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Veronica Amarres - Crescentini & Giuliani: Songs for Soprano and Guitar (2014)

Posted By: varrock
Date: 13 Aug 2023 18:28:10
Veronica Amarres - Crescentini & Giuliani: Songs for Soprano and Guitar (2014)

Veronica Amarres - Crescentini & Giuliani: Songs for Soprano and Guitar (2014)
WEB FLAC (tracks+booklet) - 158 MB | Tracks: 20 | 45:12
Style: Classical | Label: Label Brilliant Classics

Today’s concept of bel canto is founded primarily on the beautiful melodies of the brilliant virtuoso opera arias of La sonnambula, L’elisir d’amore etc; this recording aims to challenge the listener’s understanding of this term by introducing another, much lesser-known facet: that of chamber bel canto, or bel canto da camera. Ariettas by two Italian 19th-century composers Mauro Giuliani and Girolamo Crescentini are thus included, and while neither of these names are normally counted among the ‘bel canto’ greats, such as the opera-centric Bellini and Donizetti, both composers’ chamber works in fact reveals the “subtlety of the human soul much more deeply,” argue the artists, “than in the brightest operas arias.”
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Pepe & Celedonio Romero; ASMF, Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Posted By: Designol
Date: 25 Jan 2023 20:31:12
Pepe & Celedonio Romero; ASMF, Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs
Pepe Romero & Celedonio Romero, guitars
Academy of St. Martin in the Fields; Sir Neville Marriner, conductor
EAC | FLAC | Tracks (Cue&Log) ~ 685 Mb | Mp3 (CBR320) ~ 360 Mb | Scans ~ 56 Mb
Classical, Classical Guitar | Label: Philips | # 454 262-2 | Time: 02:37:27

An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.
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