Neu! - Albums Collection 1972-2010 (4CD) Japanese Mini-LPs, Remastered Reissue 2012

Fresh after leaving Kraftwerk in the fall of 1971 for what they perceived to be a lack of vision, guitarist Michael Rother and drummer Klaus Dinger formed their own unit and changed the face of German rock forever – eventually influencing their former employer, Florian Schneider of Kraftwerk. The 1974 album Autobahn was a genteel reconsideration of the music played here. Neu! created a sound that was literally made for cruising in an automobile. While here in the States people were flipping out over "Radar Love" by Golden Earring, if they'd known about this first Neu! disc, they would never have bothered. Dinger's mechanical, cut time drumming and Rother's two-note bass runs adorned with cleverly manipulated and dreamy guitar riffs and fills were the hallmarks of the "motorik" sound that would become the band's trademark. On "Hallogallo", which opens the disc, the listener encounters a timeless rock & roll sound world. The driving guitar playing one chord in different cadences and rhythmic patters, the four-snare to the floor pulse with a high hat and bass drum for ballast, and a bassline that is used more for keeping the drummer on time than as a rhythm instrument in its own right. These are draped in Rother's liquidy, cascading single note drones and runs, so even as the tune's momentum propels the listener into a movement oriented robotic dance, the guitar's lyrical economy brings an aesthetic beauty into the mix that opens the space up from inside. The tense ambient soundscape of "Sonderangebot" balances things a bit before the slower-than-Neil Young "Weissensee" opens with a subtle industrial clamor and opens up into a lyrical exploration of distorted slide guitar aesthetics with an uncharacteristic drum elegance that keeps the guitar in check. "Im Glück" tracks a restrained, droning path through the textural palette of the guitar, treated with whispering distortion and echo. All hell breaks loose again on Dinger's "Negativland" as an industrial soundscape eventually gives way to a bass and guitar squall as darkly enticing as anything on Joy Division's Unknown Pleasures. It's really obvious now how the JD's sound was influenced by this simply and darkly delicious brew of noise, bass throb, percussive hypnosis, and an oddly placed, strangely under-mixed, guitar. Rother's style had as much to do with not playing as it did with virtuosity, and his fills of open chords, stuttered cadences, and broken syntax provided a much needed diversion for the metronymic regularity of the rhythm section. Rother didn't riff; he painted a mix with whatever was necessary to get the point across. His mannerisms here are not to draw attention to himself, but rather to that numbing, incessant rhythm provided wondrously by Dinger. Neu!'s debut album was driving music for the apocalypse in 1971. These official CD reissues, remastered by Neu! with Herbert Gronmeyer, are the first official ones. Their sound is phenomenal and the strange dropouts and fades are intentional. They are worthy packages. Oddly enough, after a millennial change and a constant stream of samples being taken from it, and its influence saturating both the rock and electronica scenes, it still sounds ahead of its time.

Review by Thom Jurek, Allmusic.com

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. April 2015, 20:42

Neu! / Neu! [2012, PCD-93527]

Used drive : ASUS DRW-22B3S Adapter: 3 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

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Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


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Track | Start | Length | Start sector | End sector
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==== Log checksum DECB9404D3AB3F10E43028B2053B360883606A7E35B67DC14F00255EA2D59793 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-04-06 14:06:27

––––––––––––––––––––––––––––––––––––––––
Analyzed: Neu! / Neu! [2012, PCD-93527]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 0.00 dB -14.40 dB 10:07 01-Hallogallo
DR13 0.00 dB -20.69 dB 4:51 02-Sonderangebot
DR14 0.00 dB -17.17 dB 6:47 03-Weissensee
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================================================================================

