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Octavie Dostaler-Lalonde, Artem Belogurov, Victor García García - From Mannheim to Berlin: Sonatas for cello piccolo (2023)

Posted By: ArlegZ
Octavie Dostaler-Lalonde, Artem Belogurov, Victor García García - From Mannheim to Berlin: Sonatas for cello piccolo (2023)

Octavie Dostaler-Lalonde, Artem Belogurov, Victor García García - From Mannheim to Berlin: Sonatas for cello piccolo (2023)
EAC | FLAC | Image (Cue & Log) ~ 344 Mb | Total time: 70:07 | Scans included
Classical | Label: Challenge Classics | # CC72961 | Recorded: 2021

A unique disc devoted to cello Galant music composed mid-18th Century in the areas of Mannheim and Berlin.

Aleksey Semenenko, Artem Belogurov - Crossroads: American Violin Sonatas by Previn, Schemmer, Gay (2021)

Posted By: ArlegZ
Aleksey Semenenko, Artem Belogurov - Crossroads: American Violin Sonatas by Previn, Schemmer, Gay (2021)

Aleksey Semenenko, Artem Belogurov - Crossroads: American Violin Sonatas by Previn, Schemmer, Gay (2021)
EAC | FLAC | Image (Cue & Log) ~ 315 Mb | Total time: 71:12 | Scans included
Classical | Label: BIS | # BIS-2545 SACD | Recorded: 2018

On this transatlantic disc, three American composers born during the first half of the last century rub shoulders with two young musicians from Eastern Europe. A member of the BBC New Generation Artists scheme, the violinist Aleksey Semenenko first met the pianist Artem Belogurov at the Stolyarsky Special Music School in Odessa at an early age. Even if their individual careers have taken to different parts of the world, the two still perform together whenever possible, and here they present three sonatas.

Jed Wentz & Artem Belogurov - The Pied Piper of Hamelin and other Melodramas (2021)

Posted By: delpotro
Jed Wentz & Artem Belogurov - The Pied Piper of Hamelin and other Melodramas (2021)

Jed Wentz & Artem Belogurov - The Pied Piper of Hamelin and other Melodramas (2021)
WEB FLAC (tracks) - 226 Mb | MP3 CBR 320 kbps - 139 Mb | 01:00:45
Classical | Label: Brilliant Classics

The melodrama, a genre combining recitation with music, flourished with particular vigour at the dawn of the 20th century. By that time, it had outgrown its original 18th-century form: no longer simply alternating between music and speech, late 19th-century melodramas (and their descendants) mainly consisted of texts declaimed over a nearly continuous and elaborate musical accompaniment.