quintet of epic proportions featuring Donald Harrison on sax, Kyle Roussel on keys and Chris Severin on bass.

“This album spans my entire career, over 20-plus years of writing and performing songs. With more than a hundred songs to choose from, some of these tracks I wrote in my 20’s, and others were born just years ago. We selected crowd favorites and some deep cuts to give them a new life.”

Around 1680, Dieterich Buxtehude composed Membra Jesu Nostri, a cycle of seven cantatas combining mystical medieval poetry and lyrical excerpts from the Old Testament to venerate the wounds of Christ. In 2021, Swiss composer Xavier Dayer echoes this with Afin que le lion féroce ne l’attaque pas. He joins the five singers and ten instrumentalists of Membra Jesu Nostri with a modern wind quintet, questioning in his own words the protective force of the artistic and contemplative gesture, in the interweaving of sonorities between ancient and modern instruments and human voices.

The Orchestre symphonique de Montreal and its Music Director Rafael Payare celebrate Arnold Schoenberg's 150th birthday with a recording of two of his late-Romantic masterworks: Verklarte Nacht and Pelleas und Melisande. Both pieces are based on stories evolving around love, jealousy, acceptance and forgiveness, and showcase Schoenberg's expressive harmonic language and scintillating, multifarious orchestration. The album booklet features unique photography and paintings by Arnold Schoenberg, sketching a vivid picture of this extraordinarily versatile artist. After their acclaimed PENTATONE recordings of Mahler's Fifth Symphony (2023), as well as his Ruckert-Lieder and Strauss's Ein Heldenleben (2024), Payare and the orchestra further explore this late-Romantic repertoire that fits them like a glove.

In 1822, the young Donizetti was engaged by La Scala to compose an opera. Chiara e Serafina was the outcome and the librettist was Felice Romani, a refined scholar but a notoriously slow and touchy worker. Consequently, Donizetti had barely twelve days to compose the whole work. Because of the incoherent plot, which concerns Don Meschino and his daughter Chiara who are kidnapped by Algerians, and the villainous Don Fernando who schemes to marry the nobleman’s younger daughter Serafina, the result was a fiasco. Donizetti’s music, however, is characterful and profuse with delightful duets, trios and ensembles.

The ballades for piano are among the most beautiful and innovative works of Chopin's œuvre, with which he created a new genre with literary connotations and a distinctively romantic style. Our recording features the four ballades by Chopin along with two ballades by Liszt, composed as an hommage to his fellow composer, whom he deeply admired.

The complete uncollected Noise New York studio recordings of Galaxie 500. A twenty-four track chronological journey through rarities and outtakes including never-before-heard songs, from the start of their incendiary career to their final studio session. Uncollected Noise New York ’88-’90 marks Galaxie 500’s first release of new archival material in nearly thirty years and their most comprehensive collection of unreleased and rare material ever. Produced and engineered by Kramer at Noise New York 1988-1990. Featuring B-sides, outtakes, and non-album material, the compilation also boasts eight never-before-heard cuts.

Giovanni Sollima is an internationally renowned cellist and one of the most frequently performed Italian composers in the world today. His original BaRock Cello project gave new readings to Rock pieces in the intimate setting of a solo performance, matching these to little-known 17th- and 18th-century Italian composers. These improbable contrasts and surprising connections are now extended further back to their musical roots in Folk & Ba-Rock Cello. In this Sollima takes up the tonal colours and rhythmic grooves of archaic songs from a diversity of countries and blends the common features shared by all music, whether it is globally iconic, nationally popular, or long lost amidst the dusty manuscripts of time.

Castelnuovo-Tedesco’s Romancero Gitano for mixed choir and guitar sets some of Federico García Lorca’s most evocative and intimate Andalusian poetry. Marked by dramatic contrasts the music fuses colouristic ideas with rich polyphonic writing – performed here in an accurate critical edition. Corrado Margutti’s Rivers, designed to accompany Romancero Gitano, is a kaleidoscope of forms, styles and images that pays homage to Castelnuovo-Tedesco as well as encoding hidden references to other musical luminaries, forming a musical journey through time and space.

SOMM Recordings is delighted to announce a stunning new solo piano recital from label veteran Peter Donohoe following his recent acclaimed coupling of Chopin’s Second and Third Sonatas with Rachmaninoff’s Chopin Variations, over which BBC Music Magazine’s Rebecca Franks enthused,“Donohoe’s approach has a robust honesty and an appealing straightforward feel, with an instinct for the emotional rises and falls.” Now the pianist revisits Chopin in the genre for which the composer is arguably best known and loved: the waltz.

Duke '78 is a live album by the rock band the Grateful Dead. It contains the complete concert recorded at Cameron Indoor Stadium in Durham, North Carolina, on April 12, 1978. It is scheduled to be released on September 20, 2024, as a three-disc CD and a four-disc LP. The April 12 concert recording is also scheduled to be released on September 20, 2024, as part of the eight-show, 19-CD box set Friend of the Devils: April 1978.

The multi-award-winning tenor saxophonist, bandleader and composer Nubya Garcia’s new album, Odyssey, is out Sept. 20 (Concord Jazz). Following her critically acclaimed debut album, SOURCE, Odyssey is a majestic feat that blends orchestral arrangements with R&B, jazz and dub. Produced by Garcia in collaboration with Kwes, Garcia returns with Joe Armon-Jones (keys), Daniel Casimir (bass), Sam Jones (drums). Featured guests include Esperanza spalding, Georgia Anne Muldrow and more.

Giulio Caccini played a decisive role in the birth of the solo madrigal. He not only accompanied himself as he sang them, but also formed the Concerto Caccini with his wife and children; this ensemble would go as far as to leave its mark on the French court. This double album features some of Caccini’s finest works as well as pieces by his two daughters Francesca and Settimia. It also provides the perfect opportunity for Scherzi Musicali to assemble some thirty instruments and to present the combinations of instruments used for the continuo group that developed around 1600.

Nathan Granner presents tenor arias by Paër, Mozart, Gluck, Salieri and Bologne, showcasing the rise of the tenor in the late eighteenth century, as well as the Enlightened spirit of the age. The Orchestre Philharmonique de Marseille, under the baton of Clelia Cafiero, partners with Granner to navigate a vast emotional landscape of classical period arias producing a timeless and compelling musical experience.

British Folk-Rock Post-Punk duo, The Waeve, return with their latest guitar driven romp, City Lights. Graham Coxon (Blur) and Rose Elinor Dougall return with the follow-up to last year's acclaimed eponymous debut. Produced by James Ford (Fontaines DC, Arctic Monkeys), the record features both artists on vocal duties in addition to playing a host of instruments including saxophone, keyboards and drums. The WAEVE have established themselves as a songwriting partnership to watch and with City Lights they further push the boundaries of their collaborative creativity, using this album to chronicle the evolution of their relationship and forays into parenthood.