After the considerable success of their self-titled debut album, Klaus Dinger and Michael Rother set out ambitiously to record a follow-up. Virtually everything went wrong. The first of the artistic and personal differences that existed between them not only began to surface, but to flourish in the face of a nearly impossible studio deadline and overly tight budget. While the basic Neu! sound was not an issue, how to augment it was. As both a guitarist and a composer, Rother had already begun moving in the direction he would end up in with Moebius and Rodelius in Harmonia, and on his later solo recordings: a more unified, melodic, airy, and soaring sound that was full of light and yearning. Dinger, on the other hand, was looking for more anarchy, more chaos, and rock & roll dynamics. He wanted a music that was as dramatic and confrontational as he was. It's amazing this album turned out as well as it did. On top of all this, Neu! ran out of money in the middle of the project. Their plight was met by total indifference from the record company, who wouldn't advance them another mark. So they did what any normal self-respecting band would do: they simply re-edited and remixed two singles off the album and put them on side two to fill up the time. The end result is a perverse and controversial album, one that gives the middle finger to the label, and perhaps to the record-buying public as well. That said, the disc is a very worthy one as a whole; it's a beautiful bridge between the start repetition of the debut and the lush melodic textures of 75. The disc opens with one of the band's greatest tracks, the stunning "Forever." Guitar, feedback, pulse, and distortion equals motorik, the brand name for Neu! music. Rother's playing huge chords here, spun out of effects boxes and feedback squalls, and Dinger's drumming adds a tom-tom to the metronome of snare and hi-hat. The chords are darker, minor key flourishes added to a one-note bass throb. From here it gets abstract; nocturnal ambient soundscapes with no discernable instrumentation except for a warped drum palette to keep the big swathes of white noise company ("Spitzenqualitat" & "Gedenkminute") A guitar joins the sonic investigation on "Lilac Angel" as well as a pounded out drumbeat and a growled Dinger vocal. This must have been Neu!'s idea of a hard rock single. But side two is where things get strange. Having exhausted their budge they turned to re-releasing material in manipulated fashion. Needles dropping on records, playback roughs, backwards tape manipulation sped up or slowed down interminably, all with the unmistakable Neu! sound as a base. "Super" and "Neueschnee" are played back at various speeds. There is another track that concludes with a cassette tape being eaten by a player. This is one of the more out-there sides in the history of recorded music – the dark side of the optimism presented by Pink Floyd's Meddle…without half the effort! Over time, this great big middle finger to the music biz has weathered the storm very well. In fact, it now sounds as if it were recorded this way based on aesthetics rather than anger. But at the time it merely showed a duo that had worn each other out and had been dissed by their record company. A fine and disturbing listen, it should be sought out by anyone possessing Neu! discs on either end of this one. This is essential Krautrock.

Review by Thom Jurek, Allmusic.com

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. April 2015, 1:29

Neu! / Neu! 2 [2012, PCD-93528]

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Gap handling : Appended to previous track

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Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


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==== Log checksum 1EBEA0596B8774153DDAEC7585888BA9E6EBD1250FCEE9D3922BFB9E6E21A2DE ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-04-07 13:53:51

––––––––––––––––––––––––––––––––––––––––
Analyzed: Neu! / Neu! 2 [2012, PCD-93528]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -14.35 dB 11:17 01-Fur Immer (Forever)
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DR12 -10.28 dB -29.11 dB 2:06 03-Gedenkminute (Fur A + K)
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Codec: FLAC
================================================================================

After a three-year break, Neu! members Klaus Dinger and Michael Rother buried their differences temporarily, and reunited for another go at the "motorik" sound they had developed with their debut in 1971. The strange tension and presentation of Neu! 2 and the emergence of their former band Kraftwerk may have precipitated the reunion, but, whatever the reason, the end result proved worth the time, effort, and bickering it took to crank this one out. One thing that is noticeably different on 75 is the presence of synthesizers and the preference of them, it seems, over Rother's guitar. "Isi," which opens the album, features Dinger's metronymic percussion holding down the 2/4 rhythm and a trademark one-note bassline provided by a piano, but the gorgeous sonic washes and flourishes normally handled by Rother's guitar-slinging hands are now painted with a synth. "Seeland" offers a return to the six strings with what would in subsequent years become Rother's ornate "singing" style of playing. Dinger's rhythmic patterns here are deceptively simple. They create a long, trudging 4/4, syncopated every other line, and punctuated by a small ride cymbal at the end of each phrase as Rother's guitar provides both cascading single string notes and a shifting, pulsing bassline. It's a beautiful wasteland, this track; sparse yet full of melodic interplay and layered guitars and keyboards. The last track on side one is "Leb Wohl," an exercise in white noise, industrial textures, and natural or, "found" sounds, a piano and gorgeous, spare and intricate guitar chords. For side two, Neu! adds Dinger's brother, Thomas, and Hans Lampe on various percussions to allow Dinger to play guitar, piano, and organ, and to add some bottom end to the band's sound. The funny thing is they come off sounding more like a melodic punk band on "Hero," with Dinger's growling vocals being reminiscent of a young Mick Jagger on steroids. His Keith Richards-style chords stand in stark contrast to Rother's more lyrical approach. Perhaps this isn't such a surprise when we consider the Damned's first album was recorded in 1975. The ten-minute "E-Musick" becomes Neu!'s signature track for this disc, however. With distorted percussion – courtesy of a synth and sequencer, as well as a drum kit put through a phase shifter, Rother's melodic synth lines are free to roam, wide and far, carrying within them a foreshadowing of his guitar solos a few minutes later. These long screaming lines, reminiscent of Steve Hillage at his best, with Dinger's wonderful rhythm backing and treatments of the instruments, provides a definitive statement on the Neu! "motorik" sound. This is music not only for traveling, from one place to the next, but also for disappearance into the ether at a steady pace. This may have been Neu!'s final statement – at least in the studio; Dinger issued (without Rother's permission) an inferior live '72 album – but at least they went out on a much higher note than Neu! 2, and in a place where their innovations are still being not only recognized, but utilized.

