This superior three-LP box set reissues all of altoist Art Pepper's small-group dates for the Pacific Jazz label. Virtually all of the music has since been reissued on CD (part of it as The Artistry of Pepper and part of it under trumpeter Chet Baker's name), but the Mosaic box, which has an attractive booklet, is the definitive treatment of this chapter in Pepper's musical story. The great altoist is heard in a sextet with Baker and tenor saxophonist Richie Kamuca, on a version of "Tenderly" with Chet Baker's big band, with Baker and tenor Phil Urso in a different sextet, sharing the spotlight with tenor saxophonist Bill Perkins in a quintet, and heading a nonet playing arrangements by Shorty Rogers. The music is very much in the cool/bop tradition, but Pepper is instantly recognizable (he never sounded that much like Charlie Parker) and even at this early stage, he was at the top of his form. All 26 performances are quite enjoyable and swinging, making this hard-to-find set worth the search.

New York Album is an album by saxophonist Art Pepper recorded in 1979 at the sessions that produced So in Love but not released on the Galaxy label until 1985. This classic lineup features Art Pepper on alto sax, Hank Jones on piano, Ron Carter on bass and Al Foster on drums.

In 1979 Art Pepper was recorded at two sessions that yielded two fine albums, So In Love and the New York Album. There was more first-rate material recorded in those two sessions than would fit on two LPs so difficult choices had to be made as to what material not to include on the albums released at the time. Those choices were not necessarily made on the basis of the quality of the performances but with respect to such considerations as length and congruence of repertoire within an album.

So In Love is an album by saxophonist Art Pepper recorded in 1979 and originally released on the Artists House label. The AllMusic review by Scott Yanow noted: "Pepper is in excellent form throughout the album, giving these songs heart-wrenching interpretations".

Art Pepper + Eleven – Modern Jazz Classics is a 1960 jazz album by saxophonist Art Pepper and a small big band performing arrangements by Marty Paich, who also directed the ensemble. The recording is one of several dates Pepper made with Paich in 1959 and is the only one with Pepper as leader. The recording focuses on Paich's large group arrangements of modern jazz classics, including Denzil Best's "Move", Thelonious Monk's "'Round Midnight", Gerry Mulligan's "Walkin' Shoes". Other highlights of the recording are Pepper's clarinet performances on "Anthropology" and the alternate takes of "Walkin'".

Surf Ride is an album by saxophonist Art Pepper featuring sessions from 1952-54 which was originally released as a 12 inch LP on the Savoy label in 1956. All of the recording presented in original Mono format.

Art Pepper’s The Way it Was! was recorded for Contemporary between 1956-60, these seven tracks sat dormant in the label's vault until 1972. The album is built around four previously un-released tunes pairing Pepper with the tenor of Warne Marsh. Filling out the program are three incredible tracks from Pepper's masterpieces; Gettin' Together and Intensity (both 1960) plus Meets the Rhythm Section (1957), all of which were left off due to the timing limitations of vinyl. Supported by the likes of Paul Chambers, Philly Joe Jones, Wynton Kelly, Jimmy Cobb and Red Garland, their workouts on the standards “The Man I Love,” “Autumn Leaves” and especially “The Way You Look Tonight” establish a brilliant east-coast meets west-coast summit. Art's creamy alto more than holds it's own with some of New York's bop-elite, resulting in a masterpiece in its own right.

Album notes don't always tell the whole story. Contemporary president Les Koenig, who rightly felt that Art had yet to record with musicians who were his equal, wanted to take advantage of Miles Davis' quintet being in L.A. But Pepper hadn't been playing for several months, and his horn was in a state of disrepair. To minimize anxiety, the session was kept secret from Art until the last minute. But Pepper always rose to a challenge: he taped to his dried-out cork, arrived for the date, and proceeded to record an album widely considered the most important of his career. This is an all tube recording from the microphones to the tape machine.

Gettin' Together is a 1960 jazz album by saxophonist Art Pepper playing with Conte Candoli, Wynton Kelly, Paul Chambers and Jimmy Cobb. The sleeve notes (by Martin Williams) describe the album as "a sort of sequel to the earlier Art Pepper Meets the Rhythm Section" which also featured Miles Davis rhythm section of its time.

Certainly one of the most important sessions in Pepper's entire recording career, if not the history of jazz, this classic 1959 recording features the legendary sax player backed by an astounding big band that includes drummer Mel Lewis and alto sax icon Bud Shank. The album features brilliant arrangements by Marty Paich (who would later orchestrate for artists like Carly Simon and Elton John).

An afternoon jam session at an L.A. club called The Foxy Lady. April 20, 1975: Art Pepper a.s., Warne Marsh t.s., Buddy Collette clari, flute, Mike Lang keyboard, Tommy Vig ds, John Morrell guitar, Carol Kaye bass.