On this 2011 tribute album, Brian Wilson covers 75 years of music from Disney films, reaching all the way back to 1937's Snow White and the Seven Dwarfs. The recording marries the vision of two men who shaped the image of modern California: Wilson and Walt Disney.

The Beach Boys, one of the world's most iconic rock bands, has reunited to commemorate an unprecedented fiftieth anniversary. The recording marks the first Beach Boys' album in decades to feature all surviving founders - Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks. The album finds the legendary ensemble recreating their timeless vocal harmonies, reminiscent of the sound that defined countless generations. Coinciding with a nation-wide tour, the album is an exhilarating milestone proving again why they are Billboard's top-selling American rock band for albums and singles! A must own!

1967 - Sunshine Tomorrow is a compilation album from the legendary Beach Boys, focusing on previously unreleased material from the end of 1967. Collected from live recordings and sessions from the group's 13th studio album, Wild Honey, this rerelease features the original album's first complete stereo mix, alternate takes and highlights as well as the previously unreleased live concert recording Lei'd in Hawaii, allowing you to revisit these pioneers of surf rock in stunning hi-resolution sound.

Brian Wilson is one of popular music’s most deeply revered figures, a legendary writer, producer, arranger and performer of some of the most cherished music in pop music history. Indeed, it is no exaggeration to call Brian Wilson one of the most gifted and influential composers of the past 50 years. For the release of his 11th solo studio album, titled "No Pier Pressure", Wilson has returned to Capitol Records, his original label home with The Beach Boys.

Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

A compilation of 46 outtakes, alternate versions and live recordings. Comprised of recordings from live shows at Sacramento Memorial Auditorium, California (December 1963) and the BBC Playhouse Theatre, London (November 1964), as well as studio session outtakes, Keep an Eye on Summer - The Beach Boys Sessions 1964 is a snapshot of the Beach Boys in the early 1960s.

To celebrate the 50th anniversary of the 1965 release of the Beach Boys' top 10 album "Party!", group members have overseen this remixed, remastered and expanded edition, "Beach Boys' Party! Uncovered And Unplugged", which removes the overdubbed party sounds from the 12-track original album's mix and adds 69 more songs and dialogue tracks culled from all of the band's Party! recording sessions.

Released in November 1965 as a filler to meet Christmas demand, the Beach Boys convened in the studio with some friends, some acoustic instruments and a batch of cover songs to record this album intended to sound like there was a party going on. The covers include several songs by the Beatles, a Bob Dylan tune, some vintage rock 'n' roll and a version of Barbara Ann by The Regents, a surprise hit single for the Beach Boys that peaked at number two in the US and number three in the UK. This version contains both the mono and stereo mixes of the album.

Holland is the 19th studio album by the American rock group the Beach Boys, released on January 8, 1973. Self-produced by the band, the album peaked at number 36 in the US and number 20 in the UK. The album is the second of two studio recordings to feature Blondie Chaplin and Ricky Fataar, who joined the band the previous year to record Carl and the Passions "So Tough". It is also the third and final studio album created under the management of Jack Rieley.

Holland is the 19th studio album by the American rock group the Beach Boys, released on January 8, 1973. Self-produced by the band, the album peaked at number 36 in the US and number 20 in the UK. The album is the second of two studio recordings to feature Blondie Chaplin and Ricky Fataar, who joined the band the previous year to record Carl and the Passions – "So Tough". It is also the third and final studio album created under the management of Jack Rieley.

Surfin' U.S.A. is the second album by American rock band the Beach Boys. It reached number two in the US, lasting 78 weeks on the albums chart, eventually being certified gold by the RIAA, and brought the group newfound national success. Like the group's debut album, production was credited ostensibly to Capitol's representative for Artists and Repertoire, Nick Venet, although bandleader Brian Wilson was heavily involved in the album's composition. The album marks the beginning of his practice to doubletrack vocals, resulting in a fuller sound.