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Veronica Amarres - Crescentini & Giuliani: Songs for Soprano and Guitar (2014)

Posted By: varrock
Veronica Amarres - Crescentini & Giuliani: Songs for Soprano and Guitar (2014)

Veronica Amarres - Crescentini & Giuliani: Songs for Soprano and Guitar (2014)
WEB FLAC (tracks+booklet) - 158 MB | Tracks: 20 | 45:12
Style: Classical | Label: Label Brilliant Classics

Today’s concept of bel canto is founded primarily on the beautiful melodies of the brilliant virtuoso opera arias of La sonnambula, L’elisir d’amore etc; this recording aims to challenge the listener’s understanding of this term by introducing another, much lesser-known facet: that of chamber bel canto, or bel canto da camera. Ariettas by two Italian 19th-century composers Mauro Giuliani and Girolamo Crescentini are thus included, and while neither of these names are normally counted among the ‘bel canto’ greats, such as the opera-centric Bellini and Donizetti, both composers’ chamber works in fact reveals the “subtlety of the human soul much more deeply,” argue the artists, “than in the brightest operas arias.”

Sandro Volta, Orchestra dell’Opera Barocca di Guastalla - Antonio Maria Bononcini: La Decollazione di S.Giovanni Battista(2003)

Posted By: ArlegZ
Sandro Volta, Orchestra dell’Opera Barocca di Guastalla - Antonio Maria Bononcini: La Decollazione di S.Giovanni Battista(2003)

Sandro Volta, Orchestra dell’Opera Barocca di Guastalla - Antonio Maria Bononcini: La Decollazione di S.Giovanni Battista (2003)
EAC | FLAC | Image (Cue & Log) ~ 280 Mb | Total time: 64:09 | Scans included
Classical | Label: Tactus | # TC 675201 | Recorded: 1998

The oratorio La decollazione di S. Giovanni Battista by Antonio Maria Bononcini is a worthy representative of the little-known tradition of oratorios in the Italian language composed at the Hapsburg court, a tradition which was quite widespread between the second half of the seventeenth and the first three decades of the eighteenth centuries. This genre, now considered to be an appendix of the opera, played instead a significant role in the religious-musical events of the imperial court, where Italian culture in general and the language itself represented more than mere aesthetic models.