The complete uncollected Noise New York studio recordings of Galaxie 500. A twenty-four track chronological journey through rarities and outtakes including never-before-heard songs, from the start of their incendiary career to their final studio session. Uncollected Noise New York ’88-’90 marks Galaxie 500’s first release of new archival material in nearly thirty years and their most comprehensive collection of unreleased and rare material ever. Produced and engineered by Kramer at Noise New York 1988-1990. Featuring B-sides, outtakes, and non-album material, the compilation also boasts eight never-before-heard cuts.

SWEET are a phenomenon that has captivated the rock world for decades. Over the years, Sweet have sold more than 55 million records and reached 34 number 1 chart positions worldwide.

Five Dice, All Threes is a record of uncommon intensity and tenderness, communal exorcism and personal excavation. These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career.

Giovanni Sollima is an internationally renowned cellist and one of the most frequently performed Italian composers in the world today. His original BaRock Cello project gave new readings to Rock pieces in the intimate setting of a solo performance, matching these to little-known 17th- and 18th-century Italian composers. These improbable contrasts and surprising connections are now extended further back to their musical roots in Folk & Ba-Rock Cello. In this Sollima takes up the tonal colours and rhythmic grooves of archaic songs from a diversity of countries and blends the common features shared by all music, whether it is globally iconic, nationally popular, or long lost amidst the dusty manuscripts of time.

Castelnuovo-Tedesco’s Romancero Gitano for mixed choir and guitar sets some of Federico García Lorca’s most evocative and intimate Andalusian poetry. Marked by dramatic contrasts the music fuses colouristic ideas with rich polyphonic writing – performed here in an accurate critical edition. Corrado Margutti’s Rivers, designed to accompany Romancero Gitano, is a kaleidoscope of forms, styles and images that pays homage to Castelnuovo-Tedesco as well as encoding hidden references to other musical luminaries, forming a musical journey through time and space.

Over the dozen albums from her 4-decade career, "Delia Fischer: Beyond Bossa" represents the first English language recording from the Brazilian pianist, singer, and songwriter.

SOMM Recordings is delighted to announce a stunning new solo piano recital from label veteran Peter Donohoe following his recent acclaimed coupling of Chopin’s Second and Third Sonatas with Rachmaninoff’s Chopin Variations, over which BBC Music Magazine’s Rebecca Franks enthused,“Donohoe’s approach has a robust honesty and an appealing straightforward feel, with an instinct for the emotional rises and falls.” Now the pianist revisits Chopin in the genre for which the composer is arguably best known and loved: the waltz.

143 is the upcoming seventh studio album by the American singer Katy Perry. It is set for release on September 20, 2024, by Capitol Records. The album title references the popular phrase "I love you", but was also inspired by what Perry considers as her symbolic "angel number".

Duke '78 is a live album by the rock band the Grateful Dead. It contains the complete concert recorded at Cameron Indoor Stadium in Durham, North Carolina, on April 12, 1978. It is scheduled to be released on September 20, 2024, as a three-disc CD and a four-disc LP. The April 12 concert recording is also scheduled to be released on September 20, 2024, as part of the eight-show, 19-CD box set Friend of the Devils: April 1978.

The multi-award-winning tenor saxophonist, bandleader and composer Nubya Garcia’s new album, Odyssey, is out Sept. 20 (Concord Jazz). Following her critically acclaimed debut album, SOURCE, Odyssey is a majestic feat that blends orchestral arrangements with R&B, jazz and dub. Produced by Garcia in collaboration with Kwes, Garcia returns with Joe Armon-Jones (keys), Daniel Casimir (bass), Sam Jones (drums). Featured guests include Esperanza spalding, Georgia Anne Muldrow and more.

Amandla is an album by jazz musician Miles Davis, released in 1989. It is the third collaboration between Miles Davis and producer/bassist Marcus Miller, after Tutu (1986) and Music from Siesta (1987), and their final album together. The album mixes elements of the genres go-go, zouk, funk and jazz, combining electronic instruments with live musicians. The composition "Mr. Pastorius", featuring drummer Al Foster, is a tribute to late jazz bassist Jaco Pastorius. "Catémbe" is a Mozambican and Angolan cocktail of red wine and cola.

Rob Agerbeek is an Indo Dutch boogie-woogie and jazz pianist and winner of several jazz concourses in the Netherlands in the late 1950s. He is regarded as one of Europe's finest jazz pianists, covering the full spectrum of jazz styles from his early days of Boogie-woogie to Chicago traditional Jazz, swing and contemporary jazz.

7 is the upcoming seventh studio album by Canadian singer-songwriter Nelly Furtado, scheduled for release on 20 September 2024, through Nelstar Entertainment and 21 Entertainment Group. It will be her first album since 2017's The Ride, and was preceded by the singles "Love Bites" featuring Tove Lo and SG Lewis and "Corazón" featuring Bomba Estéreo. The album will additionally contain collaborations with Canadian singer Charlotte Day Wilson and Canadian producers WondaGurl and T-Minus.

Giulio Caccini played a decisive role in the birth of the solo madrigal. He not only accompanied himself as he sang them, but also formed the Concerto Caccini with his wife and children; this ensemble would go as far as to leave its mark on the French court. This double album features some of Caccini’s finest works as well as pieces by his two daughters Francesca and Settimia. It also provides the perfect opportunity for Scherzi Musicali to assemble some thirty instruments and to present the combinations of instruments used for the continuo group that developed around 1600.

"This is an important word – the unfolding of a song," says Moullier, who was born in France and lives in New York. "It's something I'm very attached to, and something I'm always working on."