Formed in 1981, The Blue Aeroplanes are Bristol’s longest running band and a true art-rock institution who have inspired countless post-punk and alternative groups including R.E.M., Radiohead, and Manic Street Preachers. ‘Beatsongs’ was first released in 1991 and became their highest charting album, featuring standout tracks such as ‘Yr Own World’, ‘Fun’, ‘Colour Me’, and ‘The Boy In The Bubble’ (a cover of the Paul Simon classic).

'Lost Today' is a collection of introspective haunting songs and embodies the compelling moods and emotions of the members of the band. Overall, the music is a translation of contradictions in life. Disorientations muses about the intense attraction and repulsion of loving people around us and the appearance of rough emptiness when you lose something fragile.

Sometimes you have to move backwards to move forwards. Just ask punk cultural commentators BODEGA, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past.

Mute Presents These Immortal Souls' First Full-Length Album, Get Lost (Don't Lie!), Remastered On Vinyl And CD.

Mute presents These Immortal Souls' second album, I'm Never Gonna Die Again, remastered on vinyl and CD.

Mute presents EXTRA a brand new album of unearthed live recordings and remastered tracks by Australian London-based post-punk band These Immortal Souls, on vinyl and CD.

Avalanche Kaito: the exhilarating combination of Burkina Faso born urban griot Kaito Winse and fellow experimentalists Belgian guitarist Nico Gitto and French drummer/producer Benjamin Chaval. This transnational avant-rock trio created waves with their visceral self-titled 2022 debut, bagging notable festival appearances (Supersonic, End of the Road), a KEXP session and much deserved critical and audience enthusiasm.

Cold wave duo The KVB are back with news of their new album ‘Tremors’ which is being released on 5 April via Invada Records (Gazelle Twin, Beak, Billy Nomates). This news comes after a brand new single and video lifted from the record, ‘Labyrinths’, on which The KVB return to the darker sound that embodied their earliest releases whilst retaining the infectious pop of their last album ‘Unity’ which MOJO described as having a “sense of wonderment throughout”.

In their decade-plus together, the four-piece Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals)—have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity.

Lauded London 6-piece Melt Yourself Down are back armed with a new approach for their fourth studio album Pray For Me I Don’t Fit In. Created for misfits, by misfits, Pray For Me I Don’t Fit In sees Melt Yourself Down embrace a celebratory punk agenda. Having realised they are never going to fit the mould, the group deliberately draw on their myriad influences, speaking all languages musically and lyrically. Led by the potent sounds of Sax pioneer Pete Wareham, the punchy sax hooks pay homage to the traditional horn sections of late 60’s early 70’s era of Jazz, Soul and Rock n Roll, while showcasing African pentatonic scales and dance-inducing rhythms with raw 70’s rock and punk.

London noise-rock quartet USA Nails relase new album Feel Worse. It’s the first album on their new label One Little Independent Records (home to anarcho-punk bands both old and new; Crass, Bad Breeding and more). The band have forged a considerable reputation since their formation in 2013 from their South London base, comprising of members of Kong, Future Of The Left, Blacklisters, Death Pedals and Silent Front.

This album covers the period 1979 to 1987 and features 14 tracks. When punk rock started to fizzle out and Squat Punks started to appear on the streets, many of the UK's disaffected youths had already moved sideways into Modernism and fell in love with bands like The Jam, Secret Affair, The Purple Hearts, The Lambrettas and The Chords but lets also remember our love for The Beat, Madness and The Specials. Mod was another gang culture, to some a way of life, to some it became life. The smart, striking fashion sense, the scooters, the music; (some from the 60's, soul and Motown), some from the 70's and 80's, guitar driven power pop. Wow! Mod was the real deal.

cult of youth began as a bedroom project in 2006 when founder sean ragon took a broken acoustic guitar, a $20 mackie mixer, and a roland rack synth and tried to recreate the atmosphere of the post-industrial and neo folk records he had been obsessed with since childhood. the project eventually evolved into a fully fledged band and for the better part of a decade released a string of genre-bending albums that made perfect sense to some people and absolutely no sense to others.

Limited edition 40th anniversary version of the band’s second and final studio album, pressed on 180g crystal clear vinyl.
Originally released in July 1980 on Factory Records, the album reached number 6 in the UK Charts. In the same year, the album was voted number 1 in NME’s 1980 Albums of the Year poll. Closer was recorded in March 1980 at Britannia Row Studios in Islington, London. It was produced by the highly praised Martin Hannett whose distinctive production style utilised unorthodox sound recording and technology.

Within the panorama and filmic landscapes that open up from the music, stories and fragments of stories are told, about people, the spaces they occupy, their closeness and the distance that lies between them. Written and recorded over 3 years in London, Switzerland and in an ancient barn not far from their Midland’s roots, founding members Simon and Justin Jones who form the core of ‘And Also ­The Trees’ with maverick drummer Paul Hill are joined for the first time by Grant Gordon on bass guitar and Colin Ozanne on clarinet.