Review by Thom Jurek, Allmusic.com

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. April 2015, 0:41

Neu! / Neu! '75 [2012, PCD-93529]

Used drive : ASUS DRW-22B3S Adapter: 3 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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3 | 12:00.62 | 8:50.73 | 54062 | 93884
4 | 20:51.60 | 7:11.57 | 93885 | 126266
5 | 28:03.42 | 9:57.50 | 126267 | 171091
6 | 38:01.17 | 4:44.55 | 171092 | 192446


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End of status report

==== Log checksum 0C1DB566A87EE2D2E131351B232DE03052EDC84E7CD4E8F101AFD466E4AFB6BC ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-04-08 17:25:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Neu! / Neu! '75 [2012, PCD-93529]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -12.92 dB 5:07 01-Isi
DR14 0.00 dB -16.80 dB 6:54 02-Seeland
DR15 -2.63 dB -22.43 dB 8:51 03-Leb' Wohl
DR11 0.00 dB -12.83 dB 7:12 04-Hero
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Bitrate: 957 kbps
Codec: FLAC
================================================================================

It says "rock" up there, but let's not be coy: this is what used to be known as "krautrock", with all its strange, formalist, concretised and alienating precepts about noise and noise's relationship with music.

Neu! were one of the originals of the genre and this album was their last, unfinished work from the mid-1980s. Here it is "reworked" in memory of Klaus Dinger by his relict, Michael Rother. Strange, formalist, concretised. An essay in where electronica stood in the age of the Fairlight sequencer. Quite pleasant actually.

Review by Nick Coleman, Independent.co.uk

Neu! '86 is the long awaited fourth album by the brilliant and obscure (until about 2001) German group, Neu! It was recorded in the autumn and winter of 1985-86, hence its name. While it is very exciting to hear this music, it is actually the second release of the sessions. Without going deeply into the inter-group disagreements between Michael Rother and Klaus Dinger, the material was released by Dinger on a small Japanese label in 1995 under the title Neu! 4. That album was a real ragtag collection of music with several tracks sounding like different takes and mixes of one another. It was a mess but an engaging mess. Dinger appears to have thought that titling the album as '4' connoted the half-finished brilliance of Neu! 2, their second album. That album however, was a side of complete and enthralling music backed with a side of discordant non-music that was created in the studio to fill out the LP. Neu! 4 simply sounded unfinished, it was badly sequenced and felt like a rip off.

Neu! '86 then, made since the passing of Dinger, inevitably resembles Rother's take on the album sessions. It is an unusual prospect of an album, akin (I imagine) to listening to Let It Be Naked, the Beatles revision of their final album, or one of Jimi Hendrix's or Otis Redding's posthumous albums. So, a cynical 1995 album gets a cynical 2010 re-release? That's one view, but I don't take it, for two reasons. First, there will always be people who hanker after demos and aborted sessions, and Neu! '86 at the very least prevents them from spending ridiculous amounts of money for music. Secondly, I think Rother has done a good job, I really do.

Neu! '86 does one thing that the former incarnation does not, it sequences the music well and thereby presents the unfinished music in the best possible way. The first half of the album is arguably the better with the more finalised songs like 'Danzing', 'La Bomba', 'Crazy' and 'Drive'. The second half has more fragments of songs, but these are short and multi-layered. Rother appears to have taken the master tapes and mixed together a lot of the material. Dinger had chosen to extend and expand this material. Again, I can see advantages and problems with each approach, but the difference is that Rother's is a better listening experience and a less repetitive record.

