Engineer/producer Alan Parsons and his colleague, songwriter and lyricist Eric Woolfson, formed the Alan Parsons Project in 1975. Throughout their career, the Alan Parsons Project recorded concept albums (including adaptations of Poe and Asimov books) with a revolving cast of session musicians. Released in 1982, Eye in the Sky was their greatest success; the title track charted in the Top Ten on the pop charts and the album went platinum. Although they weren't able to repeat that success, the group maintained a devoted cult audience, even after they stopped recording following 1987's Gaudi.

Instrumental Works collects ten of The Alan Parsons Project's best musical pieces and acts as a wonderful journey through some of this group's most innovative material. Although famous for his concepts, Alan Parsons is equally renowned for his illustrious mood-invoking instrumentals that helped create atmosphere on all of his albums. These movements can easily be taken away from their master albums without losing their grandeur and charm, unlike his vocal works that act as pieces in a thematic puzzle and are better left within their conceptual domain. Both intricacy and subtlety are depicted here, with selections such as "I Robot," "Paseo de Gracia," and "Hawkeye."

Eve is the fourth studio album by progressive rock band The Alan Parsons Project. It was released in 1979. Eve's focus is on the strengths and characteristics of women, and the problems they face in the world of men. The album had originally been intended to focus on "great women in history", but evolved into a wider concept. Eve is The Alan Parsons Project's first album with singer Chris Rainbow. The album's opening instrumental "Lucifer" was a major hit in Europe, and "Damned If I Do" reached the US Top 30. "Lucifer" also is used as title track for the German political TV show Monitor.

One of the most interesting aspects about the Alan Parsons Project is the band's ability to forge a main theme with each of its songs, while at the same time sounding extremely sharp and polished. Much of this formula is used in Ammonia Avenue, only this time the songs rise above Parsons' overall message due to the sheer beauty of the lyrics partnered with the luster of the instruments. The album touches upon how the lines of communication between people are diminishing, and how we as a society grow more spiritually isolated and antisocial. But aside from the philosophical concepts prevalent in the lyrics, it is the music on this album that comes to the forefront.

I Robot is the second studio album by the English progressive rock band The Alan Parsons Project (Alan Parsons and Eric Woolfson), released by Arista Records in June 1977. It is an art rock album that draws conceptually on author Isaac Asimov's science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence.

Pyramid is the third album by progressive rock band The Alan Parsons Project, released in 1978. It is a concept album centred on the pyramids of Giza. At the time the album was conceived, interest in pyramid power and Tutankhamun was widespread in the US and the UK. Pyramid was nominated for the 1978 Grammy Award for Best Engineered Album, Non-Classical.

Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence - will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth - with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this…

Tales of Mystery and Imagination is an extremely mesmerizing aural journey through some of Edgar Allan Poe's most renowned works. With the use of synthesizers, drums, guitar, and even a glockenspiel, Parsons' shivering effects make way for an eerie excursion into Poe's well-known classics. On the album's 1987 remix, the instrumental "A Dream Within a Dream" has Orson Welles narrating in front of this wispy collaboration of guitars and keyboards (Welles also narrates "Fall of the House of Usher: Prelude"). The EMI vocoder is used throughout "The Raven" with the Westminster City School Boys Choir mixed in to add a distinct flair to its chamber-like sound. Parsons' expertise surrounds this album, from the slyness that prevails in "(The System Of) Doctor Tarr and Professor Feather" to the bodeful thumping of the drums that imitate a heartbeat on "The Tell-Tale Heart"…

The Alan Parsons Project were an English rock band active between 1975 and 1990, whose core membership consisted of Alan Parsons and Eric Woolfson. They were accompanied by a varying number of session musicians and some relatively consistent band members such as guitarist Ian Bairnson, arranger Andrew Powell, bassist and vocalist David Paton, drummer Stuart Elliott, and vocalists Lenny Zakatek and Chris Rainbow. Parsons was an audio engineer and producer by profession, but also a musician and a composer. A songwriter by profession, Woolfson was also a composer, a pianist, and a singer. Almost all the songs on the Project's albums are credited to "Woolfson/Parsons". The Best of the Alan Parsons Project, Vol. 2 is a 1987 greatest hits compilation by The Alan Parsons Project.

