Selected Ambient Works Volume II (Expanded Edition) is due for release on Oct 4, 2024, celebrating the original album’s 30th anniversary. Written when Aphex Twin (Richard D. James) was in his early 20s, the album gained critical acclaim both upon release and retrospectively (10/10 Pitchfork review, #2 Best Ambient Album of All Time, 4 star Rolling Stone review + more). Aphex Twin and SAW II’s influence continues to grow and take new meaning across generations.

House Of Love originally released in 1994. This Expanded Anniversary Edition contains selections that have never been available anywhere such as alternate versions of songs including “House Of Love” (Michael Omartian version) which was originally titled, “Any Amount Of Money”, “Oh How The Years Go By” (Keith Thomas Version). For the listener, these versions provide a deeper glimpse into how a song can develop over time and be interpreted differently by the two producers of the original album. Additionally, there are bonus tracks included that were ‘B-Sides’ of radio singles originally released in limited distribution or only available in certain territories but are now available in this collection including “Life’s Gonna Change” and “Politics Of Kissing.” Rounding out this edition are several remixes of radio singles, “Lucky One”, “House Of Love” and the incredible cover of the Joni Mitchell classic, “Big Yellow Taxi.”

7 è il tredicesimo album in studio del cantante italiano Luciano Ligabue, pubblicato il 4 dicembre 2020 dalla Warner Music Italy[3]. Lo stesso giorno viene pubblicato il cofanetto 77+7 che comprende, oltre all'album 7, la versione rimasterizzata dei 77 singoli di successo del cantautore emiliano. Entrambi gli album sono stati pubblicati per celebrare i primi trent'anni di carriera di Ligabue.

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records!
1992 multi-platinum album from the Stone Temple Pilots, a cornerstone of 1990s alt rock! Includes "Sex Type Thing" and "Wicked Garden" 180-gram 45 RPM double LP Mastered by Ryan K. Smith from the original master tape Pressed at Quality Record Pressings. Tip-on old style gatefold double pocket jackets by Stoughton Printing.

The collection of the best songs of the singer for the period from 1985 to 1992 includes 22 hit singles and two compositions in German, which had previously been released only in 7-inch format. Released in a gatefold sleeve on two vinyl records.

Gary Moore rocked the world of Blues and Rock with his virtuoso guitar playing and soulful voice. Having played in numerous legendary bands including Thin Lizzy and Skid Row, alongside his own solo career, Moore is regarded as one of the most influential Irish musicians of all time. Having been honoured by both Gibson and Fender with signature guitars, the Northern Irish star is still regarded as one of the best guitar players of all time. A Different Beat, was Moore’s 12th solo album, where he explored new areas of blues and rock. This album has never previously been released on vinyl, and contains new liner notes written by Dave Everley. This release is pressed onto transparent orange vinyl and includes bonus track ‘Can’t Help Myself (E-Z Rollers Remix)’.

QUOTE UNQUOTE: 1991-1999. The 6LP boxset of Mr. Bungle's three legendary albums on Warner Records: Mr. Bungle, Disco Volante & California out July 19. Each album comes as a 2LP Gatefold, all packaged together in a metallic foil box. Mastered by Scott Hull exclusively for vinyl from the original mixes (some for the first time ever). Features two alternate takes of inter-program material from the Bungle archives.

At last, The Telescopes's first four EPs are compiled as Early Studio Recordings, a reissue of their studio recordings from 1989 to 1990. Not only that, but they have been remastered to achieve the deserved sound of this legendary British band leading the late '80s and early '90s shoe-gaze and melodic noise scene alongside the likes of The Jesus And Mary Chain. The Telescopes, with their leader Stephen Lawrie, recorded these EPs in the same period as their first album, Taste (1989).The band's sound is tons of guitar noise and distortion covering beautiful melodies; this music is an absolute must in order to understand all indie and underground music coming from the U.K. and worldwide afterwards.

Medeski, Martin & Wood had already created a series of fine albums and a fervent following before they were signed to Blue Note, one of the most prestigious labels in jazz history. But rather than taking it easy after having made it in the jazz world, MM&W actually pushed the envelope even further during the Blue Note years, continually challenging their listeners as well as themselves. Note Bleu: The Best of the Blue Note Years: 1998-2005 compiles tracks from all five Blue Note albums, and does an excellent job of summarizing their label tenure. The Tonic recording was something of an anomaly. Self-produced and entirely acoustic, it's represented by only one track: a beautiful, slow interpretation of "Hey Joe." As nice as it is, it just doesn't fit with the rest of the material and breaks the flow just a bit.

Canadian singer Terri Clark is often compared to Shania Twain mainly because the two are Canadian, started around the same time, and began their careers in country music. But while Twain went on to uber status with a mainstream merging of country and pop and rock, Clark slowly built her career on Nashville's Music Row and its contemporary yet safe country sound. This collection featuring her better moments starts with "Better Things to Do," a standard country-pop tune that has the singer opening up vocally from the onset. The only thing that perhaps sets it apart is her ability to pull off the song effortlessly, as if she was born to do these songs. "When Boy Meets Girl" isn't all that different, although Clark carries it equally strong with the country-tinted Brooks & Dunn-like melody. Unfortunately, some of the tunes that are radio-friendly aren't always the greatest.

Absolutely incredible soundboard recording of this fantastic performance. If you are a big fan of the Adore era of this band in 1998, then this is a must own. Live at the Viper Room 1.15.98 is a live album by The Smashing Pumpkins documenting the January 15, 1998 solo acoustic performances by Billy Corgan and James Iha at the The Viper Room. It is the second installment of the archival series after Live at Kawasaki 2.24.92, though Live at the Viper Room shipped first. In this edition, Iha debuts his solo material for Let It Come Down, while Corgan debuts the new songs for Adore, both only on acoustic guitar.

"Please" is a song by Irish rock band U2. It is the eleventh track on their ninth album, Pop (1997), and was released as its fourth single on 22 September 1997 by Island Records. As with "Sunday Bloody Sunday", the song is about The Troubles in Northern Ireland. The single cover for this song features pictures of four Northern Irish politicians – Gerry Adams, David Trimble, Ian Paisley, and John Hume (clockwise from top left). Two months before the release of the single, live versions of "Please" and three other songs from the PopMart Tour were released on the Please: PopHeart Live EP in September 1997.

"Last Night on Earth" is a song by Irish rock band U2. It is the sixth track on their 1997 album, Pop, and was released by as its third single on 1 July 1997 by Island Records. The song features excerpts from "Trayra Boia", written by Naná Vasconcelos and Denise Milan.It's music video was directed by Richie Smyth and filmed in the US.

Pressed here onto black vinyl with the original crow etching included, this is the original soundtrack to the 1994 film, the Crow.
Featuring tracks from rock legends such as Stone Temple Pilots, Rage Against the Machine and the Cure, this soundtrack is often considered as one of the greatest film soundtracks of all time. The album was met with widespread critical acclaim upon release and charted at no.1 upon release on the billboard 200 chart. The album has since gone on to be certified x3 platinum in the US by the RIAA.

Banana Wind is typical latter-day Jimmy Buffett. Over a laidback, Caribbean-inflected folk-rock, Buffett waxes eloquent over boats, booze, sun, and women. Although the sound of the album certainly is pleasant, there's not a single distinctive song on the record, which means it's good for Parrotheads, but casual fans should let this Banana Wind sail on by.