So what of the actual music, how does it fit with that of their three albums? Well, and this is depending on your tastes what makes the album a failure or a success. The music is, to crowbar and alter John Peel's summary of The Fall, different but the same. In places it sounds very of its time, the 1980s, with Synthesizers and Keyboards everywhere. These sound a bit cheap, and a little daft in their application. Yet, detractors should remember that Neu! '75, their third album had a lot of keyboards. Thankfully there is some very Neu! music to be found, 'Crazy', 'Drive' and 'Wave Mother' each have the smack and formula of Dinger's drums complemented with rock riffs and beautiful patterns of Rother's guitar. On the debit they sound a bit like minor homages to their trademark sound, and the short length of each is disappointing (the longest is six minutes). Vocals are prevalent on the album, which is probably the biggest difference. Dinger sings (i.e. shouts) over a lot of the music, much like he memorably did in the 1970s on 'Super', 'Lilac Angel', and 'Hero'. Those songs while defining and brilliant were complimented with long instrumental tracks, which in my opinion, were their forte. Neu! '86 ends up being a bit too talky, with sung songs from 'Danzing' on down all having the same and therefore tiring sloppy, silly, and playful abandon. Neu! '86 just isn't as majestic or mysterious as their best work.

In summary, Neu! '86 is a good record. It isn't seminal, and probably says more about music in the mid-1980s than it does about the music of Dinger and Rother. Taken with their other albums it is refreshing and different. It still sounds like Neu!, but it is the distillation of the rock ethos of side 2 of Neu! '75 with the synths of side 1 of that same record. In failing, Neu! ended up sounding truer to themselves than they perhaps realised. Try It.

Review by The Chad Who Loved Me, Amazon.co.uk

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. April 2015, 0:05

Neu! / Neu! '86 [2012, PCD-93530]

Used drive : ASUS DRW-22B3S Adapter: 3 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:33.62 | 0 | 2536
2 | 0:33.62 | 5:05.71 | 2537 | 25482
3 | 5:39.58 | 3:14.17 | 25483 | 40049
4 | 8:54.00 | 5:13.47 | 40050 | 63571
5 | 14:07.47 | 5:30.07 | 63572 | 88328
6 | 19:37.54 | 2:31.35 | 88329 | 99688
7 | 22:09.14 | 4:52.59 | 99689 | 121647
8 | 27:01.73 | 5:11.23 | 121648 | 144995
9 | 32:13.21 | 3:57.50 | 144996 | 162820
10 | 36:10.71 | 1:01.25 | 162821 | 167420
11 | 37:12.21 | 3:41.43 | 167421 | 184038
12 | 40:53.64 | 1:42.70 | 184039 | 191758
13 | 42:36.59 | 1:55.09 | 191759 | 200392


Track 1

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\01. Intro (Haydn Slo-Mo).wav

Pre-gap length 0:00:02.00

Peak level 43.7 %
Extraction speed 1.4 X
Track quality 99.6 %
Test CRC 0758AF20
Copy CRC 0758AF20
Cannot be verified as accurate (confidence 10) [34A59010], AccurateRip returned [46E63ACE] (AR v2)
Copy OK

Track 2

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\02. Dänzing.wav

Peak level 97.7 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC 34BA6843
Copy CRC 34BA6843
Cannot be verified as accurate (confidence 10) [2CEB755D], AccurateRip returned [2A9984E2] (AR v2)
Copy OK

Track 3

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\03. Crazy.wav

Peak level 97.1 %
Extraction speed 4.4 X
Track quality 99.9 %
Test CRC 125C2B8D
Copy CRC 125C2B8D
Cannot be verified as accurate (confidence 10) [BFAD5E31], AccurateRip returned [1806278C] (AR v2)
Copy OK

Track 4

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\04. Drive (Grundfunken).wav

Peak level 99.2 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC C736D012
Copy CRC C736D012
Cannot be verified as accurate (confidence 10) [BD3D7D45], AccurateRip returned [0FA58A9F] (AR v2)
Copy OK

Track 5

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\05. La Bomba (Stop Apartheid World Wide!).wav