Whether on his own or with his Project, Alan Parsons vacillated between arch artiness and immaculate soft pop. With The Secret, his first album in 15 years, he veers decisively toward the former. The opening pomp of "The Sorcerer's Apprentice" – which is indeed the Paul Dukas composition, here presented as a collaboration with Genesis guitarist Steve Hackett – is a bit misleading. While Parsons doesn't avoid other old-fashioned prog tropes – parts of Todd Cooper's lead vocals on "One Note Symphony" are delivered through a robotic effect – he certainly dresses these affectations in adult contemporary threads.

Tales of Mystery and Imagination is an extremely mesmerizing aural journey through some of Edgar Allan Poe's most renowned works. With the use of synthesizers, drums, guitar, and even a glockenspiel, Parsons' shivering effects make way for an eerie excursion into Poe's well-known classics. On the album's 1987 remix, the instrumental "Dream Within a Dream" has Orson Welles narrating in front of this wispy collaboration of guitars and keyboards (Welles also narrates "Fall of the House of Usher: Prelude"). The EMI vocoder is used throughout "The Raven" with the Westminster City School Boys Choir mixed in to add a distinct flair to its chamber-like sound.

The Alan Parsons Project was a progressive rock music entity comprised of engineer/ producer Alan Parsons and songwriter, musician and manager Eric Woolfson. They released 10 concept albums between 1976 – 1987 and have sold over 50 million albums world-wide. Their focus was on very high quality studio sound production and they recorded most of their work at Abbey Road Studios in London. They used a variety of different lead vocalists and musicians on every album – choosing who they felt was the best for each song rather than being constrained to moulding the material for one specific artist. They have been name-checked in The Simpsons and Austin Powers film and their music is used regularly in adverts, films, sporting events and is often sampled by US rap artists.

One of the most interesting aspects about the Alan Parsons Project is the band's ability to forge a main theme with each of its songs, while at the same time sounding extremely sharp and polished. Much of this formula is used in Ammonia Avenue, only this time the songs rise above Parsons' overall message due to the sheer beauty of the lyrics partnered with the luster of the instruments. The album touches upon how the lines of communication between people are diminishing, and how we as a society grow more spiritually isolated and antisocial. But aside from the philosophical concepts prevalent in the lyrics, it is the music on this album that comes to the forefront.

With two of the Alan Parsons Project's best songs, the lovely ballad "Time" and the wavy-sounding "Games People Play," The Turn of a Friendly Card remains one of this group's most enjoyable albums. Parsons' idea, the subject of the album's six tracks, centers around the age-old temptation of gambling and its stranglehold on the human psyche. On "Games People Play," vocalist Lenny Zakatek sounds compelling and focused, giving the song a seriousness that aids in realization of the album's concept. With "Time," it is Eric Woolfson who carries this luxurious-sounding ode to life's passing to a place above and beyond any of this band's other slower material.

On the evening of August 31st, 2013, a large crowd gathered at Parque Pies Descalzos in Medellín, Colombia. When Alan Parsons appeared on stage, along with the Medellín Philharmonic Orchestra and his band the audience went wild. This is an audio visual document of that incredible evening. The Alan Parsons Symphonic Project "Live in Colombia" is was released on May 27th, 2016 on earMUSIC as a DVD, Blu-ray, 2-CD digipak, 3 x Vinyl, and download. Alan Parsons was 19 years old when he landed a job at the world famous Abbey Road Studios, an important first step on his journey to becoming a world class engineer, producer and artist. Following his beginnings with George Martin and The Beatles, his contribution to Pink Floyd's classic 'The Dark Side Of The Moon' earned him worldwide attention.