A man takes over a TV station and holds a number of hostages as a political platform to awaken humanity, instead of money.

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The release from Bob Marley's youngest son. Damian Marley (a.k.a. Jr. Gong) has been his late father's rangiest ambassador. His first solo album in a decade is an inspiring 18-track collection, flexing authority on roots jams and dancehall bangers, political meditations and come-ons. It's a reminder that reggae remains a potent pop force, especially when it's in the hands of a master.

Ben Wendel enjoys a varied career as a performer, composer and producer and is widely respected as the co-leader of the long standing, GRAMMY nominated band, Kneebody. In his third solo album, acclaimed up-and-coming saxophonist Ben Wendel explores the influences that have shaped him as a musician, dedicating each of the 8 tracks on "What We Bring" to an artist that has had an impact on him. Wendel dedicates all of the pieces on this album to masters from the past, peers from the present and musicians of the future.

Staind's lead singer Aaron Lewis continues to explore the world of country music with his second solo album "Sinner", recorded in Nashville in a 16 hour burst of creative energy. The songs capture Lewis's mindset, a laid back soundtrack that is reminiscent of the genre’s most honest and musically adventurous artists. In addition to a cover of Chris Stapleton's 'Whiskey And You', "Sinner" features a guest appearance from none other than Willie Nelson on the title track.

Anna Depenbusch is a German singer and musician. Prior to her solo career, she was a background singer for a group called Orange Blue. In 2005, she released her first album that united elements of Pop, Jazz and Chanson. Fans of German pop-chansons should have been familiar with the Hamburg singer-songwriter Anna Depenbusch for some time. With her soulful and lyrically extremely high-quality songs, the 40-year-old has long since made a name and earned a large following. On her newest album she presents the songs of her previous release "The Alphabet of Anna Depenbusch" again in a reduced and puristic form, as a solo on the piano.

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