Peak level 100.0 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC 55295998
Copy CRC 55295998
Cannot be verified as accurate (confidence 10) [D589A8B8], AccurateRip returned [6E83CBAF] (AR v2)
Copy OK

Track 6

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\06. Elanoizan.wav

Peak level 49.3 %
Extraction speed 6.6 X
Track quality 100.0 %
Test CRC 19C94A72
Copy CRC 19C94A72
Cannot be verified as accurate (confidence 10) [5480AC3D], AccurateRip returned [B5EF24AA] (AR v2)
Copy OK

Track 7

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\07. Wave Mother.wav

Peak level 99.8 %
Extraction speed 6.4 X
Track quality 99.9 %
Test CRC 904FA88E
Copy CRC 904FA88E
Cannot be verified as accurate (confidence 10) [278A04A0], AccurateRip returned [98AADF52] (AR v2)
Copy OK

Track 8

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\08. Paradise Walk.wav

Peak level 100.0 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC 7F35DC82
Copy CRC 7F35DC82
Cannot be verified as accurate (confidence 10) [558AD923], AccurateRip returned [B44B0574] (AR v2)
Copy OK

Track 9

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\09. Euphoria.wav

Peak level 100.0 %
Extraction speed 8.3 X
Track quality 100.0 %
Test CRC A02044AA
Copy CRC A02044AA
Cannot be verified as accurate (confidence 10) [FADA6893], AccurateRip returned [E3BE6943] (AR v2)
Copy OK

Track 10

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\10. Vier 1-2.wav

Peak level 72.9 %
Extraction speed 6.0 X
Track quality 100.0 %
Test CRC 1FDE39D7
Copy CRC 1FDE39D7
Cannot be verified as accurate (confidence 10) [6EB4A042], AccurateRip returned [88BBF5B5] (AR v2)
Copy OK

Track 11

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\11. Good Life.wav

Peak level 99.5 %
Extraction speed 8.6 X
Track quality 100.0 %
Test CRC C9652062
Copy CRC C9652062
Cannot be verified as accurate (confidence 10) [B178357A], AccurateRip returned [60D74EA5] (AR v2)
Copy OK

Track 12

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\12. November.wav

Peak level 72.6 %
Extraction speed 5.2 X
Track quality 99.8 %
Test CRC CE8BE667
Copy CRC CE8BE667
Cannot be verified as accurate (confidence 10) [A1A54278], AccurateRip returned [4CA4763F] (AR v2)
Copy OK

Track 13

Filename H:\g.y.m\Neu!\2010 - Neu! '86 [2012, PCD-93530]\13. KD.wav

Peak level 99.4 %
Extraction speed 7.8 X
Track quality 100.0 %
Test CRC 7D94346D
Copy CRC 7D94346D
Cannot be verified as accurate (confidence 10) [2B3D1C95], AccurateRip returned [2381144E] (AR v2)
Copy OK


No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

No errors occurred

End of status report

==== Log checksum 4ADD36C21EDB601FF1EDC4CC3024F21C08DE20931977816938DD160A74A9750C ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-04-09 15:11:05

––––––––––––––––––––––––––––––––––––––––
Analyzed: Neu! / Neu! '86 [2012, PCD-93530]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -7.18 dB -21.49 dB 0:34 01-Intro (Haydn Slo-Mo)
DR9 -0.20 dB -11.19 dB 5:06 02-Danzing
DR8 -0.25 dB -9.52 dB 3:14 03-Crazy
DR9 -0.06 dB -10.63 dB 5:14 04-Drive (Grundfunken)
DR9 0.00 dB -9.89 dB 5:30 05-La Bomba (Stop Apartheid World Wide!)
DR11 -6.14 dB -20.66 dB 2:31 06-Elanoizan
DR9 -0.01 dB -10.95 dB 4:53 07-Wave Mother
DR9 0.00 dB -11.24 dB 5:11 08-Paradise Walk
DR8 0.00 dB -8.85 dB 3:58 09-Euphoria
DR13 -2.74 dB -20.87 dB 1:01 10-Vier 1/2
DR7 -0.04 dB -8.62 dB 3:42 11-Good Life
DR10 -2.78 dB -16.31 dB 1:43 12-November
DR9 -0.05 dB -12.81 dB 1:55 13-KD
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 628 kbps
Codec: FLAC
================================================================================