Jennifer Pike, who won the BBC Young Musician of the Year competition at the tender age of 12, appears to have survived the perils of prodigyhood and entered her early twenties with musical intelligence intact. Here she offers a terrific program of music from the middle of the 19th century; all of it is abstract, but it brings vividly to mind the crucial trio of creative figures who met in the early 1850s: the ailing Robert Schumann, his musically frustrated wife Clara, and the young Johannes Brahms, mooning over the latter.

The violin and piano sonatas of Claude Debussy and Maurice Ravel draw on foreign idioms: gypsy music in Debussy's case and African-American blues in Ravel's. But they remain completely French works, spiced with something exotic, and British violinist Jennifer Pike forges interpretations that keep this in mind. Start with the "Blues" slow movement of the Ravel Violin Sonata in G major: Pike and her accompanist, Martin Roscoe, avoid exaggerating the bluesy qualities of the music and instead emphasize the odd, almost tense disconnection between violin and piano that, combined with the languid blues melodies, gives this piece its special piquancy.

Jennifer Pike writes: ‘This recording project of Polish music is one that is particularly close to my heart. The idea for the series arose from an awareness of the sound world associated with Polish music, of the country’s long-held fascination with the violin, and of my own Polish heritage on my mother’s side. As a successor to the first volume, released in 2019, this album continues to explore a breadth of repertoire that includes some rarely heard gems. The Violin Sonata, one of Szymanowski’s earlier compositions, is a work brimming with late-romantic intensity.

Felix Mendelssohn did visit the city of Birmingham several times, but the Chandos label's Mendelssohn in Birmingham series refers for the most part to these contemporary performances by the City of Birmingham Symphony Orchestra under Edward Gardner. If you've been interested in trying out an item from the series, this one can be recommended strongly. The low-key, lyrical approach of conductor Gardner works beautifully in these two pieces. Especially effective is the Violin Concerto in E minor, Op. 64, in the hands of violinist Jennifer Pike: she catches the novel role of the soloist in this concerto in a way that bigger performances do not.